| Gloryhallastoopid (Or Pin the Tale on the Funky) | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | 1979 | |||
| Studio | United Sound Systems, Detroit, Michigan | |||
| Genre | Funk | |||
| Length | 45:22 | |||
| Label | Casablanca | |||
| Producer | George Clinton | |||
| Parliament chronology | ||||
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Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the American funk band Parliament, released in 1979. [1] It was their penultimate album on the Casablanca Records label, and is another concept album that tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology ). It reuses samples from previous albums, notably Mothership Connection and Funkentelechy vs. the Placebo Syndrome .
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Bay State Banner | A− [3] |
| Christgau's Record Guide | B+ [4] |
| MusicHound Rock: The Essential Album Guide | |
| Record Mirror | |
| The Rolling Stone Album Guide | |
| Spin Alternative Record Guide | 5/10 [7] |
| Tom Hull – on the Web | B+ ( |
| The Virgin Encyclopedia of R&B and Soul | |
The Bay State Banner wrote that, "however subtle Parliament has become, we continue to get low-register bass riffs, synthesizer horror riffs, disco tempos, and double-entendre lyrics pairing the nature of the cosmos with the behavior of the sex drive." [3] The Oakland Tribune called the album "a gem of cosmic Uncle Tomfoolery," and considered it to be better than Uncle Jam Wants You . [10] The Buffalo News determined that much of the "funky power is lost," but praised "Theme from the Black Hole". [11] Newsday opined that "Party People" "catches George Clinton reaching too hard for a pop hit." [12]
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Scream Division