Uncle Jam Wants You is the eleventh studio album by American funk rock band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Play Me or Trade Me is the third and final studio album by the P-Funk spin off act Parlet. The album was released by Casablanca Records in 1980 and was produced by George Clinton and Ron Dunbar. Like many albums released by the label during this year, it would be totally ignored in terms of promotion due to the label being bought by Polygram Records. The vocal line up for this album remained the same as the previous album. Play Me or Trade Me failed to enter on the Billboard R&B album charts.
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, "Computer Games" restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid 1980s.
Gloryhallastoopid is the eighth album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Trombipulation is the ninth album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the Hip-Hop group Digital Underground for their single "The Humpty Dance".
Ahh...The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard magazine's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Billy Bass Nelson, and Eddie Hazel.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band. It was released through Warner Bros. Records on June 1, 1979. Unlike previous albums by Bootsy's Rubber Band, this album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made For Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Ultra Wave is the fifth album released by funk musician Bootsy Collins. It was released on November 12, 1980 by Warner Bros. Records. It is the first album credited solely to Bootsy Collins, as opposed to his previous releases, which were credited to Bootsy's Rubber Band. In 2007, "Ultra Wave" was licensed through Rhino Records and reissued through the Collectors Choice music service.
Urban Dancefloor Guerillas is the debut album of funk band the P-Funk All-Stars, released in 1983 on Uncle Jam Records. The album features an amalgamation of various alumni from the bands Parliament and Funkadelic, both of which were disbanded by 1981. It is the only studio album credited solely to the P-Funk All-Stars, as opposed to other albums that are credited to George Clinton and the P-Funk All Stars. The songs on Urban Dancefloor Guerillas were produced by a variety of members of the P-Funk musical collective including Clinton, Garry Shider, Walter Morrison, Sylvester Stewart, and Bootsy Collins.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
The One Giveth, the Count Taketh Away is an album by William Bootsy Collins, released by Warner Bros. Records. It would be the last album that Bootsy Collins would record for the label. It would also be the first album produced solely by Bootsy Collins, with the exception of the track "Shine-O-Myte " which was produced by Bootsy Collins and George Clinton. The album was released on April 28, 1982.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins and Fred Wesley.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
Wynne Jammin' is a 1980 album by Philippé Wynne, the former lead singer of the Spinners. It was the second album released on the Uncle Jam/CBS label, fronted by Parliament-Funkadelic leader George Clinton and his manager Archie Ivy. The album features many musicians from the P-Funk stable.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
