"Get Off Your Ass and Jam" is a song by Funkadelic, track number 6 to their 1975 album Let's Take It to the Stage . It was written by George Clinton, although the lyrics are made up entirely of repetitions of the phrase, "Shit! Goddamn! Get off your ass and jam!", interspersed with lengthy guitar solos. Critic Ned Raggett reviewed the song as one that "kicks in with one bad-ass drum roll and then scorches the damn place down". [1]
The guitar solo on "Get Off Your Ass and Jam" is uncredited, a practice that was typical of Funkadelic records of the 1970s. In several interviews and in his 2014 autobiography, Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard on You?, Clinton has said that the guitarist is unknown:
We finished one take, took a smoke break or something, and noticed that a white kid had wandered into the studio, a smack addict. We didn't know him at all, but he said he played a little guitar, and he wanted to know if he could play with us and pick up a little cash in the process. We set him up, started the track, and he just started to play like he was possessed. He did all the rock 'n' roll that hadn't been heard for a few years, and he did it for the entirety of the track. Even when the song ended, he didn't stop. All of us were up there goggle-eyed, saying, "Damn." We had agreed on 25 bucks, but I gave him 50 because I loved it. [2]
According to Clinton, he tried to find the guitarist without success. "I tried to find the guy and put him on another song, but he was gone. He never resurfaced. We never heard from him. He's not credited on the record because we have no idea who he was." [2]
In a July 2009 interview with Vintage Guitar , guitarist Paul Warren, who grew up in the Detroit area and had been a session guitarist for Motown Records, is quoted as saying that he played the solo on "Get Off Your Ass and Jam". [3] Warren makes the same assertion on his website, The Paul Warren Project. [4]
The song has been sampled extensively by hip hop artists. It was one of the two songs at the heart of Bridgeport Music, Inc. v. Dimension Films , [5] in which the copyright in the song was held to be infringed when N.W.A sampled a two-second guitar chord from the beginning of the Funkadelic tune, lowered the pitch and looped it five times in their song, "100 Miles and Runnin'". Other artists who have sampled the song include:
The song later appeared on Funkadelic's Motor City Madness , released in the United States in 2006. In 1988, Miami Bass rapper Anquette recorded a cover of the song, with the addition of her own rap lyrics, on her second album, Respect.
Cornel West referenced the song in prose, quoting the lyrics in describing a "disco party" in a 1982 essay, "Epilogue: Sing a song". [7] Music historian Arthur Kempton similarly notes that the band was "known to make some parents and alumni draw back and exclaim, 'Oh my God,' when from the stage they would incite a rapt crowd of young degree candidates to chant in full-throated unison, "Shit! Goddamn! Get off your ass and jam!" [8]
This song is also referenced in the Rocky Horror Picture Show Audience Participation script, right after the time warp ends, "Shit! Goddamn it! Sit on my face and slam it, Janet!"
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Edward Earl Hazel was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. His ten-minute guitar solo in the Funkadelic song "Maggot Brain" is hailed as "one of the greatest solos of all time on any instrument". In 2023, Rolling Stone ranked Hazel at no. 29 in its list of 250 of the greatest guitarists of all time.
Free Your Mind... and Your Ass Will Follow is the second studio album by American funk rock band Funkadelic, released in July 1970 by Westbound Records. It charted at No. 92 in the US, the band's highest charting album release until 1978's One Nation Under a Groove, and included the No. 82 single "I Wanna Know If It's Good to You?"
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
William "Billy Bass" Nelson is an American musician, who was the original bassist for Funkadelic. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Let's Take It to the Stage is the seventh album by American funk rock band Funkadelic. It was released in April 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Bros. Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
Standing on the Verge of Getting It On is the sixth studio album by Funkadelic, released on Westbound Records, released in July 1974. It is notable for featuring the return of guitarist Eddie Hazel.
Uncle Jam Wants You is a concept album by American funk rock band Funkadelic. It was released by Warner Bros. Records in 1979, and was later reissued on CD by Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at No. 18 on the Billboard 200 and No. 2 on the Billboard Top R&B/Hip-Hop Albums chart.
Eazy-Duz-It is the debut studio album by American rapper Eazy-E. It was released on November 22, 1988, by Ruthless Records and Priority Records. The album charted on two different charts and went 2× Platinum in the United States despite very little promotion by radio and television. Three singles were released from the album, each charting in the US. The remastered version contains tracks from the extended play (EP), 5150: Home 4 tha Sick (1992). The 25th anniversary (2013) contains two bonus tracks which are 12" remixes of "We Want Eazy" and "Still Talkin.'"
"(Not Just) Knee Deep" is a song by the American funk band Funkadelic written by George Clinton. The song was released as a single for their album Uncle Jam Wants You (1979).
Osmium is the debut album of American funk band Parliament, led by George Clinton. The album has a psychedelic soul sound with a spirit of experimentation that is more similar to early Funkadelic than the later R&B-inspired Parliament albums. It was originally released in July 1970 on Invictus Records. The original vinyl release contained a glossy lyric sheet.
Funk Upon a Rhyme is the sophomore studio album by American recording artist Kokane. It was released in 1994 through Ruthless Records with distribution by Relativity Records. Recording sessions took place at the Edge Studio and Echo Sound in Los Angeles, California. Production was handled by Cold 187um with executive production by Eazy-E. The album features contributions from Janine, Nicki and Tha New Funkateers on background vocals, Cold 187 um on keyboards and vocals, Mike Smooth on guitar and keyboards, Mike "Crazy Neck" Sims on guitar, with guest appearances from Dirty Red, Tha Alkaholiks, Black Hole Of Watts, and Above The Law.
"Maggot Brain" is an instrumental by the American band Funkadelic, released on their 1971 album of the same name.
Heavy Metal Funkason is the first full-fledged solo album by Parliament-Funkadelic guitarist Michael Hampton. It was released through the P-Vine label in Japan on May 25, 1998. The album features appearances by George Clinton, P-Funk bassist Lige Curry, Belita Woods, and Charlie Wilson from the Gap Band.
Funkadelic Live: Meadowbrook, Rochester, Michigan 12th September 1971 is a 1996 live release featuring the only official in-concert recording from early in the career of Funkadelic. Westbound Records owner Armen Boladian had decided to record the show without the band's prior notice, for a possible official live album release. Boladian then decided not to go forward with the project. The soundboard recording resided with engineer Ed Wolfram until being unearthed in 1996. The album contains the entire live performance of September 12, 1971, minus approximately three minutes of between-song chatter.
Motor City Madness is a compilation album by the American funk rock band Funkadelic, released in 2003 by Westbound Records. It features a selection of songs previously released on the band's original albums for Westbound from 1970 to 1976. The compilation's 29 tracks span the length of two discs. Music critic Robert Christgau has said that, "for those with the heart for it, this is their most listenable album."
Paul Warren is an American rock and blues guitarist, known for being a member of a few rock bands as well as the former touring guitarist for English rock singer Rod Stewart for 11 years. He also played with American rock singer Richard Marx. Warren was also a member of Ray Manzarek's Nite City from 1977 until their disbanding in 1978. In 2013, Rod Stewart hired a new guitarist and Warren was let go. Warren was also a session musician for Motown records in the early to mid-1970s and played on numerous albums.
