William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist, singer, and songwriter.[1] Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as 'Bootsy's Rubber Band'.[2] He was a frequent collaborator with other musicians from a variety of genres, including dance music (Deee-Lite's "Groove Is in the Heart"), electronic big beat (Fatboy Slim's "Weapon of Choice" and "The Joker"), and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time.[3]
Collins was born in Cincinnati, Ohio, on October 26, 1951.[4] He said that his mother nicknamed him "Bootsy". "I asked her why", he explained to a journalist, "and she just said, 'Because you looked like a Bootsy.' I left it at that."[5]
Collins has maintained a strong connection with Cincinnati.[6]
Career
1960s–1970s
With his elder brother Phelps "Catfish" Collins, Frankie "Kash" Waddy, and Philippé Wynne, Collins formed a funk band, The Pacemakers, in 1968.[4] In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s.[7] (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Bewildered (1970)", "Super Bad", "Soul Power", "Talkin' Loud and Sayin' Nothing", and two instrumental singles, the much-sampled "The Grunt" and "These Are the J.B.'s". In regards to his tenure working for James Brown, Collins stated:
He treated me like a son. And being out of a fatherless home, I needed that father figure and he really played up to it. I mean, Good Lord. Every night after we played a show, he called us back to give us a lecture about how horrible we sounded. [Affects James Brown voice] "Nah, not on it, son. I didn't hear the one. You didn't give me the one." He would tell me this at every show. One night, we knew we wasn't sounding really good – we were off – and he calls us back there and said, "Uh huh, now that's what I'm talkin' about. Y'all was on it tonight. Y'all hit the one." My brother and I looked at each other like, "This mother has got to be crazy." We knew in our heart and soul that we wasn't all that on that show. So then I started figuring out his game, man. By telling me that I wasn't on it, he made me practice harder. So I just absorbed what he said and used it in a positive way.[8]
After parting ways with James Brown, Collins returned to Cincinnati and formed House Guests with his brother Phelps Collins, Rufus Allen, Clayton "Chicken" Gunnels, Frankie Waddy, Ronnie Greenaway and Robert McCullough. The House Guests released "What So Never the Dance" and another single on the House Guests label, as well as a third as The Sound of Vision on the House Guests label.
Next Collins moved to Detroit, Michigan, after Philippé Wynne suggested joining The Spinners, for whom Wynne had been singing. However, following the advice of singer and future Parliament member Mallia Franklin, Collins made another choice. Franklin introduced both Collins brothers to George Clinton, and in 1972, both of the Collins brothers, along with Waddy, joined Funkadelic. Collins played bass on most of Funkadelic and Parliament albums through the early 1980s, garnering several songwriting credits as well.
In 1976 Collins, Catfish, Waddy, Joel Johnson (1953–2018), Gary "Mudbone" Cooper, Robert Johnson and The Horny Horns formed Bootsy's Rubber Band, a separate touring unit of Clinton's P-Funk collective. The group recorded five albums together, the first three of which are often considered to be among the quintessential P-Funk recordings. The group's 1978 album Bootsy? Player of the Year reached the top of the R&B album chart and spawned the #1 R&B single "Bootzilla".
Like Clinton, Collins took on several alter egos, from Casper the Funky Ghost to Bootzilla, "the world's only rhinestone rockstar monster of a doll", all as parts of the evolving character of an alien rock star who grew gradually more bizarre as time went on (see P-Funk mythology). He also adopted his trademark "space bass" around this time.
1980s–1990s
Collins released two 1980 albums, his first "solo" album Ultra Wave, and Sweat Band, on George Clinton's Uncle Jam label with a group billed as Bootsy's Sweat Band. He also was credited for co-producing the debut of P-Funk spinoff Zapp.
After a nearly five-year hiatus, he had a comeback in 1988 (with some help from producer Bill Laswell). What's Bootsy Doin'? flaunted a new sound that foreshadowed the 1990s, such as the dance floor smash "Party on Plastic". Laswell introduced Collins to Herbie Hancock, resulting in Perfect Machine (1988). The techno-funk they recorded featured turntables for scratch appeal, and the smoothly-stylized vocals of Leroy "Sugarfoot" Bonner of chart-topping Ohio Players. These were the first of many collaborations between Laswell and Collins on many albums and projects, with the prolific producer using Bootsy mainly as a bassist but sometimes as a rhythm guitarist.[9]
In 1988, Collins appeared as a guest artist to play bass on Keith Richards and The X-Pensive Winos album Talk is Cheap.
In 1989, Collins played bass on and produced several tracks of Malcolm McLaren's album Waltz Darling, credited to Malcolm McLaren and the Bootzilla Orchestra.
In 1990, Collins collaborated with Deee-Lite on their biggest hit "Groove Is in the Heart", and he contributed additional vocals. Although he also appeared in the music video playing the bass, the bassline in the song is actually a sample of a Herbie Hancock song called "Bring Down the Birds". Bootsy's Rubber Band became the de facto backing musicians for Deee-Lite during a world tour. The Rubber Band also recorded the EP Jungle Bass, their first recording in 11 years.
In 1992, he joined with guitarist Stevie Salas and drummer Buddy Miles to form the funk-metal fusion group Hardware. The trio released one album, Third Eye Open, before disbanding. In the same year, Collins played bass guitar on the first Praxis album (produced by Laswell): Transmutation, alongside fellow Parliament-Funkadelic member Bernie Worrell, Bryan Mantia and Buckethead.
In 1995, Collins played in the remake of Jimi Hendrix's "If 6 Was 9", for Axiom Funk, a Funkadelic-like one-off supergroup produced by Bill Laswell and featuring (Funkadelic members) George Clinton, Bernie Worrell, Collins, (the guitar of the late) Eddie Hazel, Gary Shider and Laswell. The group released only one album (Funkcronomicon), and the song also appeared in the soundtrack of the movie Stealing Beauty. He also featured on Jon B's song "Simple Melody" from his debut album, "Bonafide".
In 2004 Collins contributed to Christian rap artist TobyMac's Welcome to Diverse City album, collaborating on the "Diverse City" track, a song praised as one of the best on the album.[10] The album won the 2005 Dove Award for Rap/Hip-Hop Album of the Year.[11]
In October 2005, Collins co-wrote a song celebrating the resurgence of his hometown team, the Cincinnati Bengals of the National Football League called "Fear Da Tiger" which features "raps" written and performed by several Bengals players, including defensive end Duane Clemons, offensive tackle Stacy Andrews, and center Ben Wilkerson. An edited version of the song was made into a music video which features cameos by many other Bengals players. Collins appeared with Little Richard, Bernie Worrell, and other notable musicians as the band playing with Hank Williams, Jr. for the Monday Night Football opening during for the 2006 season. Collins was the only all star to return with Williams for the 2007 season.
He also sings "Marshal Law", the theme song of the Cincinnati Marshals indoor football team and debuted the song in 2006[6] at half time of the April 29 Marshals home game against the West Palm Beach Phantoms.
In 2006, ABC Entertainment/A Charly Films Release released a DVD and CD from Collins and the New Rubber Band's concert at the 1998 North Sea Jazz Festival. Soon after the release, Collins split from long-time friend and guitarist Odhran "The Bodhran" Rameriz, citing creative differences as the reason.
Later that same year, Collins released the holiday album Christmas Is 4 Ever. This represents the first Christmas-themed album made by a member of the P-Funk musical collective. The album features re-workings of Christmas standards as well as original compositions.
In April 2007, Collins announced plans to open Bootsy's, a restaurant/club with Cincinnati area restaurateur Jeff Ruby. The venue operated from 2008 to 2010. It featured live musical acts, a museum dedicated to Collins's musical career and Spanish, Central and South American cuisine.
In June 2007, Collins, along with Catfish Collins, Clyde Stubblefield, John "Jabo" Starks, and Bernie Worrell, participated in the recording of the soundtrack for the movie Superbad. In December of that year they (without Worrell) went on to perform the first tribute concert remembering James Brown.
In July 2007, Collins also told Billboard magazine that he was working on a project named Science Faxtion and an album called Living on Another Frequency in which he serves as bassist and co-producer along with his lead vocalist Greg Hampton. The band also features guitarist Buckethead and drummer Brain.[12] The album was released in November 2008.[13]
On December 14, 2018, Collins played a show with Detroit-based funk artist GRiZ, and also collaborated on a new song with GRiZ.
In January 2019, Collins announced on Facebook that he would be retiring from live performances for health reasons:[16]
Time has come for Me to tell all our Funkateers that I will Not be Playing Bass in Concerts anymore. I have decided to become a Coach for up & coming Musicians. I know u r Disappointed just think for a moment how I feel. Doc said to much pressure on my Inner-Ear & Right Hand. Yeah, I had to make up my Mind, so I did. 2019 Sheriff Ping Ping Ping will continue to Funk from the Studio but Not Live playing Bass on Stage. I know u got question & I don't have answers, maybe one day u to will understand. Just remember; That This Year will be the Funkiest Year of them All. Watch for it. Bootsy baby!!![16]
He wrote that he would be releasing a new album that year, and that he would continue to work in the studio and mentor young musicians.[16]
On February 25, 2021, it was announced that Collins would be making an appearance as the "special guest host" of An Evening with Silk Sonic, the first studio album from Silk Sonic, a collaboration between Bruno Mars and Anderson .Paak.[17] He was the one who came up with the band's name (much like he did with Babyface), and acts as the album's narrator, "threading" the songs together.[18]
Collins has owned many basses, several of which are custom made. His original Space Bass and its first replacement were made in Warren, Michigan by Larry Pless of Gus Zoppi's music store. The first Space Bass had a mahogany body and maple neck, white finish, and mirror pick guard. This is the Space Bass on the cover of 1976 album Stretchin' Out in Bootsy's Rubber Band.[20] Collins's original Space Bass guitar was stolen, but it was later recovered at a Cincinnati pawn shop and returned to him.[20]
Another Collins signature instrument is a custom-built star-shaped bass guitar he also calls the Space Bass, built for him by Manuel "Manny" Salvador of GuitarCraft in 1998.[citation needed] In 2006 Collins made an agreement with Traben to make a signature Collins model bass, the Bootzilla.[citation needed] During the 2010 NAMM Show, Collins's new signature bass was released by Warwick, a customized Infinity Bass called "Bootsy Collins Black Star Signature Bass" or "Bootsy Collins Orange Star Signature Bass", depending on the color of the stars on it.[citation needed]
Funk University
In July 2010, Collins, in partnership with former child actor Cory Danziger,[21] launched Funk University ("Funk U"), an online-only bass guitar school in which he also serves as curator and lead professor. Funk University offers an intense curriculum tailored for intermediate to advanced bass players as well as anyone interested in a deeper understanding of funk. The curriculum is based on bass theory, history of funk, and Collins's own musical history given by Collins himself, augmented by lessons and exercises in bass and rhythm from guest bassist professors such as Les Claypool, Meshell Ndegeocello, John B (Williams) and Victor Wooten. As of 2021, Funk University is now defunct.[citation needed]
Legacy
He has been mentioned in the song "Genius of Love" by Tom Tom Club in the line "Clinton's musicians such as Bootsy Collins raise expectation to a new intention", while "Got more bass than Bootsy Collins" is a line in the song "Rumble in the Jungle" by the Fugees. His influence in popular culture is seen in that he has been referenced by a number of television series. In The Fresh Prince of Bel-Air episode "Sooooooul Train", Geoffrey sneaks into the Soul Train tapings posing as Collins, while in The Mighty Boosh episode "The Legend of Old Gregg" an alien creature named "The Funk" lands on Collins's house, giving him his ability to play the bass guitar "like some kinda delirious funky priest", as well as the ability to see around corners.[citation needed]
Red Hot Chili Peppers bassist Flea, who cited Collins as one of his primary influences, appeared in unmistakably Collins-style clothing in the video for RHCP's "Dani California",[22] and Collins's "What's a Telephone Bill?" was sampled for 2Pac's "Str8 Ballin'" track from his Thug Life: Volume 1 album. Les Claypool has also cited Collins as a musical influence.[citation needed]
In October 2010, he was awarded a Lifetime Achievement Award by Bass Player magazine at the Key Club in Los Angeles.[25] Collins was inducted in 2016 into the National Rhythm & Blues Hall of Fame.[26]
On July 22, 2023, Bootsy Collins was inducted into the Cincinnati Black Music Walk of Fame.[27]
Personal life
In March 2011, Collins and his wife visited Franklin L. Williams M.S #7's Little Kids Rock program, donated a bass, gave the children a bass lesson, and rapped with them while they played the blues. He is now an honorary board member of the organization.[28] Collins is an honorary member of Phi Beta Sigma fraternity.[29]
In an April 2011 interview with The Guardian, Collins stated that, at one point in his life, he took LSD every day for over two years.[30]
Collins is the voice of Jimi Hendrix in the 2010 documentary, Jimi Hendrix: Voodoo Child, which is based on Hendrix's own words from letters, interviews and other printed materials.[34][35]
Collins hosted Detroit Music Weekend's Funk Festival on August 26, 2023.[37][38]
Related Research Articles
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Edward Earl Hazel was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. His ten-minute guitar solo in the Funkadelic song "Maggot Brain" is hailed as "one of the greatest solos of all time on any instrument". In 2023, Rolling Stone ranked Hazel at no. 29 in its list of 250 of the greatest guitarists of all time.
America Eats Its Young is the fourth studio album and the first double album by Funkadelic, released in May 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S., which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would appear on the cover of their next album Cosmic Slop.
George Bernard Worrell, Jr. was an American keyboardist and record producer best known as a founding member of the Parliament-Funkadelic collective. In later years, he also worked with acts such as Talking Heads, Bill Laswell, and Jack Bruce. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by journalist Jon Pareles as "the kind of sideman who is as influential as some bandleaders," with his use of synthesizers particularly impactful on funk and hip hop.
Stretchin' Out in Bootsy's Rubber Band is the first album by American funk and soul band Bootsy's Rubber Band, an offshoot act of Parliament-Funkadelic led by bassist and vocalist William "Bootsy" Collins. It was released on January 30, 1976, on Warner Bros. Records.
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Praxis is an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Buckethead is an American guitarist and multi-instrumentalist. Buckethead's extensive solo discography currently includes 31 studio albums, one live album, two extended plays, five special releases, six demo tapes, & four DVD releases. Since 2011, Buckethead started releasing albums in the "Pikes" series, mini-albums usually around 30 minutes in length, each with a sequential number similar to a comic book. Buckethead has released 655 Pike albums, 175 of which are live albums.
Transmutation (Mutatis Mutandis) is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables.
Sacrifist is the second album by Bill Laswell's experimental music project Praxis, released in 1993 on Laswell's label Subharmonic. Originally, the album was intended to be a Rammellzee project, but soon was converted into the second Praxis album, after suggestions made by John Zorn.
Funkcronomicon is a 1995 various artists collection of tracks produced by Bill Laswell under the name Axiom Funk, after Laswell's associated record label. It is a 2-CD set that was released by Island Records. Funkcronomicon features heavy participation from various members of Parliament-Funkadelic, to the degree that Funkcronomicon is widely considered to be a full-fledged P-Funk album. The album features what may be Pedro Bell's last authentic artistic renderings, as well as P-Funk guitarist Eddie Hazel's last recordings before his death in 1992. The album comprises newly recorded tracks, as well as tracks that have been featured on other Bill Laswell productions. Produced and compiled at Greenpoint Studio in the Greenpoint neighborhood of Brooklyn, New York, Funkcronomicon contains songs that were recorded as early as Maceo Parker's For All the Kings Men (1989) period. The album title is a play on Necronomicon, a fictional book.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
What's Bootsy Doin'? is a 1988 album by Parliament-Funkadelic bassist Bootsy Collins. The album was released by Columbia Records and was his first album after a six-year hiatus from the music scene. The album reunites Collins with former P-Funk players Bernie Worrell, Fred Wesley and Gary "Mudd Bone" Cooper, and also features newcomers including Mico Wave and Godmoma.
Axiom Collection series of albums are compilations from the Axiom record label released between 1991 and 1996.
This is the discography of American musician Bootsy Collins.
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