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Funk Plus The One | ||||
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Studio album by | ||||
Released | 1980 | |||
Recorded | 1980 | |||
Genre | Funk | |||
Length | 34:58 | |||
Label | Columbia | |||
Producer | Jerome Brailey for J. Rony Music Inc. | |||
Mutiny chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Funk Plus The One is the second album by Jerome Brailey and his Funk band Mutiny. The album was released by Columbia Records in 1980. In 1994 the album was reissued by P-Vine records in Japan and contains one extra track entitled "I'm Ready". The album also features a guest appearance by P-Funk bassist/guitarist Cordell Mosson. In 2015 it was reissued in the U.S. by Funky Town Grooves as a two-CD set with their debut album Mutiny On The Mamaship without "I'm Ready," but with three other bonus tracks. [2]
All tracks composed by Jerome Brailey; except where indicated
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Will It Be Tomorrow?" | J. Brailey | 3:23 |
2. | "Anti-Disco" | Jerome Brailey, Raymone Carter, Lenny Holmes | 4:33 |
3. | "Don't Bust the Groove" | Jerome Brailey, James Hockaday | 4:11 |
4. | "Romeo, Take 2" | J. Brailey | 1:14 |
5. | "Reality" | J. Brailey | 4:03 |
6. | "Semi-First Class Seat" | J. Brailey | 6:28 |
7. | "One On One" | J. Brailey | 4:39 |
8. | "The Ballad of Captain Hymbad" | J. Brailey | 4:02 |
9. | "Will It Be Tomorrow (reprise)" | J. Brailey | 1:23 |
10. | "I'm Ready" | J. Brailey | 5:05 |
Total length: | 34:58 |
2015 Funky Town Grooves Bonus Tracks:
No. | Title | Writer(s) | Length |
---|---|---|---|
10. | "Semi-First Class Seat" | J. Brailey (7" version, released as Columbia 1-11342) | 4:08 |
11. | "The Rock" | J. Brailey (previously unreleased-early version of "Reality") | 4:05 |
12. | "SSSH" | J. Brailey (previously unreleased-early version of "Will It Be Tomorrow?") | 5:25 |
Total length: | 13:48 |
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
Hardcore Jollies is the ninth studio album by the funk rock band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's final album for Westbound Records, Tales of Kidd Funkadelic, which was recorded during the same sessions.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Bros. Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. The album was the first album to include keyboardist and frequent songwriter Walter "Junie" Morrison.
Uncle Jam Wants You is a concept album by American funk rock band Funkadelic. It was released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at No. 18 on the Billboard 200 and No. 2 on the Billboard Top R&B/Hip-Hop Albums chart.
Funkentelechy vs. the Placebo Syndrome is the sixth studio album by the American funk band Parliament, released in 1977.
Play Me or Trade Me is the third and final studio album by the P-Funk spin off act Parlet. The album was released by Casablanca Records in May of 1980 and was produced by George Clinton and Ron Dunbar. Like many albums released by the label during this year, it would be totally ignored in terms of promotion due to the label being bought by Polygram Records. The vocal line up for this album remained the same as the previous album. Play Me or Trade Me failed to enter on the Billboard R&B album charts.
The Clones of Dr. Funkenstein is the fifth album by funk band Parliament, released on July 20, 1976. The album is notable for featuring horn arrangements by ex-James Brown band member, Fred Wesley. The album charted at #3 on the Billboard R&B Albums chart, #20 on the Billboard pop chart, and became Parliament's second album to be certified gold. Two singles were released off the album, "Do That Stuff", which charted at #22, and "Dr. Funkenstein" which charted at #43.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Game, Dames and Guitar Thangs is the debut album by Parliament-Funkadelic lead guitarist Eddie Hazel. The album was released on July 25, 1977. It was Hazel's only album until his death in 1992, when it was followed by several posthumous releases.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
Mothership Connection Newberg Session is a live album by George Clinton and Parliament-Funkadelic. It was recorded in Hangar E at Stewart Airfield in Newburgh, New York, on September 26, 1976, during the rehearsals for the P-Funk Earth Tour. The live album was released by P-Vine Records in Japan on December 25, 1995.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns, featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins, and Fred Wesley.
Radio Active is the second album by Parliament-Funkadelic vocalist Clarence "Fuzzy" Haskins. It was released by Westbound Records in 1978 and was produced by GIG productions. The album features numerous P-Funk musicians including Garry Shider, Bernie Worrell, and Jerome Brailey.
Mutiny on the Mamaship is the debut album by former Parliament-Funkadelic drummer Jerome Brailey and his band Mutiny. The album was released by Columbia Records in 1979. The album was released a year after Brailey left P-Funk due to a financial dispute. This album featured a lyric sheet showing the dissatisfied content relating to George Clinton's treatment of members of the band.
Quazar is the debut album from the band Quazar. The band was led by former P-Funk vocalist Glenn Goins, who also served as the producer and arranger of the album. Goins died before the album's release, effectively sealing the group's fate. The album was released by Arista Records in the fall of 1978, after Funkadelic's One Nation Under A Groove but before Parliament (band)'s Motor Booty Affair, that same year. The album also features contributions from former P-Funk drummer Jerome Brailey. Both Glenn Goins and Jerome Brailey were inducted into the Rock and Roll Hall of Fame with Parliament-Funkadelic.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Aftershock 2005 is the fourth album by Jerome Brailey's funk band Mutiny. The album was initially released in 1996 by the Polystar label in Japan, and then by Rykodisc Records in the U.S. and UK. The album possesses a more rock-oriented feel than previous Mutiny albums. The album features guest appearances from former P-Funk bandmates Bernie Worrell and Michael Hampton. "Aftershock 2005" was one of the last albums released through producer Bill Laswell's Black Arc series.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".