|"Bring the Noise"|
Artwork of the UK commercial vinyl single
|Single by Public Enemy|
|from the album It Takes a Nation of Millions to Hold Us Back and Less Than Zero (Original Motion Picture Soundtrack)|
|A-side||"Are You My Woman?" (by The Black Flames) (US single)|
|B-side||"Sophisticated" (UK single)|
|Released||November 6, 1987|
|Producer(s)||The Bomb Squad|
|Public Enemy singles chronology|
"Bring the Noise" is a song by the American hip hop group Public Enemy. It was included on the soundtrack of the 1987 film Less Than Zero and was also released as a single that year. It later became the first song on the group's 1988 album It Takes a Nation of Millions to Hold Us Back . The single reached No. 56 on the Billboard Hot R&B/Hip-Hop Songs chart.
A song is a single work of music that is typically intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Through semantic widening, a broader sense of the word "song" may refer to instrumentals.
Hip hop music, also called hip-hop or rap music, is a music genre developed in the United States by inner-city African Americans in the late 1970s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, and rhythmic beatboxing. While often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of hip hop culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks. The term Hip hop as used to define the music genre came later, nobody including the African American pioneers who invented the art, the music, the rhymes and the dances in the Bronx, New York in the beginning were calling it Hip hop, in the Bronx people used to call it B-Beat Music that depended also on where in the Bronx you lived.
Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, DJ Lord, Sammy Sam, and the S1W group. Formed in Long Island, New York, in 1986, they are known for their politically charged music and criticism of the American media, with an active interest in the frustrations and concerns of the African American community.
The song's lyrics, most of which are delivered by Chuck D with interjections from Flavor Flav, include boasts of Public Enemy's prowess, an endorsement of Nation of Islam leader Louis Farrakhan, retorts to unspecified critics, and arguments for rap as a legitimate musical genre on par with rock. The lyrics also have a notable metrical complexity, making extensive use of meters like dactylic hexameter. The title phrase appears in the chorus. The song includes several shout-outs to artists like Run–D.M.C., Eric B, LL Cool J and, unusually for a rap group, Yoko Ono and thrash metal band Anthrax, allegedly because Chuck D was flattered about Scott Ian wearing Public Enemy shirts while performing Anthrax gigs. Anthrax later collaborated with Chuck D to cover the song.
Lyrics are words that make up a song usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics that are meant to be spoken rhythmically rather than sung.
Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, author, and producer. As the leader of the rap group Public Enemy, he helped create politically and socially conscious hip hop music in the mid-1980s. The Source ranked him at No. 12 on their list of the Top 50 Hip-Hop Lyricists of All Time.
William Jonathan Drayton Jr., better known by his stage name Flavor Flav, is an American musician, rapper, actor, television personality, and comedian who rose to prominence as a member of the hip-hop group Public Enemy. He is also known for popularizing the role of the hype man and for yelling "Yeah, boyeee!" and "Flavor Flav!" during performances. After falling out of the public eye for a number of years, Flav reappeared as the star of several VH1 reality series, including The Surreal Life, Strange Love, and Flavor of Love.
The song's production by The Bomb Squad, which exemplifies their characteristic style, features a dissonant mixture of funk samples, drum machine patterns, record scratching by DJ Terminator X, siren sound effects and other industrial noise.
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has many, varying roles during the recording process. They may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements.
The Bomb Squad is an American hip hop production team, known for its work with the hip hop group Public Enemy.
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Consonance is associated with sweetness, pleasantness, and acceptability; dissonance is associated with harshness, unpleasantness, or unacceptability.
Critic Robert Christgau has described the song as "postminimal rap refracted through Blood Ulmer and On the Corner , as gripping as it is abrasive, and the black militant dialogue-as-diatribe that goes with it is almost as scary as "Stones in My Passway" or "Holiday in the Sun". No. 160 on Rolling Stone's list of the 500 greatest songs of all time."Bring the Noise" was ranked
Robert Thomas Christgau is an American essayist and music journalist. One of the earliest professional rock critics, he spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University.
On the Corner is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of the same year by Columbia Records. The album continued Davis's exploration of jazz fusion, bringing together funk rhythms with the influence of experimental composer Karlheinz Stockhausen and free jazz saxophonist Ornette Coleman.
"Stones in My Passway" is a Delta blues song written by American blues musician Robert Johnson. He recorded it in Dallas, Texas, during his second to last session for producer Don Law on June 19, 1937.
Marva Whitney, was an American funk singer commonly referred to by her honorary title, Soul Sister #1. Whitney was considered by many funk enthusiasts to be one of the "rawest" and "brassiest" music divas.
"Funky Drummer" is a jam session recorded by James Brown and his band in 1969. The recording's drum break, a propulsive beat improvised by Clyde Stubblefield, is one of the most frequently sampled rhythmic breaks in hip hop and popular music.
"Get Up, Get into It, Get Involved" is a funk song recorded by James Brown. It was released as a two-part single in 1970 and charted #4 R&B and #34 Pop. It features backing vocals by Bobby Byrd, who shared writing credit for the song with Brown and Ron Lenhoff. It first received an album release on In the Jungle Groove (1986).
The recording begins with a sample of Malcolm X's voice saying "Too black, too strong" repeatedly from his public speech at the Northern Negro Grass Roots Leadership Conference on November 10, 1963, in King Solomon Baptist Church in Detroit, Michigan entitled Message to the Grass Roots.
Malcolm X (1925–1965) was an American Muslim minister and human rights activist. Some saw him as a courageous advocate for the rights of blacks, a man who indicted white America in the harshest terms for its crimes against black Americans; others accused him of preaching racism and violence. He has been called one of the greatest and most influential African Americans in history.
"Message to the Grass Roots" is a public speech delivered by human rights activist Malcolm X. The speech was delivered on November 10, 1963, at the Northern Negro Grass Roots Leadership Conference, which was held at King Solomon Baptist Church in Detroit, Michigan. Malcolm X described the difference between the "Black revolution" and the "Negro revolution", he contrasted the "house Negro" and the "field Negro" during slavery and in the modern age, and he criticized the 1963 March on Washington. "Message to the Grass Roots" was ranked 91st in the top 100 American speeches of the 20th century by 137 leading scholars of American public address.
"Much More" by De La Soul, "Here We Go Again!" by Portrait, "Everything I Am" by Kanye West, and "Here We Go Again" by Everclear all sample Chuck D's voice saying "Here we go again" in "Bring the Noise". His exclamation "Now they got me in a cell" from the first verse of the song is also sampled in the Beastie Boys song "Egg Man". The track, 'Undisputed', from the 1999 album Rave Un2 The Joy Fantastic by Prince samples Chuck D's voice saying "Once again, back, it's the incredible" in its chorus and also features an appearance from Chuck D himself. This same sample is used in on Fat Joe's album All or Nothing on the track :Safe 2 Say (The Incredible)". Rakim, on his 1997 single "Guess Who's Back", uses the same sample. Also, the game Sonic Rush samples the beginning of "Bring the Noise" in the music for the final boss battle. In addition, Ludacris' hit How Low samples Chuck D's "How low can you go?" line. In 2010 it was sampled by Adil Omar and DJ Solo of Soul Assassins on their single "Incredible". LL Cool J used a sample on the line of Chuck D's "I Want Bass" during the final verse on the song, "The Boomin' System" from the 1990 Mama Said Knock You Out album. Also the lines "[To save] face, how low can you go" and "[So keep] pace how slow can you go" in Linkin Park's song Wretches and Kings on their Album A Thousand Suns (which is also produced by Rick Rubin) refer to Chuck D's line: "Bass! How low can you go?"
Additionally, Public Enemy sampled the song themselves in several other songs on It Takes a Nation of Millions to Hold Us Back, including the lines "Now they got me in a cell" and "Death Row/What a brother knows" in "Black Steel in the Hour of Chaos" and the lines "Bass!" and "How low can you go?" in "Night of the Living Baseheads".
|"Bring the Noise"|
|Single by Anthrax featuring Chuck D|
|from the album Attack of the Killer B's (Anthrax album) and Apocalypse 91... The Enemy Strikes Black (Public Enemy album)|
|Released||July 8, 1991|
|Format|| 10" |
|Genre||Rap metal, alternative metal|
|Songwriter(s)|| Joey Belladonna |
Eric "Vietnam" Sadler
|Producer(s)|| Anthrax |
|Anthrax singles chronology|
In 1991, Public Enemy recorded a new version of "Bring the Noise" in a collaboration with the thrash metal band Anthrax. Chuck D has stated that upon the initial request of Anthrax, he "didn't take them wholehearted seriously", but after the collaboration was done, "it made too much sense".It was included on the Anthrax album Attack of the Killer B's and on Public Enemy's own Apocalypse 91... The Enemy Strikes Black , and was followed by a joint tour by the two bands, with shows ending with both groups on stage performing the song together. Chuck D went on to say that shows on the tour were "some of the hardest" they ever experienced, but when the two bands joined on stage for "Bring the Noise", "it was shrapnel". Anthrax first played "Bring the Noise" live in 1989, two years before the Public Enemy collaboration, and it has been a live staple ever since.
The recording was one of the first rap metal songs.[ citation needed ] It was ranked #12 on VH1's 2006 list of the 40 Greatest Metal Songs and is featured in the video games Die Hard Trilogy , WWE SmackDown! vs. RAW , WWE Wrestlemania 21 , WWE Day of Reckoning , Tony Hawk's Pro Skater 2 and Tony Hawk's Pro Skater HD.
The title of the Anthrax version is sometimes spelled "Bring tha Noise" or "Bring tha Noize".
|U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks||56|
|New Zealand (Recorded Music NZ)||10|
|UK Singles (Official Charts Company)||14|
In 2007, "Bring the Noise" was remixed by Italian house DJ Benny Benassi as well as Ferry Corsten. Benassi's remix slowed the track down, and cut off many of the lyrics. Benassi mixed two versions of the song. The Pump-kin version exemplifies a heavy melody, while the S-faction edit added more emphasis to the bassline. The S-faction version won a Grammy for best remixed recording at the 2008 Grammy Awards. The Pump-kin Remix appeared on his album Rock 'n' Rave (2008). The song was also used for the EA Sports game, NBA Live 09. Ferry Corsten only mixed one version which was released around the same time as Benny Benassi's remixes, it was released February 26, 2008 on iTunes. In 2007, Gigi D'Agostino also released a track called "Quoting", which is a remix made by him of "Bring the Noise". He made it in the bass line of Lento Violento a style created by him, similar to hard style but slower and harder.
The alternative metal band Staind covered "Bring the Noise" with Limp Bizkit vocalist Fred Durst on the Take a Bite Outta Rhyme: A Rock Tribute to Rap 2000 compilation album. This version also appeared on the advance version of their 1999 album Dysfunction .
A remix of "Bring the Noise" titled "Bring the Noise 20XX", featuring Zakk Wylde, is a playable track in the video games Guitar Hero 5 and DJ Hero .
A traditional country version by Unholy Trio is included on the Bloodshot Records sampler "Down to The Promised Land".
An unofficial remix entitled "Bring DA Noise",(based on Led Zeppelin's - Immigrant song) was released for free download in 2005 by Irish radio presenter Dj Laz-e.
Attack of the Killer B's is a compilation album of B-sides, covers and rarities by the thrash metal band Anthrax and the band's last audio album released before vocalist John Bush replaced longtime Anthrax vocalist Joey Belladonna in 1992. The album was released in June 1991 by Megaforce Worldwide/Island Entertainment. The "B's" in the album's title refers to b-sides previously unreleased and compiled for a single release. In 1992 the album was nominated for a Grammy Award in the category Best Metal Performance.
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records.
Scott Ian is an American musician, best known as the rhythm guitarist, backing and additional lead vocalist, and the only remaining founding member of the thrash metal band Anthrax. He also writes the lyrics on all their albums. Ian is the guitarist and a founding member of the crossover thrash band Stormtroopers of Death. He has hosted The Rock Show on VH1 and has appeared on VH1's I Love the... series, Heavy: The Story of Metal, and Supergroup. Ian is also the rhythm guitarist for the metal band the Damned Things.
"Me So Horny" is a song by the rap group 2 Live Crew on their album As Nasty As They Wanna Be. It reached number 1 on the U.S. Billboard Hot Rap Tracks chart and number 26 on the U.S. Billboard Hot 100 in 1989, staying on the Hot 100 for thirty weeks, despite lack of airplay due to the controversial nature of the lyrics. The explicit nature of the lyrics of this song and the album led to the initially successful prosecution of the group on obscenity charges and the album being banned from sale in Florida. This ban was overturned on appeal.
Marco "Benny" Benassi is an Italian DJ, record producer and remixer. He is best known for his 2002 summer club hit "Satisfaction", seen as the forerunner of electro-house who brought it to the mainstream.
"Fight the Power" is a song by American hip hop group Public Enemy, released as a single in June 1989 on Motown Records. It was conceived at the request of film director Spike Lee, who sought a musical theme for his 1989 film Do the Right Thing. First issued on the film's 1989 soundtrack, a different version was featured on Public Enemy's 1990 studio album Fear of a Black Planet.
"Black Steel in the Hour of Chaos" is a song by the American hip hop group Public Enemy. It was originally featured on their 1988 album, It Takes a Nation of Millions to Hold Us Back, before being released as a single in 1989. The song tells the story of a conscientious objector who makes a prison escape. It is built on a high-pitched piano sample from the 1969 Isaac Hayes song "Hyperbolicsyllabicsesquedalymistic" from the album "Hot Buttered Soul".
"It's All About the Benjamins" is a song by American rapper and producer Puff Daddy. It was released as the third single from his debut studio album No Way Out. "Benjamins" is slang for $100 bills (USD), a reference to Benjamin Franklin's image on the bills. The Notorious B.I.G. used the slang on his debut album "Ready To Die". The song featured an uncredited vocal arrangement by Missy "Misdemeanor" Elliott, and featured a signature guitar hook played by Marc Solomon.
"Halftime" is the 1992 debut single by American rapper Nas, released under his original moniker of Nasty Nas. It was originally recorded for the Zebrahead soundtrack album, released October 13, 1992, on Ruffhouse Records. "Halftime" was produced by Large Professor and features samples from "Schoolboy Crush" by Average White Band, "Soul Traveling" by Gary Byrd, and "Dead End" by Japanese Hair. The song was later included on Nas' influential 1994 debut album, Illmatic.
Cooking for Pump-Kin: Special Menu is a compilation album by Euro House DJ/producer Benny Benassi released in 2007. This is the second release on the Pump-Kin Music label.
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy. It was released on June 28, 1988, by Def Jam Recordings.
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"Rebel Without a Pause" is a song by hip hop group Public Enemy and the first single from their 1988 album, It Takes a Nation of Millions to Hold Us Back. The title is a reference to the 1955 film Rebel Without a Cause.
"Night of the Living Baseheads" is the third single released by hip hop group Public Enemy, from their critically acclaimed album It Takes a Nation of Millions to Hold Us Back. The lyrics deal with the effects of crack cocaine on African-Americans during the 1980s crack epidemic, referring to the slang for cocaine "base". The song reached #62 on the U.S. Hot R&B/Hip-Hop Singles & Tracks.
"Cinema" is a song by Italian DJ and electro house music producer Benny Benassi and British recording artist and songwriter Gary Go. The song was written by Gary Go with music produced by Benny and Alle Benassi. It was released on 8 March 2011 by Ultra Records and All Around the World, on Benny Benassi's fourth studio album Electroman. Fans first picked up on the song after it was included in the hit video game, Need For Speed: Hot Pursuit. The single EP featured several remixes by Skrillex, Laidback Luke, Alex Gaudino & Jason Rooney, and Congo Rock. The Skrillex remix went on to become a hit in its own right, staying in iTunes US Dance Top 10 for over six months after its release, and winning a 2012 Grammy Award for Best Remixed Recording. An instrumental version was most recently featured in the debut trailer for the video game, Sonic Lost World. The song has, as of November 2013, been viewed/played over 200 million times on YouTube.
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