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A Blow For Me, a Toot to You | ||||
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Studio album by Fred Wesley and the Horny Horns | ||||
Released | April 17,1977 | |||
Recorded | 1977 | |||
Studio | United Sound Studio, Detroit, Michigan Hollywood Sound Studio, Hollywood, California | |||
Genre | Funk | |||
Length | 41:04 | |||
Label | Atlantic | |||
Producer | Bootsy Collins George Clinton | |||
Fred Wesley and the Horny Horns chronology | ||||
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A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Review scores | |
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Source | Rating |
Allmusic | [1] |
The album contains heavy participation by the P-Funk musical collective, including Garry Shider, Michael Hampton, and Jerome Brailey. The album also contains the heavily sampled track "Four Play" which, due to its title, prevented the track from garnering airplay when it was released as a single.[ citation needed ]
The album was produced by George Clinton and Bootsy Collins, and was reissued in 1993, first by P-Vine records in Japan, then by Sequel Records in the UK, and lastly AEM in the U.S.. The reissue contains two new remixes of the tracks "Four Play" and "A Blow for Me, a Toot to You", as well as an interview with George Clinton discussing the recording's background. Years later[ when? ], WEA released both Horny Horns albums on a two-CD set, in the UK.
Chart (1977) | Peak position |
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Billboard Pop Albums [2] | 181 |
Billboard Top Soul Albums [2] | 31 |
Year | Single | Chart positions [3] |
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US R&B | ||
1977 | "Up For The Down Stroke" | 93 |
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits.
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Pleasure Principle is the debut album by the female P-Funk spin off group Parlet. The album was released in 1978 by Casablanca Records and was produced by P-Funk leader/producer George Clinton. Parlet consisted of Mallia Franklin, Debbie Wright, and Jeanette Washington. The album features heavy involvement from the P-Funk musical collective.
Gloryhallastoopid is the eighth album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
The Clones of Dr. Funkenstein is the fifth album by funk band Parliament, released in September 1976. The album is notable for featuring horn arrangements by ex-James Brown band member, Fred Wesley. The album charted at #3 on the Billboard R&B Albums chart, #20 on the Billboard pop chart, and became Parliament's second album to be certified gold. Two singles were released off the album, "Do That Stuff", which charted at #22, and "Dr. Funkenstein" which charted at #43.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
Children Of Production
Ahh...The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard magazine's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
"Up for the Down Stroke" is a funk song by Parliament, the title track to their 1974 album of the same name. Released as a single from the album, it reached number ten on the Billboard R&B chart, and number 63 on the Hot 100. The song was one of the first compositions to feature the songwriting team of George Clinton, Bootsy Collins and Bernie Worrell.
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band. It was released through Warner Bros. Records on June 1, 1979. Unlike previous albums by Bootsy's Rubber Band, this album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made For Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins and Fred Wesley.
Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
This is the discography of American musician Bootsy Collins.