Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits.
Cosmic Slop is the fifth studio album by Funkadelic, released in May 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
Cover art by Ronald "Stozo" Edwards
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology). It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
The Cinderella Theory is the fifth studio album by American funk musician George Clinton, released August 2, 1989, on Paisley Park Records. It was released three years after his previous studio effort, R&B Skeletons in the Closet, which was his last album for Capitol Records. The Cinderella Theory represented a comeback of sorts for Clinton, who had been largely absent from the pop music scene since his last album for Capitol. The album was produced by Clinton for Baby Clinton Inc.
You Shouldn't-Nuf Bit Fish is the second studio album by American funk musician George Clinton released in 1983 by Capitol Records. The album reached No. 18 on the Billboard Top Soul Albums chart.
By Way of the Drum is the thirteenth studio album by the American funk rock band Funkadelic. It was recorded between 1983 and 1985, but shelved until its release in 2007 on Hip-O Select. The original sessions were produced by George Clinton, while Harry Weinger and Alan Leeds serve as compilation producers.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
R&B Skeletons in the Closet is the fourth solo album by Parliament-Funkadelic leader George Clinton. It was released in April 1986 by Capitol Records and was the last album that Clinton would record for the label. Recording sessions for the album utilized a small cadre of P-Funk musicians including Bootsy Collins, Garry Shider, and DeWayne "Blackbyrd" McKnight, as well as the debut recorded appearance of former Miss America Vanessa L. Williams on the opening track "Hey Good Lookin'". R&B Skeletons in the Closet was produced by Clinton, Steve Washington, Shider, and Andre Jackson.
Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.
Wynne Jammin' is the second studio album by American singer Philippé Wynne, the former lead singer of the Spinners. It was the second album released on the Uncle Jam/CBS label, fronted by Parliament-Funkadelic leader George Clinton and his manager Archie Ivy. The album features many musicians from the P-Funk stable.
Uncle Jam Records was a record label formed by Parliament-Funkadelic leader George Clinton and his personal manager Archie Ivy. The label was distributed nationally by CBS Records.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series was designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
George Clinton Presents Our Gang Funky a various artists CD compilation released in 1989. The album was released by MCA Records in the U.S., and showcases various newly developed performers coming out of the P-Funk stable at the end of the eighties. The album was produced by George Clinton, Garry Shider, and Mark Davis.
The Discography of the artist Michael "Clip" Payne.
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