Hey, Man, Smell My Finger | ||||
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Studio album by | ||||
Released | October 12, 1993 | |||
Recorded | 1992–1993 | |||
Studio | Paisley Park, Chanhassen, Minnesota, US | |||
Genre | Funk, hip hop, R&B, dance | |||
Label | Paisley Park | |||
Producer | George Clinton | |||
George Clinton chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Baltimore Sun | (favorable) [2] |
Robert Christgau | A− [3] |
Entertainment Weekly | A [4] |
The Independent | (favorable) [5] |
Orlando Sentinel | [6] |
Rolling Stone | [7] |
USA Today | [8] |
The Village Voice | (favorable) [9] |
Yahoo! Music | (favorable) [10] |
Hey, Man, Smell My Finger is the sixth studio album by American funk musician George Clinton, released October 12, 1993, on Paisley Park Records. It is Clinton's second and last release for the Paisley Park label, owned by Prince. The album features an array of musical guests including Prince, Dallas Austin, Humpty Hump (Shock G) from Digital Underground, Ice Cube, N'Dea Davenport, Dr. Dre, and Herbie Hancock, as well P-Funk alumni including Bootsy Collins, Bernie Worrell, Maceo Parker, and Fred Wesley. Hey, Man, Smell My Finger furthers Clinton's incorporation of hip hop elements such as electronically produced beats, rapping by Clinton, and sampling of older P-Funk material. [8] [11]
The album was acclaimed by most music critics and was followed by a supporting tour. [12] The New Yorker called it "a funny, psychedelic, intricate collection of grooves and insights." [13] It went out of print soon after Paisley Park Records folded in late 1993.
Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s.
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
Children Of Production ia an innovative derivative of P-Funk.
T.A.P.O.A.F.O.M. is a 1996 album by funk musician George Clinton. The title, which is an abbreviation for The Awesome Power of a Fully Operational Mothership, refers to the P-Funk Mothership that was first introduced in 1975 on Parliament's Mothership Connection album. The album was presented as a reunion album because it featured collaborations with former Parliament-Funkadelic members including Bernie Worrell, Bootsy Collins, Junie Morrison, Maceo Parker, and Fred Wesley — some of whom hadn't worked with Clinton in many years. The album also included contributions by current members of the P-Funk All-Stars.
Ahh... The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
All The Woo In The World is the debut funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band. The album was released on Warner Bros. Records on January 20, 1978. At the height of the album's popularity, it competed head to head with Bootsy Collins' mentor George Clinton and his band Parliament, who had released the album Funkentelechy Vs. the Placebo Syndrome just two months earlier. The album was produced by Clinton and Collins and arranged by "The Player". The original vinyl version of the album contained a pair of cut out star shaped eyeglasses.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band, released through Warner Bros. Records in 1979. Unlike previous albums by Bootsy's Rubber Band, the album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made for Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns, featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins, and Fred Wesley.
R&B Skeletons in the Closet is the fourth solo album by Parliament-Funkadelic leader George Clinton. It was released in April 1986 by Capitol Records and was the last album that Clinton would record for the label. Recording sessions for the album utilized a small cadre of P-Funk musicians including Bootsy Collins, Garry Shider, and DeWayne "Blackbyrd" McKnight, as well as the debut recorded appearance of former Miss America Vanessa L. Williams on the opening track "Hey Good Lookin'". R&B Skeletons in the Closet was produced by Clinton, Steve Washington, Shider, and Andre Jackson.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
What's Bootsy Doin'? is a 1988 album by Parliament-Funkadelic bassist Bootsy Collins. The album was released by Columbia Records and was his first album after a six-year hiatus from the music scene. The album reunites Collins with former P-Funk players Bernie Worrell, Fred Wesley and Gary "Mudd Bone" Cooper, and also features newcomers including Mico Wave and Godmoma.
Blasters of the Universe is a 1993 2-CD set by Bootsy's New Rubber Band. The album was first released on the P-Vine record label and then by Rykodisc in the US and the UK. In terms of musical personnel, the album features more P-Funk and Funk alumni than any other Bootsy Collins related release. It also contains one of the last tracks to feature original Parliament-Funkadelic guitarist Eddie Hazel, to whom the album is dedicated. The album also contains a lyric sheet and a comic book called "Back 'N' Dah Day: A Boot Tune Adventure".
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
First Ya Gotta Shake the Gate is the fourteenth and final studio album by American funk rock band Funkadelic. The album was released by The C Kunspyruhzy in 2014 and consists of newly recorded material.