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The Electric Spanking of War Babies | ||||
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Studio album by | ||||
Released | April 14, 1981 | |||
Genre | Funk | |||
Length | 43:52 | |||
Label | Warner Bros. | |||
Producer | George Clinton | |||
Funkadelic chronology | ||||
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P-Funk collective chronology | ||||
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Alternative cover | ||||
The Electric Spanking of War Babies is the twelfth studio album by the American funk rock band Funkadelic,released in April 1981 on Warner Bros. Records. The title is an allusion to the Vietnam War and baby boomers. Sly Stone contributed to the recording sessions,singing lead vocals on "Funk Gets Stronger (Killer Millimeter Longer Version)".
Clinton originally planned on a double album,but the idea was quashed by Warner Brothers. The original tracklist featured the instrumental version of the title track found on the 12" single's b-side,as well as the tracks "May Day (S.O.S.)" and "I Angle",later released on the George Clinton Family Series albums Plush Funk and Testing Positive 4 the Funk,respectively. [1] The title refers to the US government's use of media propaganda to promote imperialism and war. [2]
It includes many relative newcomers to P-Funk,many of whom remained employed by George Clinton on future releases under his own name or under the name George Clinton &the P-Funk All-Stars. Of all the original group members since Funkadelic's debut album,only George Clinton,Ray Davis,and Eddie Hazel appear on this album. Junie Morrison plays all the instruments on the title track except the guitar solo which was played by Michael Hampton. This was the last Album to feature Eddie Hazel,Ray Davis,Garry Shider,Junie Morrison,Mallia Franklin,and Jessica Cleaves. Also this is the only Funkadelic album the late Roger Troutman appears on as well. Sly Stone performs several instruments and contributed production work to the album.
The cover artwork was designed by long-time Funkadelic collaborator Pedro Bell. Deemed inappropriate due to the cover featuring an overtly phallic spaceship that transported a naked woman,the work was edited,despite the fact that Funkadelic "was following up two consecutive million-selling records," while signed to Warner Bros. [3] Bell revised The Electric Spanking of War Babies so the image was featured with a lime-green sketch of shape covering the majority of the cover art,which says,“Oh Look! The Cover that ‘They’were TOO-SCARED to print!” [3]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Blender | [4] |
Christgau's Record Guide:The '80s | A− [5] |
The New York Times | (mixed) [6] |
Rolling Stone | [7] |
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "The Electric Spanking of War Babies" | Bob Bishop, George Clinton, Junie Morrison | George Clinton, Junie Morrison | 8:37 |
2. | "Electro-Cuties" | Jimmy Ali, Clinton, Ron Ford | George Clinton, Ron Ford | 6:10 |
3. | "Funk Gets Stronger, Part 1" | Clinton, Michael Hampton | George Clinton, Bootsy Collins, Sly Stone | 6:37 |
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Brettino's Bounce" | Larry Fratangelo | George Clinton | 3:38 |
2. | "Funk Gets Stronger (Killer Millimeter Longer Version)" (interpolates "She Loves You" by the Beatles ) | Clinton. Sylvester Stewart | George Clinton, Sly Stone | 4:42 |
3. | "Shockwaves" | Ron Dunbar, DeWayne McKnight | George Clinton, Ron Dunbar | 5:10 |
4. | "Oh, I" | Clinton, Rodney Curtis, Garry Shider | George Clinton, Garry Shider | 4:51 |
5. | "Icka Prick" | Clinton, Shider | George Clinton, Garry Shider | 4:07 |
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelia, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The collective released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey, in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
America Eats Its Young is the fourth album by Funkadelic, released in May 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S., which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would appear on the cover of their next album Cosmic Slop.
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Brothers Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament (band) concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
Uncle Jam Wants You is the eleventh studio album by American funk rock band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
"(Not Just) Knee Deep" is a funk song, with a running time of 15 minutes, 21 seconds, on Side 1 of Funkadelic's 1979 album Uncle Jam Wants You.
Up for the Down Stroke is an album by the American funk band Parliament. It was the band's second album, and their first to be released on Casablanca Records. The album was released on July 3, 1974. Its title track was Parliament's first chart hit and remains one of the most well-known P-Funk songs. The album also contains a funk reworking of The Parliaments' song "(I Wanna) Testify" under the title "Testify". The original title of the album was Whatever Makes Baby Feel Good, and the cover featured group leader George Clinton hovering over a woman in distress, sporting a black wig and monster-type gloves.
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
The Whole Funk & Nothing But the Funk is a 2005 compilation album by Funkadelic featuring songs recorded for Warner Bros. Records during the band's career with that label from 1976 to 1981. No Funkadelic recordings from any other record labels or time periods are included. The compilation includes two rarities: instrumental versions of "One Nation Under a Groove" and "The Electric Spanking of War Babies" that had originally appeared as B-sides.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series was designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
First Ya Gotta Shake the Gate is the fourteenth studio album by American funk rock band Funkadelic. The album was released by The C Kunspyruhzy in 2014 and consists of newly recorded material.
Live...Capitol Theatre 1978 is a three-CD live album by the American funk band Parliament-Funkadelic. The album was released in the UK in November 2017 by the RoxVox label. The CD features the band performing at the Capitol Theatre in Passaic, New Jersey, on November 6, 1978, during their "One Nation/Anti-Tour". The liner notes feature a transcription of a December 7, 1978 article about Parliament-Funkadelic from Jet magazine.