Mutiny on the Mamaship | ||||
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Studio album by | ||||
Released | 1979 | |||
Recorded | 1979 | |||
Genre | Funk, disco | |||
Length | 39:22 | |||
Label | Columbia | |||
Producer | Jerome Brailey for J. Rony Music Inc. | |||
Mutiny chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Village Voice | A− [2] |
Mutiny on the Mamaship is the debut album by former Parliament-Funkadelic drummer Jerome Brailey and his band Mutiny. The album was released by Columbia Records in 1979. The album was released a year after Brailey left P-Funk due to a financial dispute. This album featured a lyric sheet showing the dissatisfied content relating to George Clinton's treatment of members of the band.
In 1994, Mutiny on the Mamaship was reissued by P-Vine records in Japan (PCD-2776) with one extra track entitled "Sneakin'". In 2015 it was reissued in the U.S. by Funky Town Grooves as a two-CD set with their next album Funk Plus The One with numerous bonus tracks. [3]
2015 Funky Town Grooves issue Bonus Tracks:
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style drew on psychedelia, outlandish fashion, and surreal humor. They released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Free Your Mind... and Your Ass Will Follow is the second studio album by American funk rock band Funkadelic, released in July 1970 by Westbound Records. It charted at No. 92 in the US, the band's highest charting album release until 1978's One Nation Under a Groove, and included the No. 82 single "I Wanna Know If It's Good to You?"
Hardcore Jollies is the ninth studio album by the funk rock band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's final album for Westbound Records, Tales of Kidd Funkadelic, which was recorded during the same sessions.
Uncle Jam Wants You is the eleventh studio album by American funk rock band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Raise! is the eleventh studio album by the American band Earth, Wind & Fire, released on November 14, 1981, by ARC/Columbia Records. The album spent 11 weeks atop the Billboard Top R&B albums chart and peaked at No. 5 on the Billboard 200 chart. Raise! has been certified Platinum in the US by the RIAA, Gold in the UK by the BPI and Gold in Canada by Music Canada.
Chocolate City is the third album by the funk band Parliament, released in 1975. It was a "tribute to Washington D.C.", where the group had been particularly popular. The album's cover includes images of the United States Capitol, the Washington Monument, and the Lincoln Memorial in the form of a chocolate medallion, as well as sticker labeled "Washington DC". The album was very popular in the capitol city, selling 150,000 copies alone there.
The Clones of Dr. Funkenstein is the fifth album by funk band Parliament, released in September 1976. The album is notable for featuring horn arrangements by ex-James Brown band member, Fred Wesley. The album charted at #3 on the Billboard R&B Albums chart, #20 on the Billboard pop chart, and became Parliament's second album to be certified gold. Two singles were released off the album, "Do That Stuff", which charted at #22, and "Dr. Funkenstein" which charted at #43.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Do It Good is the debut album by the American funk and disco group KC and the Sunshine Band. Produced by Richard Finch, it was released in 1974 on the TK label.
In the Jungle Groove is a compilation album by American funk musician James Brown, released in August 1986 by Polydor Records.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Radio Active is the second album by Parliament-Funkadelic vocalist Clarence "Fuzzy" Haskins. It was released by Westbound Records in 1978 and was produced by GIG productions. The album features numerous P-Funk musicians including Garry Shider, Bernie Worrell, and Jerome Brailey.
Funk Plus The One is the second album by Jerome Brailey and his Funk band Mutiny. The album was released by Columbia Records in 1980. In 1994 the album was reissued by P-Vine records in Japan and contains one extra track entitled "I'm Ready". The album also features a guest appearance by P-Funk bassist/guitarist Cordell Mosson. In 2015 it was reissued in the U.S. by Funky Town Grooves as a two-CD set with their debut album Mutiny On The Mamaship without "I'm Ready," but with three other bonus tracks.
Quazar is the debut album from the band Quazar. The band was led by former P-Funk vocalist Glenn Goins, who also served as the producer and arranger of the album. Goins died before the album's release, effectively sealing the group's fate. The album was released by Arista Records in the fall of 1978, after Funkadelic's One Nation Under A Groove but before Parliament (band)'s Motor Booty Affair, that same year. The album also features contributions from former P-Funk drummer Jerome Brailey. Both Glenn Goins and Jerome Brailey were inducted into the Rock and Roll Hall of Fame with Parliament-Funkadelic.
Rest in P is a 1994 posthumous album release by Parliament-Funkadelic guitarist Eddie Hazel. The album was released by P-Vine records in Japan on July 25, 1994, and is composed of previously unreleased tracks recorded by Eddie Hazel between 1975 and 1977. The album features musical support from various members of the P-Funk stable.
Chaka Khan is the fourth solo album by American R&B/funk singer Chaka Khan, released on the Warner Bros. Records label in 1982.
Aftershock 2005 is the fourth album by Jerome Brailey's funk band Mutiny. The album was initially released in 1996 by the Polystar label in Japan, and then by Rykodisc Records in the U.S. and UK. The album possesses a more rock-oriented feel than previous Mutiny albums. The album features guest appearances from former P-Funk bandmates Bernie Worrell and Michael Hampton. "Aftershock 2005" was one of the last albums released through producer Bill Laswell's Black Arc series.