Blasters of the Universe | ||||
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Studio album by | ||||
Released | 1993 | |||
Recorded | 1993 | |||
Genre | ||||
Length | 114:20 | |||
Label | P-Vine Records; Rykodisc Records | |||
Producer | Bootsy Collins | |||
Bootsy's New Rubber Band chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Entertainment Weekly | B [2] |
IGN | 8.5/10 [3] |
Select | [4] |
Blasters of the Universe is a 1993 2-CD set by Bootsy's New Rubber Band. The album was first released on the P-Vine record label and then by Rykodisc in the US and the UK. In terms of musical personnel, the album features more P-Funk and Funk alumni than any other Bootsy Collins related release. It also contains one of the last tracks to feature original Parliament-Funkadelic guitarist Eddie Hazel, to whom the album is dedicated. The album also contains a lyric sheet and a comic book called "Back 'N' Dah Day: A Boot Tune Adventure".
Disc 1:
Disc 2:
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
T.A.P.O.A.F.O.M. is a 1996 album by funk musician George Clinton. The title, which is an abbreviation for The Awesome Power of a Fully Operational Mothership, refers to the P-Funk Mothership that was first introduced in 1975 on Parliament's Mothership Connection album. The album was presented as a reunion album because it featured collaborations with former Parliament-Funkadelic members including Bernie Worrell, Bootsy Collins, Junie Morrison, Maceo Parker, and Fred Wesley — some of whom hadn't worked with Clinton in many years. The album also included contributions by current members of the P-Funk All-Stars.
You Shouldn't-Nuf Bit Fish is the second studio album by American funk musician George Clinton released in 1983 by Capitol Records. The album reached No. 18 on the Billboard Top Soul Albums chart.
Ahh... The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
All The Woo In The World is the debut funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band. The album was released on Warner Bros. Records on January 20, 1978. At the height of the album's popularity, it competed head to head with Bootsy Collins' mentor George Clinton and his band Parliament, who had released the album Funkentelechy Vs. the Placebo Syndrome just two months earlier. The album was produced by Clinton and Collins and arranged by "The Player". The original vinyl version of the album contained a pair of cut out star shaped eyeglasses.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band, released through Warner Bros. Records in 1979. Unlike previous albums by Bootsy's Rubber Band, the album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made for Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Godmoma was a trio of female vocalists. The trio consisted of Cynthia Girty, Carolyn Myles, and Tony Walker.
A Blow for Me, a Toot to You is a 1977 album by funk musician Fred Wesley and the Horny Horns featuring Maceo Parker.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns, featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins, and Fred Wesley.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
What's Bootsy Doin'? is a 1988 album by Parliament-Funkadelic bassist Bootsy Collins. The album was released by Columbia Records and was his first album after a six-year hiatus from the music scene. The album reunites Collins with former P-Funk players Bernie Worrell, Fred Wesley and Gary "Mudd Bone" Cooper, and also features newcomers including Mico Wave and Godmoma.
Jungle Bass is an EP by American funk band Bootsy's Rubber Band. The disc was released in 1990 by 4th & Broadway Records. Jungle Bass reunites most of the original members of Bootsy's Rubber Band, whose last album was released in 1979. The album represents one of the earliest collaborations between Bootsy and producer Bill Laswell.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
Live in Oklahoma 1976 is a live album by the American Funk band Bootsy's Rubber Band. The album was released in 2001 and represents a collaborative effort between the Funk To The Max label, based in the Netherlands, and Bootzilla Records in the U.S.. The performance was recorded while Bootsy's Rubber Band was the support act for headliners Parliament-Funkadelic.
First Ya Gotta Shake the Gate is the fourteenth and final studio album by American funk rock band Funkadelic. The album was released by the C Kunspyruhzy in 2014 and consists of newly recorded material.