He Got Game | ||||
---|---|---|---|---|
Soundtrack album / Studio album by | ||||
Released | April 28, 1998 | |||
Recorded | June 1997 – February 1998 | |||
Genre | Hardcore hip hop, conscious hip hop [1] | |||
Length | 48:10 | |||
Label | Def Jam | |||
Producer | Abnes Dubose, The Bomb Squad, Danny Saber, D. R. Period, Jack Dangers | |||
Public Enemy chronology | ||||
| ||||
Singles from He Got Game | ||||
|
He Got Game is a soundtrack and sixth studio album by American hip hop group Public Enemy, released on April 28, 1998, under Def Jam Recordings. [2] It was released as the soundtrack to Spike Lee's 1998 film of the same name and was the group's last album for Def Jam until 2020's What You Gonna Do When the Grid Goes Down . [3] [4] He Got Game was produced by members of the Bomb Squad, along with producers Abnes Dubose, Danny Saber, D. R. Period, and Jack Dangers.
The album sold poorly upon its release and peaked at number 26 on the Billboard 200. Its single, the title track, peaked within the top 20 of the charts in the United Kingdom, where the album peaked at number 50 on the UK Albums Chart. He Got Game was well received by music critics, who praised its melodic sound and Chuck D's lyrics.
He Got Game served as the soundtrack to Spike Lee's 1998 basketball drama of the same name. [2] A film score of the same name, featuring music composed by Aaron Copland, was also released on April 21. [5]
After a four-year hiatus by the group, [6] Professor Griff and The Bomb Squad reunited with Public Enemy for the album, which features political, sports-derived imagery by Chuck D. [7] According to critic Armond White, He Got Game uses basketball as a metaphor for "the essence of black male aspiration. Disproving the film's suggestion of b-ball as an easy passport out of the ghetto, [Public Enemy] challenge trite assumptions about black luck and skill". [8] The album's production features backup female vocals, church-like chorales, austere beats, strings, and funk samples. The title track overtly interpolates Buffalo Springfield's 1966 song "For What It's Worth," and its vocalist Stephen Stills makes an appearance on the song. [9] It was released as He Got Game's only single in May 1998. [3]
He Got Game debuted at number 26 on the US Billboard 200 chart on May 11, 1998, and sold 46,282 copies in its first week. [10] Despite hip hop music's increased commercial viability at the time, the album had fallen out of the top 100 by July. [11] In an article for the Los Angeles Times , Robert Hilburn opined that its "relatively lackluster showing" with consumers was due to Public Enemy's image and lyrical content rather than the album's quality:
Rap audiences tend to be young and want their own heroes. For all its respect, PE is associated with another era in rap. The music, too, may be too restrained for the thug-life tone favored by today's mass rap audience. [11]
In the United Kingdom, He Got Game peaked at number 50 on the UK Albums Chart, while the title track reached number 16 on the singles chart; it did not chart on the US Hot 100. [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [12] |
The Atlanta Journal-Constitution | A− [13] |
Chicago Sun-Times | [14] |
Christgau's Consumer Guide | A [9] |
Detroit Free Press | [6] |
Entertainment Weekly | B+ [15] |
Los Angeles Times | [16] |
Rolling Stone | [17] |
Spin | 8/10 [8] |
Tom Hull – on the Web | B+ [18] |
He Got Game was well received by music critics. [19] In his review for Rolling Stone magazine, Scott Poulson-Bryant called the album "dense and eclectic, brilliant at moments but sometimes confusing," and found Chuck D to be "inspired again, coming up with blues poetry for the hoops age." [17] Keith Phipps of The A.V. Club felt that, despite occasionally uninformed "lyrical snippets", most of the album has "the sense of urgency and menace that characterized PE's best work ... and the reformed Bomb Squad's sound has expanded in some interesting directions." [20]
In his review for the Chicago Sun-Times , Jim DeRogatis called He Got Game "as hard-hitting as anything PE has done" and said that the group "nods to current tastes with more melodic hooks and less white noise than it has offered in the past." [14] Music critic Robert Christgau credited Chuck D for realizing "the soundtrack concept" and viewed that, although only the Danny Saber and Jack Dangers-produced "Go Cat Go" resembles "the stressful speed of classic PE", the hooks are appropriated "subtly" and "brilliantly". [21] Christgau named it the eighth best album of the year in his list for The Village Voice 's Pazz & Jop critics' poll. [22]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Resurrection" (featuring Masta Killa) |
|
| 4:20 |
2. | "He Got Game" (featuring Stephen Stills; incorporates elements of Buffalo Springfield's "For What It's Worth") |
|
| 4:46 |
3. | "Unstoppable" (featuring KRS-One) |
| Gary G-Wiz | 3:14 |
4. | "Shake Your Booty" |
|
| 3:45 |
5. | "Is Your God a Dog" |
|
| 5:08 |
6. | "House of the Rising Son" |
|
| 3:16 |
7. | "Revelation 331⁄3 Revolutions" | Chuck D |
| 4:11 |
8. | "Game Face" (featuring Smoothe da Hustler) |
|
| 3:17 |
9. | "Politics of the Sneaker Pimps" |
| Gary G-Wiz | 3:16 |
10. | "What You Need Is Jesus" |
| Gary G-Wiz | 3:29 |
11. | "Super Agent" |
| Abnes (Abnormal) Dubose | 3:35 |
12. | "Go Cat Go" |
|
| 3:48 |
13. | "Sudden Death (Interlude)" | Kerwin Young | Kerwin Young | 2:04 |
Credits for He Got Game adapted from Allmusic. [23]
|
|
Chart (1998) | Peak position |
---|---|
Australian Albums (ARIA) [24] | 54 |
Dutch Albums (Album Top 100) [25] | 98 |
German Albums (Offizielle Top 100) [26] | 81 |
UK Albums Chart [3] | 50 |
US Billboard 200 [27] | 26 |
US Top R&B/Hip-Hop Albums [27] | 10 |
Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, best known as the leader and frontman of the hip hop group Public Enemy, which he co-founded in 1985 with Flavor Flav. Chuck D is also a member of the rock supergroup Prophets of Rage. He has released several solo albums, most notably Autobiography of Mistachuck (1996).
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav in Roosevelt, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988). Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's anti-Semitic public comments and his consequent dismissal from the group in 1989.
Apocalypse 91… The Enemy Strikes Black is the fourth studio album by American hip hop group Public Enemy, released on October 1, 1991, by Def Jam Recordings and Columbia Records. The album received critical acclaim, ranking at No. 2 in The Village Voice's 1991 Pazz & Jop critics' poll.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, released on 27 November 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. It marked the group's expansion to a five-piece with the addition of keyboardist John Gosling.
Yo! Bum Rush the Show is the debut studio album by American hip hop group Public Enemy, released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York, and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper Chuck D's black nationalist politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.
Confessions of Fire is the debut studio album by American rapper Cam'ron. It was released through Epic Records on July 21, 1998. Originally titled "Who Is Cam'ron?" The production on the album was mostly handled by Darrell "Digga" Branch, along with Swizz Beatz, Trackmasters, Jermaine Dupri, and among others. The album also features guest appearances by Mase, Usher, Kelly Price, Noreaga, and more.
Rebirth of a Nation is a collaborative studio album by American hip hop group Public Enemy and rapper/producer Paris. Its title is a reference to the 1915 white supremacist film The Birth of a Nation as well as one of the group's prior albums, It Takes a Nation of Millions to Hold Us Back. Despite the Public Enemy branding on the album, many tracks were written and produced by Paris; the album itself was deemed a "special project" by Chuck D in order to differentiate it from other Public Enemy works. It was released on March 7, 2006 through Guerrilla Funk Recordings with distribution via Caroline Distribution. The album was mixed and mastered at Data Stream Studio in San Francisco, California. The album features guest appearances from Dead Prez, MC Ren, Kam, Sister Souljah, The Conscious Daughters, Immortal Technique and Professor Griff. Rebirth of a Nation peaked at number 180 on the Billboard 200 albums chart in the United States and sold 5,592 units in its first week out.
Muse Sick-n-Hour Mess Age is the fifth studio album by American hip hop group Public Enemy, released on August 23, 1994, by Def Jam Recordings. The title is a reverse mondegreen of the phrase "music in our message". Alternatively, it could be interpreted as "music and our message." The album debuted at number 14 on the US Billboard 200 chart, selling 56,000 copies in its first week.
This Fire is the second studio album by American singer-songwriter Paula Cole, released on October 15, 1996. According to the RIAA, the album has gone double platinum, selling over two million copies in United States and peaked at number 20 on the Billboard 200. According to the booklet, the album is dedicated to "the inner fire of all life. May our seeds of light open, brighten, and sow peace on earth".
Greatest Misses is the first compilation album by American hip hop group Public Enemy. Composed of six new songs, six remixed singles from previous albums and a live performance from the British TV series The Word, it was released on September 15, 1992, through Def Jam/Columbia/Sony Music. Production was handled by The Bomb Squad and Imperial Grand Ministers Of Funk, and remixes were provided by Damon Dollars, Jam Master Jay, Chyskillz, Jeff Trotter, DJ Chuck Chillout, Salaam Remi, Sir Jinx and Greg Beasley.
A Rose Is Still a Rose is the thirty-fourth studio album by American recording artist Aretha Franklin. It was released on March 24, 1998, by Arista Records. Conceived after a longer hiatus and a complete departure from her previous studio album What You See Is What You Sweat (1991), the album includes influences of 1990s hip hop as well as modern-day contemporary R&B and soul music. Throughout the project, Franklin worked with many famed hip hop producers and rappers, such as Lauryn Hill, Sean "Puffy" Combs, Jermaine Dupri, and Daryl Simmons. With the latter acts producing most of the album, A Rose Is Still a Rose deviated from the adult contemporary sound of Franklin's older work.
Revolverlution is the eighth studio album by American hip hop group Public Enemy, released July 23, 2002 on Koch Records in the United States. The album debuted at number 110 on the U.S. Billboard 200 chart. Upon its release, it received generally positive reviews from most music critics, based on an aggregate score of 65/100 from Metacritic.
The discography of Public Enemy, an American hip hop group, consists of 15 studio albums, two live albums, four compilation albums, two remix albums, one soundtrack album, four video albums, 39 singles, four promotional singles and 39 music videos. The group released their debut studio album, Yo! Bum Rush the Show, in February 1987; it peaked at number 125 on the United States Billboard 200. The album spawned the singles "Public Enemy No. 1" and "You're Gonna Get Yours". Public Enemy released their second studio album, It Takes a Nation of Millions to Hold Us Back, in April 1988. The album peaked at number 42 on the Billboard 200. It has since sold 1.3 million copies in the US, earning a platinum certification from the Recording Industry Association of America (RIAA). Four of the album's singles charted on the US Billboard Hot R&B/Hip-Hop Songs chart: "Bring the Noise", "Don't Believe the Hype", "Night of the Living Baseheads" and "Black Steel in the Hour of Chaos". The former three, along with the single "Rebel Without a Pause", also charted in the United Kingdom.
"Bring the Noise" is a song by the American hip hop group Public Enemy. It was included on the soundtrack of the 1987 film Less than Zero; the song was also released as a single that year. It later became the first song on the group's 1988 album, It Takes a Nation of Millions to Hold Us Back. The single reached No. 56 on the Billboard Hot R&B/Hip-Hop Songs chart.
How You Sell Soul to a Soulless People Who Sold Their Soul??? is the tenth studio album by American hip hop group Public Enemy, released August 7, 2007 on Slam Jamz Recordings in the United States. Its release coincided with the 20th anniversary of their career. The album debuted at number 49 on Independent Albums chart, and it received generally positive reviews from most music critics, based on an aggregate score of 71/100 from Metacritic. Music critic Robert Christgau named How You Sell Soul to a Soulless People Who Sold Their Soul??? his second favorite album that didn't make Rolling Stone's Top 50 albums of 2007. In September 2012, the album finally entered the UK chart at number 199, followed by success of the top 5 single "Harder Than You Think" after it became the theme song to the British comedy talk show The Last Leg, which debuted the previous month as The Last Leg with Adam Hills.
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.
Most of My Heroes Still Don't Appear on No Stamp is the eleventh studio album by American hip hop group Public Enemy, released on July 13, 2012, by Slam Jamz. It was sold exclusively at the iTunes Store before its release to other retailers. It was released on CD on November 6. The album is the first of two albums that Public Enemy released in 2012, which Chuck D described as "fraternal twins", along with The Evil Empire of Everything, which was released on October 1, 2012. The album features guest vocals from Brother Ali, Bumpy Knuckles, Cormega, and DMC. The title track "Most of My Heroes Still..." was produced and co-written by Z-Trip.
Man Plans God Laughs is the thirteenth studio album by American hip hop group Public Enemy. The album was released on Spotify on July 16, 2015.
Ironman is the debut studio album by American rapper Ghostface Killah, released on October 29, 1996, by Epic Records. It was produced by fellow Wu-Tang Clan member RZA. The album's music draws prominently on blaxploitation films and soul samples. As with other solo debuts from the group's members, Ironman contains references to the Nation of Gods and Earths.