Lynn Mabry | |
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Born | Vallejo, California, U.S. | March 21, 1958
Genres | |
Occupation |
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Instrument | Vocals |
Years active | 1977–present |
Lynn Mabry (born March 21, 1958) is an American singer.
Born in Vallejo, California, Mabry's mother enjoyed playing piano and her father was a choir director and radio DJ. They divorced when she was 3 years old. [1]
She got her start in Sly and the Family Stone, along with Dawn Silva. In 1977, she joined P-Funk. The following year, Mabry and Silva became the original Brides of Funkenstein, [2] releasing their first album Funk Or Walk. Mabry became pregnant and left the band in 1979. She gave birth to a daughter named Akasha Larain Morrison in December 1979 (father is Walter "Junie" Morrison). Silva continued The Brides with backing singers Sheila Horne and Jeanette McGruder for another year.
In 1983, Mabry joined Talking Heads for their concert film Stop Making Sense . She also spent time as a background vocalist, continuing to tour with such acts as Rita Coolidge, Namie Amuro and Bette Midler and George Michael in 1989 on the song "If You Were My Woman". In 1990, she toured as a backing vocalist for Fleetwood Mac during their Behind the Mask Tour . In 1991, she toured as a backing vocalist for Stevie Nicks during her Time Space tour. In the same year, she performed a cover version Soul II Soul's "Back to Life (However Do You Want Me)" with George Michael for his Cover to Cover tour .
Mabry is also a business partner with Sheila E. In 2001, the two co-founded the nonprofit Elevate Hope Foundation, which uses music and the arts to help "abused and abandoned children." [3]
Year | Film | Role |
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1984 | Stop Making Sense | Herself |
2013 | 20 Feet from Stardom | Herself |
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
Uncle Jam Wants You is a concept album by American funk rock band Funkadelic. It was released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at No. 18 on the Billboard 200 and No. 2 on the Billboard Top R&B/Hip-Hop Albums chart.
Funkentelechy vs. the Placebo Syndrome is the sixth studio album by the American funk band Parliament, released in 1977.
Dawn Silva is an American funk vocalist of Epic Proportions.
Sheila Horne is an American singer.
Jeanette McGruder is a singer, comedian, sketch actress, and writer, who has performed with P-Funk, Brides Of Funkenstein, and Lynn Mabry and Dawn Silva. In 1979, she recorded with Silva and Sheila Horne on "Never Buy Texas From A Cowboy". McGruder changed her professional name to Satori Shakoor in mid-1980s and became a comedian and sketch actress on the Canadian show Thick and Thin.
The Brides of Funkenstein were an American soul and funk girl band, originally composed of singers Dawn Silva and Lynn Mabry.
Betty Davis was an American singer, songwriter, and model. She was known for her controversial sexually oriented lyrics and performance style, and was the second wife of trumpeter Miles Davis. Her AllMusic profile describes her as "a wildly flamboyant funk diva with few equals ... [who] combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis".
Cheryl Lynn is an American singer and songwriter. She is best known for her songs during the late 1970s through the mid-1980s, including the 1978 R&B/disco song "Got to Be Real".
"(Not Just) Knee Deep" is a song by the American funk band Funkadelic written by George Clinton. The song was released as a single for their album Uncle Jam Wants You (1979).
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" is a song by funk band Parliament. The track was released from their 1978 album, Motor Booty Affair. The song describes being compelled to learn to swim despite the persistent fear of water and drowning, comparing it to the reluctance to dance.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
Never Buy Texas from a Cowboy is the second album by the American female funk band Brides of Funkenstein, released on Atlantic Records in 1979. Morphing into a trio on the second album release, the vocalists consisted of Dawn Silva, Sheila Horne, and Jeanette McGruder. Horne and McGruder served as background vocalists on subsequent P-Funk concert tours.
Live at the Howard Theatre is a live album by the P-Funk spin-off act, the Brides of Funkenstein. The album was recorded on November 1 and 2, 1978, at the Howard Theatre in Washington D.C. The album was released by P-Vine Records in Japan on October 25, 1994, Sequel Records in the UK, and AEM Records in the U.S. The album was produced by George Clinton for Black Dog Records and A Scoop of Poop productions.
Bread Alone is a 1980 album by singer/multi-instrumentalist Walter "Junie" Morrison. The album was released by Columbia Records and was produced by Walter "Junie" Morrison for J.S. Theracon Productions. It was the first solo album released while simultaneously preparing to depart from Parliament-Funkadelic, where he served as keyboardist, co-writer and co-producer. The album features vocal support from Lynn Mabry, formerly of the Brides of Funkenstein. The album cover shows Morrison surrounded by a thousand loaves of bread.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".