Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. The album was the first album to include keyboardist and frequent songwriter Walter "Junie" Morrison.
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Pleasure Principle is the debut album by the female P-Funk spin off group Parlet. The album was released in 1978 by Casablanca Records and was produced by P-Funk leader/producer George Clinton. Parlet consisted of Mallia Franklin, Debbie Wright, and Jeanette Washington. The album features heavy involvement from the P-Funk musical collective.
Invasion of the Booty Snatchers is the second studio album by the P-Funk spin off group Parlet. Released on June of 1979, this was the final Parlet album to feature Mallia Franklin and the first to feature Janice Evans. The album was produced by George Clinton and Ron Dunbar. The cover art was created by Ronald "Stozo" Edwards. The album's highest-charting single was "Riding High".
Motor Booty Affair is the seventh album by funk band Parliament. Released on November 20, 1978. It contains two of the group's most popular tracks, "Rumpofsteelskin" and "Aqua Boogie " which went to number one on the Billboard Soul Singles chart.
Cordell "Boogie" Mosson was an American bassist who was a member of Parliament-Funkadelic. He was given a Lifetime Achievement Award Grammy in 2019.
Chocolate City is the third album by the funk band Parliament, released in 1975. It was a "tribute to Washington D.C.", where the group had been particularly popular. The album's cover includes images of the United States Capitol, the Washington Monument, and the Lincoln Memorial in the form of a chocolate medallion, as well as sticker labeled "Washington DC". The album was very popular in the capitol city, selling 150,000 copies alone there.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology). It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Up for the Down Stroke is an album by the American funk band Parliament. It was the band's second album, and their first to be released on Casablanca Records. The album was released on July 3, 1974. Its title track was Parliament's first chart hit and remains one of the most well-known P-Funk songs. The album also contains a funk reworking of The Parliaments' song "(I Wanna) Testify" under the title "Testify". The original title of the album was Whatever Makes Baby Feel Good, and the cover featured group leader George Clinton hovering over a woman in distress, sporting a black wig and monster-type gloves.
Trombipulation is the ninth album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the Hip-Hop group Digital Underground for their single "The Humpty Dance".
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins and Fred Wesley.
Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.
The Final Blow is a compilation album by Fred Wesley and the Horny Horns. The album first released on the P-Vine record label in 1994, then on the Sequel label in the United Kingdom, and the AEM label in the United States. The album is made up of unreleased tracks recorded during band's heyday in the late 1970s.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series was designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
The Best of the Early Years, Volume 1 is a compilation album by the American Funk band Funkadelic. It was released on Westbound in 1977 while the label was distributed by Atlantic Records. The Best of the Early Years, Volume One compiles material from Funkadelic's tenure at Westbound from 1969 to 1974.
