Session musician

Last updated
Session musician Hal Blaine (pictured in 1995) is widely regarded as one of the most prolific drummers in rock and roll history, having "certainly played on more hit records than any drummer in the rock era". Hal Blaine in 2008.jpg
Session musician Hal Blaine (pictured in 1995) is widely regarded as one of the most prolific drummers in rock and roll history, having "certainly played on more hit records than any drummer in the rock era".

Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. Session musicians are usually not permanent members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, and The Funk Brothers who worked with Motown Records.

Contents

Many session musicians specialize in playing common instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres and styles. Examples of "doubling" include double bass and electric bass, acoustic guitar and mandolin, piano and accordion, and saxophone and other woodwind instruments.

Session musicians are used when musical skills are needed on a short-term basis. Typically session musicians are used by recording studios to provide backing tracks for other musicians for recording sessions and live performances; recording music for advertising, film, television, and theatre. In the 2000s, the terms "session musician" and "studio musician" are synonymous, though in past decades, "studio musician" meant a musician associated with a single record company, recording studio or entertainment agency.

1950s–1960s

During the 1950s and 1960s, session players were usually active in local recording scenes concentrated in places such as Los Angeles, New York City, Nashville, Memphis, Detroit, and Muscle Shoals. [2] [3] [4] Each local scene had its circle of "A-list" session musicians, such as The Nashville A-Team that played on numerous country and rock hits of the era, the two groups of musicians in Memphis, both the Memphis Boys and the musicians who backed Stax/Volt recordings, and the Funk Brothers in Detroit, who played on many Motown recordings. [3]

At the time, multi-tracking equipment, though common, was less elaborate, and instrumental backing tracks were often recorded "hot" with an ensemble playing live in the studio. [5] Musicians had to be available "on call" when producers needed a part to fill a last-minute time slot. [6] In the 1960s, Los Angeles was considered the top recording destination in the United States — consequently studios were constantly booked around the clock, and session time was highly sought after and expensive. [7] Songs had to be recorded quickly in the fewest possible takes. [8] In this environment, Los Angeles producers and record executives had little patience for needless expense or wasted time and depended on the service of reliable standby musicians who could be counted on to record in a variety of styles with minimal practice or takes, and deliver hits on short order. [6] [9]

Studio band

A studio band is a musical ensemble that is in the employ of a recording studio for the purpose of accompanying recording artists who are customers of the studio.

Notable groups

Studio musicians who recorded during the Nashville sound era. Their contributions began in the 1950s with artists such as Elvis Presley. The original A-Team includes bassist Bob Moore; guitarists Grady Martin, Hank Garland, Ray Edenton, and Harold Bradley; drummer Buddy Harman; pianists Floyd Cramer and Hargus "Pig" Robbins; fiddler Tommy Jackson; steel guitarist Pete Drake; harmonicist Charlie McCoy; saxophonist Boots Randolph; and vocal groups The Jordanaires and The Anita Kerr Singers. Cramer, McCoy and Randolph, along with later A-Teamer and producer Chet Atkins, would later emerge as part of Hee Haw's Million Dollar Band in the 1980s.
The house band at Stax records in Memphis during the 1960s and 1970s, playing behind Otis Redding, Eddie Floyd, Sam and Dave, Isaac Hayes, The Staple Singers, and others. MGs guitarist Steve Cropper co-wrote many of Redding's hits and the MGs produced albums and hit singles such as "Green Onions" in their own right while being the house band at Stax.
Prolific, established studio musicians based in Los Angeles. They have recorded many songs and albums since the 1960s. The Ron Hicklin Singers (also billed as the Charles Fox Singers) was a vocal session group closely associated with the Wrecking Crew and appeared as backing vocalists on many of the Crew's recordings.
Session musicians who backed many Motown Records recordings from the late 1950s to the early 1970s, as well as a few non-Motown recordings, notably on Jackie Wilson's "(Your Love Keeps Lifting Me) Higher and Higher."
A Los Angeles singer/songwriter scene associated with the Troubadour nightclub and Laurel Canyon in the late 1960s to mid-1970s was supported by musicians Russ Kunkel, Danny Kortchmar, Leland Sklar and Craig Doerge. This session combo, nicknamed "the Section" or "the Mafia", backed many musicians, among others: Carole King, James Taylor, Jackson Browne, Warren Zevon, Kris Kristofferson and David Crosby.
A group comprising Barry Beckett, Roger Hawkins, David Hood, and Jimmy Johnson, also known as the Swampers, became known for the "Muscle Shoals Sound." Many of the recordings done in the Memphis area, which included Muscle Shoals, Alabama, used The Memphis Horns in their arrangements.
MFSB was a group of soul music studio musicians based in Philadelphia at the Sigma Sound Studios; they later went on to become a name-brand instrumental group, and their best known hit was "TSOP (The Sound of Philadelphia)," better known as the theme from Soul Train .
A vocal group commissioned to provide vocals for Mayoham Music, formed by husband and wife Al Ham and Mary Mayo (the latter of whom was also a member of the group). The group is best known for their jingles and television news themes. "I'd Like to Teach the World to Sing (In Perfect Harmony)," originally composed as a jingle for Coca-Cola, became a surprise hit and the source of the group's recording name, as the Coca-Cola commercial featured singers on a hillside. The New Seekers would have an even larger hit with the same song. Their best-known news theme was "Move Closer to Your World," associated with Capital Cities Communications' Action News local news format.

See also

Related Research Articles

Soul music is a popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues and jazz. Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa.

Booker T. & the M.G.s R& B/funk band

Booker T. & the M.G.'s are an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s.

Stax Records is an American record label, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961 and shared its operations with Volt Records, a sister label created to avoid the impression of favoritism among radio stations playing their records.

The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.

Memphis soul, also known as the Memphis sound, was the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee, featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.

The Wrecking Crew (music) Loose collective of session musicians based in Los Angeles whose services were employed for thousands of studio recordings in the 1960s and 1970s

The Wrecking Crew was a loose collective of session musicians based in Los Angeles whose services were employed for thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history.

Hi Records was an American soul music and rockabilly label started in Memphis, Tennessee in 1957 by singer Ray Harris, record store owner Joe Cuoghi, Bill Cantrell and Quinton Claunch, and three silent partners, including Cuoghi's lawyer, Nick Pesce.

Lincoln Wayne "Chips" Moman was an American record producer, guitarist, and Grammy Award-winning songwriter.

The Soul Children was an American vocal group who recorded soul music for Stax Records in the late 1960s and early 1970s. They had three top 10 hits on the U.S. Billboard R&B chart – "The Sweeter He Is" (1969), "Hearsay" (1972), and "I'll Be the Other Woman" (1973) – all of which crossed over to the Billboard Hot 100.

The Muscle Shoals Rhythm Section is a group of American studio musicians based in the northern Alabama town of Muscle Shoals. One of the most prominent American studio house bands from the 1960s to the 1980s, these musicians, individually or as a group have been associated with more than 500 recordings, including 75 gold and platinum hits. They were masters at creating a southern combination of R&B, soul and country music known as the "Muscle Shoals sound" to back up black artists, who were often in disbelief to learn that the studio musicians were white. Over the years from 1962 to 1969, there have been two successive groups under the name "Muscle Shoals Rhythm Section" and the common factor in the two was an association with Rick Hall at FAME Studios in Muscle Shoals.

Muscle Shoals Sound Studio United States historic place

Muscle Shoals Sound Studio at 3614 Jackson Highway in Sheffield, Alabama was formed in 1969 by four session musicians called The Muscle Shoals Rhythm Section who had left Rick Hall's nearby FAME Studios in Muscle Shoals to create their own recording facility. The group closed the Jackson Highway studio in 1979, moving the operation to 1000 Alabama Avenue. The old studio has been listed on the National Register of Historic Places since June 2006. It was partly restored in the early 2000s and was sold to the Muscle Shoals Music Foundation in 2013. This group completed a major restoration and the location reopened on January 9, 2017. The Alabama Avenue location ceased operations in 2005 when it was sold to a record label.

Stax Museum of American Soul Music Soul music museum in Tennessee, United States

The Stax Museum of American Soul Music is a museum located in Memphis, Tennessee, at 926 East McLemore Avenue, the former location of Stax Records. It is operated by Soulsville USA, which also operates the adjacent Stax Music Academy.

Ronald Marvell Thomas was an American keyboardist, record producer and arranger known for his work in Memphis Soul.

FAME Studios

FAME Studios is a recording studio located at 603 East Avalon Avenue in Muscle Shoals, Alabama, an area of northern Alabama known as the Shoals. Though small and distant from the main recording locations of the American music industry, FAME has produced many hit records and was instrumental in what came to be known as the Muscle Shoals sound. It was started in the 1950s by Rick Hall, known as the Founder of Muscle Shoals Music. The studio, owned by Hall until his death in 2018, is still actively operating. It was added to the Alabama Register of Landmarks and Heritage on December 15, 1997, and was listed on the National Register of Historic Places in 2016. The 2013 award-winning documentary Muscle Shoals features Rick Hall, the Muscle Shoals Rhythm Section, and the Muscle Shoals sound originally popularized by FAME.

<i>The Wrecking Crew</i> (2008 film) 2008 film

The Wrecking Crew is a 2008 American documentary film directed by Denny Tedesco, son of guitarist Tommy Tedesco. It covers the story of the Los Angeles–based group of session musicians known as the Wrecking Crew, famed for having played on numerous hit recordings throughout the 1960s and early 1970s. The film premiered at the 2008 South by Southwest Film Festival.

Jerry Kirby Carrigan was an American drummer and record producer. He first achieved widespread recognition by being part of the original Muscle Shoals Rhythm Section in Muscle Shoals, Alabama, and later as a first-call session musician in Nashville for over three decades. His style of drumming with a loose, deep-sounding snare drum melded country music with an R&B feel and helped develop a Nashville sound known as "Countrypolitan". His drumming is heard on many recordings which have become classics, some listed below. He recorded with Elvis Presley, Johnny Cash, Charley Pride, Jerry Lee Lewis, Ray Stevens, Kenny Rogers, George Jones and many others. He recorded with non-country artists as well, including Henry Mancini, Al Hirt, Johnny Mathis, and the Boston Pops Orchestra. In 2009 he was inducted into the "Nashville Cats", a cadre of top recording musicians chosen by the Country Music Hall of Fame. In 2010 he was inducted into the Alabama Music Hall of Fame. Carrigan was inducted into the Musicians Hall of Fame and Museum in 2019.

American Sound Studio US recording studio (1967-1971) located at 827 Thomas Street in Memphis, Tennessee

American Sound Studio was a recording studio located at 827 Thomas Street in Memphis, Tennessee. More than one hundred hit songs were recorded there between its founding in 1964 and its closing in 1972, The music for these hits was played by the house band "The Memphis Boys", also known as the "827 Thomas Street Band". Artists who recorded at American Sound Studio included Elvis Presley, Joe Tex, Wilson Pickett, Bobby Womack, Joe Simon, Merrilee Rush, Aretha Franklin, Oscar Toney Jr., Neil Diamond, Dusty Springfield, B. J. Thomas, Petula Clark, Roy Hamilton, and The Box Tops. Bobby Womack was a session guitarist at American Sound Studio and recorded his first charted hit there.

Donald "Don" Davis was an American record producer, songwriter and guitarist who combined a career in music with one in banking.

Alfred V. De Lory was an American record producer, arranger, conductor and session musician. He was the producer and arranger of a series of worldwide hits by Glen Campbell in the 1960s, including John Hartford's "Gentle on My Mind", Jimmy Webb's "By the Time I Get to Phoenix", "Wichita Lineman" and "Galveston". He was also a member of the 1960s Los Angeles session musicians known as The Wrecking Crew, and inducted into the Musicians Hall of Fame and Museum in 2007.

Musicians Hall of Fame and Museum Hall of Fame and Museum in Tennessee , United States

The Musicians Hall of Fame and Museum (MHOF) in Nashville honors all musicians regardless of genre or instrument. The MHOF timeline starts with the beginning of recorded music and inductees are nominated by current members of the American Federation of Musicians and by other music industry professionals.

References

  1. "Hal Blaine Biography". Rock and Roll Hall of Fame . Retrieved 10 August 2015.
  2. Savona, Anthony (2005). Console Confessions: The Great Music Producers in Their Own Words (First ed.). San Francisico, CA 94107: Backbeat Books. pp. 36–38. ISBN   978-0-87930-860-5.
  3. 1 2 Source A: "The Nashville "A" Team". Musicians Hall of Fame and Museum. Archived from the original on January 26, 2016. Retrieved January 20, 2016.Source B: "Motown Sound: Funk Brothers". Motown Museum . Retrieved January 20, 2016.Source C:Brown, Mick (October 25, 2013). "Deep Soul: How Muscle Shoals Became Music's Most Unlikely Hit Factory". The Telegraph. Retrieved January 20, 2016.
  4. Hartman, Kent (2012). The Wrecking Crew: The Inside Story of Rock and Roll's Best-Kept Secret (1st ed.). Thomas Dunne Books. pp.  2–5, 110, 175–176. ISBN   978-0-312-61974-9.
  5. "Recording studios – Why Can Recordings Made in the e.g. 1960s Sound Good in 2011?". NAIM. Retrieved January 20, 2016.
  6. 1 2 Andrews, Evan (July 1, 2011). "Top 10 Session Musicians and Studio Bands". Toptenz.net. Retrieved January 21, 2016.
  7. "The Byrds: Who Played What?". JazzWax. September 4, 2012. Retrieved January 21, 2016.
  8. Farber, Jim (March 9, 2015). "The Wrecking Crew Documentary Profiles the Secret Players Behind Many 1960s and '70s Rock Hits". Daily News. New York. Retrieved January 21, 2016.
  9. Laurier, Joanne (November 14, 2015). "The Wrecking Crew: The "Secret Star-Making Machine" of 1960s Pop Music". World Socialist Website. Retrieved January 21, 2016.