Ultra Wave

Last updated
Ultra Wave
Ultra Wave cover art.jpg
Studio album by
ReleasedNovember 12th, 1980
Recorded1980
Genre Funk
Length41:13
Label Warner Bros.
Producer Bootsy Collins, George Clinton
Bootsy Collins chronology
This Boot Is Made for Fonk-N
(1979)
Ultra Wave
(1980)
The One Giveth, the Count Taketh Away
(1982)

Ultra Wave is the fifth album released by funk musician Bootsy Collins. It was released on November 12, 1980, by Warner Bros. Records. It is the first album credited solely to Bootsy Collins, as opposed to his previous releases, which were credited to Bootsy's Rubber Band. In 2007, "Ultra Wave" was licensed through Rhino Records and reissued through the Collectors Choice music service.

Contents

Album background

Ultra Wave was produced by George Clinton and Bootsy Collins, except for three songs that were produced only by Collins ("Is That My Song?", "Fat Cat", and "Sound Crack"). It was recorded at the same time as the album Sweat Band by Sweat Band, a Bootsy Collins-led project that had issued one album for CBS/Uncle Jam Records. Like Collins' previous album, This Boot is Made for Fonk-N , Ultra Wave showcases a more experimental and progressive approach.

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [1]
Christgau's Record Guide: The '80s B+ [2]

The Globe and Mail wrote that "the accessible stuff here is in 'Fat Cat', a spiteful dance tune and the quite lovely 'Sacred Flower', lyrically bland but lush and deep in the backgrounds." [3]

Track listing

  1. "Mug Push" (Phelps Collins, Bootsy Collins, George Clinton)
  2. "F-Encounter" (Bootsy Collins, Rick Evans, Ron Ford, George Clinton)
  3. "Is That My Song?" (Bootsy Collins, David Spradley)
  4. "It's a Musical" (Bootsy Collins, George Clinton, Carl Small)
  5. "Fat Cat" (Phelps Collins, Bootsy Collins)
  6. "Sacred Flower" (Bootsy Collins, George Clinton)
  7. "Sound Crack" (Bootsy Collins)

Personnel

Singles

The single version of "F-Encounter" features a solo rap by Collins that was not included on the album and has never been released on CD.

The B Side of "Mug Push" contained a non-LP track entitled "Scenery" that was released on the CD compilation Back in the Day: The Best of Bootsy .

Related Research Articles

<i>Hardcore Jollies</i> 1976 studio album by Funkadelic

Hardcore Jollies is the ninth studio album by the funk rock band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's final album for Westbound Records, Tales of Kidd Funkadelic, which was recorded during the same sessions.

<span class="mw-page-title-main">Bootsy Collins</span> American bassist

William Earl "Bootsy" Collins is an American bass guitarist, singer-songwriter, and record producer.

<i>Stretchin Out in Bootsys Rubber Band</i> 1976 studio album by Bootsys Rubber Band

Stretchin' Out in Bootsy's Rubber Band is the first album by American funk and soul band Bootsy's Rubber Band, an offshoot act of Parliament-Funkadelic led by bassist and vocalist William "Bootsy" Collins. It was released on January 30, 1976, on Warner Bros. Records.

<i>Funkentelechy vs. the Placebo Syndrome</i> 1977 studio album by Parliament

Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.

<i>Game, Dames and Guitar Thangs</i> 1977 studio album by Eddie Hazel

Game, Dames and Guitar Thangs is the debut album by Parliament-Funkadelic lead guitarist Eddie Hazel. The album was released on July 29, 1977. It was Hazel's only album until his death in 1992, when it was followed by several posthumous releases.

<i>Zapp</i> (album) 1980 studio album by Zapp

Zapp is the debut studio album by the American funk band Zapp, released on July 30, 1980, by Warner Bros. Records. The album's style and sound bears a striking resemblance to Parliament-Funkadelic, as the band was working with and being mentored by P-Funk members William Earl "Bootsy" Collins and George Clinton during the album's production. Produced by frontman Roger Troutman along with funk musician Bootsy Collins, who also provided the guitar work for the album, Zapp was recorded between late 1979 and early 1980 at the United Sound Studios in Detroit, Michigan, of which Parliament-Funkadelic frequented.

<i>Ahh... The Name Is Bootsy, Baby!</i> 1977 studio album by Bootsys Rubber Band

Ahh...The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard magazine's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.

<span class="mw-page-title-main">Zapp (band)</span> American band

Zapp is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—and non-Troutman family members Bobby Glover, Gregory Jackson, Sherman Fleetwood, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

<i>Bootsy? Player of the Year</i> 1978 studio album by Bootsys Rubber Band

Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band.

<i>Funk or Walk</i> 1978 studio album by Brides of Funkenstein

Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.

<i>This Boot Is Made for Fonk-N</i> 1979 studio album by Bootsys Rubber Band

This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band. It was released through Warner Bros. Records on June 1, 1979. Unlike previous albums by Bootsy's Rubber Band, this album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made For Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.

<i>The One Giveth, the Count Taketh Away</i> 1982 studio album by William Bootsy Collins

The One Giveth, the Count Taketh Away is an album by William Bootsy Collins, released by Warner Bros. Records. It would be the last album that Bootsy Collins would record for the label. It would also be the first album produced solely by Bootsy Collins, with the exception of the track "Shine-O-Myte " which was produced by Bootsy Collins and George Clinton. The album was released on April 28, 1982.

<i>A Blow for Me, a Toot to You</i> 1977 studio album by Fred Wesley and the Horny Horns

A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.

<i>Sweat Band</i> 1980 studio album by Sweat Band

Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.

<i>Lifestyles of the Roach and Famous</i> 1988 studio album by INCorporated Thang Band

Lifestyles of the Roach and Famous is an album by the P-Funk spin off act, INCorporated Thang Band. The album was released in 1988 by Warner Bros. Records. The album was produced by George Clinton and Bootsy Collins, while Andre Williams and Lige Curry serve as "Mack Roach" producers. The album concept is a parody of the television series "Lifestyles of the Rich and Famous". The album cover was designed by longtime P-Funk album artist Pedro Bell. Originally, the Incorporated Thang Band went by the name of the Tackheads, a slight reference to Jimmy G and the Tackheads which was a P-Funk spin off act fronted by George Clinton's brother Jimmy.

<span class="mw-page-title-main">Uncle Jam Records</span>

Uncle Jam Records was a record label formed by Parliament-Funkadelic leader George Clinton and his personal manager Archie Ivy. The label was distributed nationally by CBS Records.

<i>Back in the Day: The Best of Bootsy</i> 1994 greatest hits album by Bootsy Collins

Back in the Day: The Best of Bootsy is a 1994 greatest hits compilation by Parliament-Funkadelic bassist Bootsy Collins. The album was released on the Warner Bros. Archives label. The album compiles all of the hit singles produced and performed by Bootsy Collins during the years 1976 to 1982, with the exception of the singles released from the album The One Giveth, the Count Taketh Away. The compilation is notable in that it features the pre-Rubber Band track "What's So Never The Dance", credited to the House Guests, as well as the live version of "Psychoticbumpschool" performed by Bootsy's Rubber Band at The Summit in Houston, Texas on October 31, 1976. It also features the track "Scenery", the B-side to the "Mug Push" single, which was never featured on any of Bootsy Collins' albums.

<i>Blasters of the Universe</i> 1993 studio album by Bootsys New Rubber Band

Blasters of the Universe is a 1993 2-CD set by Bootsy's New Rubber Band. The album was first released on the P-Vine record label and then by Rykodisc in the US and the UK. In terms of musical personnel, the album features more P-Funk and Funk alumni than any other Bootsy Collins related release. It also contains one of the last tracks to feature original Parliament-Funkadelic guitarist Eddie Hazel, to whom the album is dedicated. The album also contains a lyric sheet and a comic book called "Back 'N' Dah Day: A Boot Tune Adventure".

This is the discography of American musician Bootsy Collins.

References

  1. Ultra Wave at AllMusic
  2. Robert Christgau review
  3. McGrath, Paul (28 Feb 1981). "Ultra Wave Bootsy Collins". The Globe and Mail. p. F6.