George Edward Clinton is an American musician, singer, bandleader, and record producer. His Parliament-Funkadelic collective developed an influential and eclectic form of funk music during the 1970s that drew on science fiction, outlandish fashion, psychedelia, and surreal humor. He launched his solo career with the 1982 album Computer Games and would go on to influence 1990s hip hop and G-funk.
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits.
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk ," and Top 40 albums such as Mothership Connection (1975).
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
George Bernard Worrell, Jr. was an American keyboardist and record producer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by Jon Pareles of The New York Times as "the kind of sideman who is as influential as some bandleaders."
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Dawn Silva is an American funk vocalist.
"Flash Light" is a song by funk band Parliament, written by George Clinton, Bernie Worrell, and Bootsy Collins and released in January 28, 1978 on the album Funkentelechy Vs. the Placebo Syndrome. It was the first #1 R&B hit by any of the P-Funk groups and spent four months on the U.S. pop chart, peaking at #16.
Gloryhallastoopid is the eighth album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Jerome Eugene "Bigfoot" Brailey is an American drummer, best known for his work with P-Funk, which included the bands Parliament, Funkadelic, and numerous related projects. Brailey is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Bootlegs & B-sides is a compilation studio album by American recording artist Ice Cube. It was released on November 22, 1994 via Priority Records.
"Bop Gun " is the third single from American rapper, actor and filmmaker Ice Cube's fourth album, Lethal Injection. It samples the Funkadelic song "One Nation Under a Groove". It reached number six on the Billboard Hot Rap Singles chart and number 23 on the Billboard Pop Singles chart. The song features lyrics from Tom Tom Club's hit "Genius of Love."
Glenn Lamonte Goins, also known as Glen Goins, was a singer and guitarist for Parliament-Funkadelic in the mid-1970s. Goins is a member of the Rock and Roll Hall of Fame, posthumously inducted in 1997 with fifteen other members of Parliament-Funkadelic. His first (known) recordings were as part of the group "The Bags". They released a single in 1972: "It's Heavy" b/w "Don't Mess With My Baby".
"Funkentelechy" is a song by the funk band Parliament. It is the fourth track on the group's 1977 album Funkentelechy Vs. the Placebo Syndrome and was released as a two-part single in 1978. Part 1 peaked at number 27 on the U.S. R&B Singles chart. The song's title is a play on the philosophical concept of entelechy.
Overton Loyd is an American artist best known for creating the cover art for the Parliament album Motor Booty Affair and several other records. His style of art varies often from work to work, and can range from loose sketches and paintings to fully fleshed out pieces. He is a friend of George Clinton of Parliament, and most of the subjects for his art are either Clinton or Parliament.
Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band.
Mutiny on the Mamaship is the debut album by former Parliament-Funkadelic drummer Jerome Brailey and his band Mutiny. The album was released by Columbia Records in 1979. The album was released a year after Brailey left P-Funk due to a financial dispute. This album featured a lyric sheet showing the dissatisfied content relating to George Clinton's treatment of members of the band.
The Casablanca Years: 1974–1980 is a CD box set by the Funk band Parliament. The box set was released by Universal Music-Japan on August 22, 2007. This box compiles all nine Parliament albums released by Casablanca Records between 1974 and 1980. The box set includes the following albums:
Gold is a two CD compilation by the Funk band Parliament. The album was released by Universal Music in 2005. It essentially updates the 1993 compilation Tear the Roof Off 1974–1980. There are slight differences between Gold and Tear the Roof Off. First, Gold presents the songs in chronological order. Gold also uses shorter versions the tracks "Fantasy Is Reality" and "Agony Of Defeet." Gold also uses remastered versions of all tracks and a slightly different track listing.
