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"Night of the Living Baseheads" | ||||
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Single by Public Enemy | ||||
from the album It Takes a Nation of Millions to Hold Us Back | ||||
B-side |
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Released | October 1988 [2] | |||
Recorded | 1988 | |||
Genre | Political hip hop | |||
Length | 3:15 | |||
Label | Def Jam | |||
Songwriter(s) | ||||
Producer(s) | The Bomb Squad [4] | |||
Public Enemy singles chronology | ||||
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Music video | ||||
"Night of the Living Baseheads" on YouTube |
"Night of the Living Baseheads" is the third single released by hip hop group Public Enemy, from their critically acclaimed album It Takes a Nation of Millions to Hold Us Back . The lyrics deal with the effects of crack cocaine on African-Americans during the 1980s crack epidemic, referring to the slang for freebase cocaine "base" or crack cocaine. The song reached #62 on the U.S. Hot R&B/Hip-Hop Singles & Tracks. [5]
The song uses more samples than any other song on the album, a total of 20 (including the sample of Chuck D saying "Bass!" at the start of the song "Bring the Noise"). The chorus of the song that asks "How low can you go?", refers to a person degrading himself/herself, rather than a dance. The title is a reference to the film Night of the Living Dead , equating people addicted to crack cocaine with zombies.
Radical Afrocentrist, Black Panther and Nation of Islam spokesman Khalid Muhammad is sampled on "Night of the Living Baseheads" opening the song with the words "Have you forgotten that once we were brought here, we were robbed of our name, robbed of our language. We lost our religion, our culture, our God ... and many of us, by the way we act, we even lost our minds."
The official music video for the song was directed by Lionel C. Martin. [6] It features MC Lyte as a reporter and Flavor Flav appears as co-anchor of a fictional T.V. news program, PETV. The video shows footage of the Audubon Ballroom in Washington Heights, New York City (After Malcolm X left the Nation of Islam in 1964, he founded the Organization of Afro-American Unity (OAAU). The weekly meetings of the OAAU were held at the Audubon Ballroom and it was at one of those meetings, on February 21, 1965, that Malcolm X was assassinated.) During the video, MC Lyte searches for 'baseheads' and finds them on Wall Street where executives are caught sniffing cocaine, pointing out that drug use is viewed differently among black and white communities. In another scene, Chuck D is captured by the racist, anti-rap group the "Brown Bags". In the middle of the music video, a T.V. commercial is shown of a "beeper tie" which allows drug dealers to appear respectable, and in another scene a reporter investigates a crack house, showing what crack addiction does to families.
In 1996, the song was covered by Terminal 46 for the electro-industrial various artists compilation Operation Beatbox . [7] The group Digital Assassins also did a cover of the song, entitled "Return of the Living Bassheads (Somethin' Really Bad)." This cover was featured on video games such as Mat Hoffman's Pro BMX 2 and BMX XXX. The group Insane Clown Posse also did a cover of this track that was entitled "Night of the Living Bassheads". This cover is to be released for The Mighty Death Pop!'s bonus cover album Smothered, Covered & Chunked .
“Night of the Living Baseheads” was sampled by Animal Cannibals in their 1993 breakthrough hit, “Yozsefváros.”
Chart (1988) [5] | Peak position |
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US Hot R&B Singles ( Billboard ) | 62 |
Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, best known as the leader and frontman of the hip hop group Public Enemy, which he co-founded in 1985 with Flavor Flav. Chuck D is also a member of the rock supergroup Prophets of Rage. He has released several solo albums, most notably Autobiography of Mistachuck (1996).
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav on Long Island, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
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