The P Funk Mothership , also known as The Mothership or The Holy Mothership, is a space vehicle model belonging to Dr. Funkenstein, an alter ego of funk musician George Clinton. An integral part of the P-Funk mythology, the Mothership existed conceptually as a fictional vehicle of funk deliverance and as a physical prop central to Parliament-Funkadelic concerts during the 1970s and 1990s.
During their heyday in the mid to late 1970s, following the success of their platinum-selling album, 1975's Mothership Connection , George Clinton and his band Parliament Funkadelic - the Funk Mob - engaged in a series of high profile, no-expenses-spared stadium tours around the United States, culminating in the famous P Funk Earth Tour. [1]
At these gigs, and starting in October 1976, [2] the much referenced Mothership was seen to land on stage amongst the band and before a baying and expectant crowd. The Mothership was summoned down by the vocal tones of P Funk singer/guitarists Glenn Goins and later Garry Shider, and was represented in the form of a full-scale model complete with light and sound effects as well as pyrotechnics. [3] [1] At this point in the show George Clinton would emerge from the Mothership in the form of Dr. Funkenstein, the "cool ghoul with the bump transplant," in order to better "administer funk" to the audience. [4]
For many years, the landing of the Mothership was only alluded to at live concerts, due to the prohibitive cost of maintaining the elaborate stage-show. After the band had to deal with mounting debt, the Mothership was discarded and sold for cash in 1982 or 1983. [5] [6] Sources say the Washington, D.C. management company sold it to a scrap metal yard in Prince George's County in Maryland. [6]
In 1996, following the release of T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership), George Clinton launched the "Mothership Reconnection Tour" with Bootsy Collins, Bernie Worrell, and the latest incarnation of P Funk, the "P Funk All Stars". The Mothership Reconnection Tour, which began in New York's Central Park, required a reconstruction of the Mothership, and the concerts included the landing of the Mothership, albeit on a smaller scale. Clinton claims the mid-1990s re-build of the 1,200 pound aluminum spacecraft is an indistinguishable replica. [6]
For a few years after the Mothership Reconnection Tour, the Mothership would land periodically at the P Funk All Stars concerts, particularly those at larger venues. One of the last appearances of the Mothership was at Woodstock 1999. [7] The Mothership made a few other appearances during this time, such as Eugene Oregon, before being retired.
The replica Mothership found a new home in 2011 when the Smithsonian Institution acquired it by moving it from Clinton's recording studio in Tallahassee, Florida, after the original could not be located. [8] The concert prop started as a symbol of "what could be" and is now located in the Smithsonian's National Museum of African American History and Culture. [9] [2] [10]
In 2021, the Oakland Museum of California [11] constructed a replica of the spacecraft as part of its exhibition, Mothership: Voyage Into Afrofuturism. [12] In its announcement of the exhibit, running from August 7, 2021 to February 27, 2022, [13] the museum said, "Experience a replica of the Mothership itself— musician George Clinton of Parliament Funkadelic’s Afrofuturistic vessel—to relax in an otherworldly video installation, a curated playlist by DJ Spooky, and more." [12]
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelia, outlandish fashion, science-fiction, and surreal humor. They released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
Parliament was an American funk band formed in the late 1960s by George Clinton as a flagship act of his P-Funk collective. Evolving out of an earlier vocal group, Parliament became associated with a more commercial and less rock-oriented sound than its sister act Funkadelic. Their work incorporated science-fiction concepts, horn arrangements, synthesizer, and outlandish theatrics. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk ," and Top 40 albums such as Mothership Connection (1975).
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
Hardcore Jollies is the ninth studio album by the funk rock band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world." Originally, the first side of the album was called "Osmosis Phase 1" and the second side was "Terribitus Phase 2." Hardcore Jollies was released one month after Funkadelic's final album for Westbound Records, Tales of Kidd Funkadelic, which was recorded during the same sessions.
Mothership Connection is the fourth album by American funk band Parliament, released on December 15, 1975 on Casablanca Records. This concept album is often rated among the best Parliament-Funkadelic releases, and was the first to feature horn players Maceo Parker and Fred Wesley, who had previously backed James Brown in the J.B.'s.
The Brides of Funkenstein were an American Soul and Funk girl band, originally composed of singers Dawn Silva and Lynn Mabry.
Computer Games is the debut album by American funk musician George Clinton, released by Capitol Records on November 5, 1982. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, Computer Games restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid-1980s.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
Glenn Lamonte Goins, also known as Glen Goins, was a singer and guitarist for Parliament-Funkadelic in the mid-1970s. Goins is a member of the Rock and Roll Hall of Fame, posthumously inducted in 1997 with fifteen other members of Parliament-Funkadelic. His first (known) recordings were as part of the group The Bags. They released a single in 1972: "It's Heavy" b/w "Don't Mess With My Baby".
The P-Funk Earth Tour was a concert tour by Parliament-Funkadelic in 1976-1977, featuring absurd costumes, lavish staging and special effects, and music from both the Parliament and Funkadelic repertoires.
T.A.P.O.A.F.O.M. is a 1996 album by funk musician George Clinton. The title, which is an abbreviation for The Awesome Power of a Fully Operational Mothership, refers to the P-Funk Mothership that was first introduced in 1975 on Parliament's Mothership Connection album. The album was presented as a reunion album because it featured collaborations with former Parliament-Funkadelic members including Bernie Worrell, Bootsy Collins, Junie Morrison, Maceo Parker, and Fred Wesley — some of whom hadn't worked with Clinton in many years. The album also included contributions by current members of the P-Funk All-Stars.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
Mothership Connection Newberg Session is a live album by George Clinton and Parliament-Funkadelic. It was recorded in Hangar E at Stewart Airfield in Newburgh, New York, on September 26, 1976, during the rehearsals for the P-Funk Earth Tour. The live album was released by P-Vine Records in Japan on December 25, 1995.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Live...Madison Square Garden 1977 is a live album by the American funk band Parliament-Funkadelic. The album was released on CD and vinyl in the UK in November 2017 by the RoxVox label. The CD incorrectly states that it features a live performance from the band at Madison Square Garden in 1977, when in actuality, the recording features the rehearsals for the Mothership Connection tour, done on September 26, 1976 at Stewart International Airport in Newburgh, New York. The liner notes feature a transcription of a December 1977 article about Parliament-Funkadelic from Circus (magazine) magazine.
