Funkentelechy vs. the Placebo Syndrome is a funk album by Parliament, released in 1977.
Pleasure Principle is the debut album by the female P-Funk spin off group Parlet. The album was released in 1978 by Casablanca Records and was produced by P-Funk leader/producer George Clinton. Parlet consisted of Mallia Franklin, Debbie Wright, and Jeanette Washington. The album features heavy involvement from the P-Funk musical collective.
Motor Booty Affair is an album by funk band Parliament. Released on November 20, 1978. It contains two of the group's most popular tracks, "Rumpofsteelskin" and "Aqua Boogie " which went to number one on the Billboard Black Singles chart.
Gloryhallastoopid is a 1979 album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
The Clones of Dr. Funkenstein is an album by funk band Parliament, released in September 1976. The album is notable for featuring horn arrangements by ex-James Brown band member, Fred Wesley. The album charted at #3 on the Billboard R&B Albums chart, #20 on the Billboard pop chart, and became Parliament's second album to be certified gold. Two singles were released off the album, "Do That Stuff", which charted at #22, and "Dr. Funkenstein" which charted at #43.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Billy Bass Nelson, and Eddie Hazel.
"Aqua Boogie " is a song by funk band Parliament. Released from their 1978 album, Motor Booty Affair, it spent four weeks at number one on the R&B singles chart during the winter of 1979. However it was not as successful on the Billboard Hot 100 singles chart, only peaking at number 89. The track features lead vocals by George Clinton, Garry Shider, Ray Davis, and newly recruited member Walter "Junie" Morrison. It is one of the last P-Funk tracks written by core members Clinton, bassist Bootsy Collins, and keyboardist Bernie Worrell.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band. It was released through Warner Bros. Records on June 1, 1979. Unlike previous albums by Bootsy's Rubber Band, this album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made For Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Never Buy Texas from a Cowboy, released on Atlantic Records in November 1979, was the second album from the American female funk band, The Brides of Funkenstein. Morphing into a trio on the second album release, the vocalists consisted of Dawn Silva, Sheila Horne, and Jeanette McGruder. Horne and McGruder served as background vocalists on subsequent P-Funk concert tours.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Say Blow By Blow Backwards is the second and last album by Fred Wesley and the Horny Horns featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins and Fred Wesley.
Live at the Howard Theatre is a live album by the P-Funk spin-off act, the Brides of Funkenstein. The album was recorded on November 1 and 2, 1978, at the Howard Theatre in Washington D.C.. The album was released by P-Vine Records in Japan on October 25, 1994, Sequel Records in the UK, and AEM Records in the U.S. The album was produced by George Clinton for Black Dog Records and A Scoop of Poop productions.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K.. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series were designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
