Harry Allen | |
---|---|
Born | New York City, U.S. | November 27, 1963
Occupation | Journalist, activist |
Alma mater | Adelphi University |
Subject | Public Enemy, hip hop |
Spouse | Zakiya |
Harry Allen (born November 27, 1963, in Bushwick, Brooklyn, New York) is an American hip hop activist and journalist ("The Media Assassin") affiliated with the group Public Enemy, and is the director of the Rhythm Cultural Institute. He grew up in Freeport, Long Island. [1]
Harry Allen first met Carlton "Chuck D" Ridenhour in 1982, when the two took a graphic design class at Adelphi University [2] in Garden City. Ridenhour, also a member of hip hop group Spectrum City, introduced Allen to a clique who congregated around university radio station WBAU/90.3 FM on Monday nights (although not all were students), and, in Allen's own words, "looked at hip-hop scientifically - as an analysis of its parts - and took it completely seriously, like I did." This included Flavor Flav and Terminator X (who, along with Chuck D, would form the core of Public Enemy), Spectrum City founders Hank and Keith Shocklee (who, along with Chuck D and Eric "Vietnam" Sadler, would form PE's legendary production team, The Bomb Squad), future Def Jam President Bill Stephney, and Andre "Doctor Dré" Brown, best known for later co-hosting Yo! MTV Raps .
Although it would still be a number of years before Long Island produced its own stars, Allen was brought into direct contact with hip hop at a pivotal moment in its development. In 1983, WBAU/90.3 would be the first radio station to play Run-DMC's seminal classic "Sucker M.C.'s" and possibly the first to interview the Hollis, Queens trio that would go on to be hip hop's first platinum act. It was during this time that Allen would flirt with a career in photography, capturing the local scene and visiting New York City stars, as well as a change of scenery after transferring to Brooklyn College - until abruptly ending this hobby in 1986. [1]
Allen's first published article was "one of the first pieces to illuminate the political ideology behind Public Enemy, whose militant demeanor and confrontational lyrics initially confused and baffled the mainstream white press." [1] After a 1989 Washington Times interview with Professor Griff brought accusations of anti-Semitism against PE, "Allen was the natural choice to negotiate the love-hate relationship between PE and the press," and began identifying himself as a "hip hop activist and media assassin," becoming the group's publicist as "director of Enemy relations." [1] He also wrote on a variety of topics for The Village Voice (between 2002 and 2008), [3] [4] Essence , [5] Spin [6] and Vibe . [7]
Making his first recorded appearance on Public Enemy's 1988 track "Don't Believe the Hype", Allen responds to Flavor Flav's concluding question, "Yo Harry, you're a writer, are we that type?", answering, "Don't believe the hype." [8] He also made a visual appearance on Tour of a Black Planet video, stating:
Well, what black people should do when they're seeking justice is ask for justice, accept what they've given, and then compensate for the difference. Black people usually don't compensate for the difference—they usually accept what's given. What we need to do is bust through the wall by any means necessary. [9]
Allen also appears on the chorus of "More News At 11", from Apocalypse 91...The Enemy Strikes Black , [10] and 1994's Muse Sick-N-Hour Mess Age features a voicemail-message skit, entitled "Harry Allen's Interactive Super Highway Phone Call To Chuck D." [11]
Allen was an early proponent of the Internet, creating an online presence for PE in 1991, [1] publishing the webzine Rap Dot Com, and leading a panel discussion on music and the Internet—with Chuck D and Adam Curry—during the 1994 New Music Seminar. [12] Allen stated on his radio show: "anyone can be on the Internet, and now anyone is on the Internet." [13] During this period, Allen also worked for Hank Shocklee's record label, Soul Records. [14]
Allen also founded the Rhythm Cultural Institute in 1992, with KRS-One and others, which moderates and hosts seminars, and has undertaken research into the methodology necessary to create a fitting "Hip Hop Hall of Fame". [15] In 1995, the mission of the Institute was: "capturing, keeping for the future, aggressively defining, and promoting the expansion of hip hop music and culture." [16] In a 1995 Wired magazine interview, Allen spoke about hip hop in relation to technology:
That African Americans are alienated from technology is a myth. There is far more evidence showing quite the opposite. When useful technology is not kept from us by white people who practice racism, or when it is not used to oppress us, we usually find energetic ways to get a new maximum out of it. Additionally, I say that the power of hip hop lies in its ability to radically combine sounds, imagery, text, and other media within its form. [16]
Allen hosts an "on-air magazine" on WBAI-NY/99.5 FM called Nonfiction, started in 2003, and he has interviewed guests such as Talking Heads bassist Tina Weymouth, physicists Brian Greene and Lisa Randall, and Black Panther Party activist Kathleen Cleaver. [17]
Allen was employed by Rockstar Games from 2004 to 2006, in the public affairs department, and his personal website states: "He [Allen] considers his credit on the hit title Grand Theft Auto: San Andreas his proudest byline." [18]
On June 28, 2007, an exhibition of his photography, entitled Part of the Permanent Record: Photos From the Previous Century, opened at the Eyejammie Fine Arts Gallery in Manhattan, a gallery that specialized in hip hop-related art, founded and owned by Bill Adler, former Def Jam director of media relations. The exhibition, which ran until August of that year, was re-mounted at the University of Iowa’s Black Box Theater from March 27 through June 27, 2010.
As of September 2014, Allen serves as an advisor to the Archives of African American Music and Culture (AAAMC), at Indiana University, is represented by the APB Speakers International speakers bureau, and published the blog Media Assassin. [18]
In October 2017, he visited honorary Professor Kajakawa at the University of Oregon and spoke to students about his life story.
According to his personal website in September 2014, Allen lives in Harlem, U.S., [1] with his wife, Zakiya. [18]
Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, best known as the leader and frontman of the hip hop group Public Enemy, which he co-founded in 1985 with Flavor Flav. Chuck D is also a member of the rock supergroup Prophets of Rage. He has released several solo albums, most notably Autobiography of Mistachuck (1996).
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav on Roosevelt, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988). Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's anti-Semitic public comments and his consequent dismissal from the group in 1989.
Apocalypse 91… The Enemy Strikes Black is the fourth studio album by American hip hop group Public Enemy, released on October 1, 1991, by Def Jam Recordings and Columbia Records. The album received critical acclaim, ranking at No. 2 in The Village Voice's 1991 Pazz & Jop critics' poll.
André Brown, better known as Doctor Dré, is an American rapper, radio personality and former MTV VJ.
"Self Destruction" is the only single by the Stop the Violence Movement, a group formed by American rapper KRS-One in 1988 in response to violence in the hip hop and African American communities.
Yo! Bum Rush the Show is the debut studio album by American hip hop group Public Enemy, released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York, and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper Chuck D's black nationalist politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.
"Fight the Power" is a song by American hip hop group Public Enemy, released as a single in the summer of 1989 on Motown Records. It was conceived at the request of film director Spike Lee, who sought a musical theme for his 1989 film Do the Right Thing. First issued on the film's 1989 soundtrack, the extended version was featured on Public Enemy's third studio album Fear of a Black Planet (1990).
He Got Game is a soundtrack and sixth studio album by American hip hop group Public Enemy, released on April 28, 1998, under Def Jam Recordings. It was released as the soundtrack to Spike Lee's 1998 film of the same name and was the group's last album for Def Jam until 2020's What You Gonna Do When the Grid Goes Down. He Got Game was produced by members of the Bomb Squad, along with producers Abnes Dubose, Danny Saber, D. R. Period, and Jack Dangers.
Power to the People and the Beats is a greatest hits album by hip hop group Public Enemy.
William Jonathan Drayton Jr., known by his stage name Flavor Flav, is an American rapper and hypeman. Known for his yells of "Yeah, boyeeeeee!" when performing, he is a founding member, alongside Chuck D, of Public Enemy, a rap group that has earned six Grammy Award nominations, and has been inducted into the Rock and Roll Hall of Fame.
Keith Matthew Boxley, better known as Keith Shocklee or Wizard K-Jee, is an American record producer and DJ. He was an original member of Public Enemy and the Bomb Squad. He has contributed his talent to several albums including It Takes A Nation Of Millions To Hold Us Back and Fear of a Black Planet. Shocklee also co-produced the singles "Bring the Noise” and "Fight The Power," which were included on Rolling Stone's list of the “500 Greatest Songs Of All Time.”
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.
"Rebel Without a Pause" is a song by hip hop group Public Enemy and the first single from their 1988 album, It Takes a Nation of Millions to Hold Us Back. The title is a reference to the 1955 film Rebel Without a Cause.
"Night of the Living Baseheads" is the third single released in 1988 by hip hop group Public Enemy, from their critically acclaimed album It Takes a Nation of Millions to Hold Us Back. The lyrics deal with the effects of crack cocaine on African-Americans during the 1980s crack epidemic, referring to the slang for freebase cocaine "base" or crack cocaine. The song reached #62 on the U.S. Hot R&B/Hip-Hop Singles & Tracks.
A hype man, typically in hip hop music, is a backing vocalist who supports the primary performer with exclamations, interjections, or ad-libs in an attempt to increase an audience's excitement or engagement.
Original Concept was an American 1980s hip-hop group from Long Island, New York, best known for their single "Can You Feel It". They only made one album and it was notable for the absence of lyrics on many of the tracks. The group are perhaps better known for their production prowess and instrumentals.
Son of Bazerk is an American hip hop group, consisting of Son of Bazerk, Almighty Jahwell, Daddy Rawe, and Half Pint. It was formed by Hank Shocklee, a member of the producer team the Bomb Squad.
Bass for Your Face is the second studio album by American hip hop producer and recording artist DJ Muggs. The album was released by Ultra Records on January 15, 2013, in the United States.
T-Money is a rapper, actor, and former MTV Video Jockey. He was a member in the group Original Concept. He was present in the evolution of hip hop as one of the first artists to produce bass music using the 808 drum machine. This can be found in their songs Knowledge Me and Pump That Bass. The elements of bass music and vinyl spinning remain a component in mainstream hip hop music.