Cassette single

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cassette single
Cassette single logo.svg
CassetteSingle1.jpg
Released by the Parlophone record label in the UK, Tina Turner's 1995 song GoldenEye as a cassette single, listing the standard 'edit' and an extended 'club edit' on side 1.
Media type Magnetic tape
Encoding Analogue signal
CapacityBetween 10–30 minutes total [1] (3-6 songs/versions), sometimes repeated on both sides
Read mechanism Tape head
Standard Compact Cassette
Dimensions103 × 64 × 12 mm
UsageAudio playback
Released1980 (1980)

A cassette single (CS), also known by the trademark cassingle, or capitalised as the trademark Cassette Single, is a music single supplied in the form of a Compact Cassette. The cassette single was introduced in 1980. [2]

Contents

History

The first ever cassette single to be released, "C*30 C*60 C*90 Go" from Bow Wow Wow. C*30 C*60 C*90 Go.jpg
The first ever cassette single to be released, "C·30 C·60 C·90 Go" from Bow Wow Wow.

The debut single "C·30 C·60 C·90 Go" from Bow Wow Wow (catalogue number TCEMI 5088) was the first cassette single released worldwide, issued by EMI in the United Kingdom in 1980. [2] In the United States of America, the first cassette single was released by A&M and I.R.S. Records in 1982 with the Go-Go's [1] "Vacation", which contained two songs available on both sides of the tape. [3]

Initially, the cassette single was supplied containing two or three versions of the primary single, sometimes also together with a B-side song. Typically, between 4 and 20 minutes of music were available on the early cassette singles, [3] though later offerings would be available with five or six different versions of songs.

The British independent record label ZTT Records made good use of the cassette single format by 1984, with singles by Frankie Goes to Hollywood, Art of Noise and Propaganda being issued in unique versions on compact cassette.

American record companies began releasing cassette singles on a large scale in 1987, when vinyl record album sales were declining in favour of cassette recordings; the cassette single was meant to replace the 7-inch 45-rpm record in a similar way. [1] [3]

The cassette single format was used as a promotion in the 1990s, with The Walt Disney Company giving a "cassingle" to attendees of Hercules promotional events. [1]

Packaging

Sleeve cover for the Cassette Single, Baby, I Love Your Way / Freebird Medley (Free Baby) by Will to Power. Baby, I Love Your Way--Freebird Medley (Free Baby) by Will to Power US retail cassette.jpg
Sleeve cover for the Cassette Single, Baby, I Love Your Way / Freebird Medley (Free Baby) by Will to Power.
A relatively modern cassette single (by T.A.T.u.) in an O case packaging. This single is sold only in the O case and does not have an insert. Modern Cassette Single in O-Case.png
A relatively modern cassette single (by T.A.T.u.) in an O case packaging. This single is sold only in the O case and does not have an insert.

Originally, most cassette singles were released in a thick paper sleeve that slipped over the outside of the cassette. This was then usually shrink wrapped in cellophane plastic. Some singles contained one song on each side, much as 7-inch 45-rpm records had done, but others repeated the songs on both sides. In some markets, cassette singles generally used the same packaging as standard cassettes, a rigid plastic box with a folded paper inlay insert.

As the cassette maxi single or extended play (EP) was released, [1] more intricate packaging was incorporated that looked similar to the packaging of a regular album cassette. These were placed in standard rigid plastic cassette cases, with a folded paper/cardstock inlay insert. Unlike a full-length cassette album, these were generally only one two-sided inlay instead of an extended fold-out (the latter as required for song lyrics, and other additional information usually found on albums). Maxi-singles usually contained four or more versions of a single song; i.e.: typically the '7-inch single', an 'album version', a shorter 'radio edit', and occasionally a 'club edit' or 'dance mix', and a '12-inch extended version'. [1] Other options could include an 'a cappella' version, and / or an 'instrumental' version. Alternatively, some cassette singles contained differing versions of two different songs, as in a 'double A-side'. [4]

Popularity

Although the cassette had reached a high level of popularity by the late 1970s, due to the ubiquity of mobile devices such as the Sony Walkman, [1] the boombox, and car audio cassette players, cassette singles never rivalled gramophone records to even near the same extent as cassette albums had done. In the U.S., cassette singles were completely phased out by the mid 2000s. One reason for their lesser popularity was because they appeared to be an inefficient use of the media to consumers; a cassette single took up the same storage space as a full album. In October 2012, American alternative metal band Deftones released the lead single, Leathers off their album, Koi No Yokan as a cassette single. In April 2013, however, psychedelic rock band MGMT released the first single from their third album as a cassette single, and October 2014 saw the cassingle Great Big Happy Green Moonface from Polaris, the band's first release in fifteen years. In 2020, Lady Gaga released cassette singles for her songs "Stupid Love" and "Rain on Me" from the album Chromatica becoming her first single releases on the format.

Related Research Articles

<span class="mw-page-title-main">Single (music)</span> Release with one to three tracks

In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album.

<span class="mw-page-title-main">Extended play</span> Musical recording longer than a single but shorter than a full album

An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain four to five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well. In K-pop they are usually referred to as mini albums. Ricardo Baca of The Denver Post said, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of maximum length and no more than four tracks.

<i>Substance 1987</i> 1987 compilation album by New Order

Substance is a compilation album by English alternative dance band New Order. It was released in August 1987 by Factory Records. The album compiles all of the band's singles at that point in their 12-inch versions, along with their respective B-side tracks. The then-newly released non-album single "True Faith" is also featured, along with its B-side "1963" and new versions of "Temptation" and "Confusion".

<span class="mw-page-title-main">Double album</span> Audio recording album that spans two units of its format

A double album is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's Some Time in New York City and OutKast's Speakerboxxx/The Love Below . Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-Audio versions of the same recordings. Some such discs were also released on a two-sided format called DualDisc.

<span class="mw-page-title-main">Album</span> Collection of audio recordings

An album is a collection of audio recordings issued on a medium such as compact disc (CD), vinyl (record), audio tape, or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+13 rpm.

<span class="mw-page-title-main">Unusual types of gramophone records</span> Gramophone records with non standard features

The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.

<span class="mw-page-title-main">Album cover</span> Photo on the front cover of an album

An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of 10 in (25 cm) and 12 in (30 cm) 78-rpm records, single and sets of 12 in (30 cm) LPs, sets of 45 rpm records, or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks.

A CD single is a music single in the form of a compact disc. The standard in the Red Book for the term CD single is an 8 cm (3-inch) CD. It now refers to any single recorded onto a CD of any size, particularly the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased.

<span class="mw-page-title-main">Maxi single</span> Music single release with more than two songs

A maxi single or maxi-single is a music single release with more than the usual two tracks of an A-side song and a B-side song.

<span class="mw-page-title-main">Betcha by Golly, Wow</span> 1970 single by Connie Stevens and 1972 hit for the Stylistics

"Betcha by Golly, Wow" is a song written by Thom Bell and Linda Creed, originally titled "Keep Growing Strong" and recorded by Connie Stevens under the Bell label in 1970. Stevens' recording runs two minutes and thirty seconds. The composition later became a hit when it was released by the Philadelphia soul group the Stylistics in 1972 under its better known title, "Betcha by Golly, Wow".

<span class="mw-page-title-main">Balzac (band)</span> Japanese punk rock band

Balzac is a Japanese punk rock band formed in 1992 in Kyoto. The band was founded by singer and songwriter Hirosuke Nishiyama, who has remained the only constant member of the band since its creation. Since the beginning, Balzac was highly influenced by the sound and image of the American horror punk band Misfits and, especially during the very early years, Glenn Danzig's Samhain, adopting and combining the musical and visual style of both bands to create their own. Balzac's lyrics, though not always serious in tone, often deal with themes of darkness, loneliness and fear.

<span class="mw-page-title-main">Close to You (Maxi Priest song)</span> 1990 song by Maxi Priest

"Close to You" is a song by English reggae singer Maxi Priest. It was released in 1990 as the lead single from his fifth album Bonafide (1990). "Close to You" reached number one on the US Billboard Hot 100, number two on the Australian ARIA Singles Chart, and number seven on the UK Singles Chart.

<span class="mw-page-title-main">Handbags and Gladrags</span> 1967 song written by Mike dAbo

"Handbags and Gladrags" is a song written in 1967 by Mike d'Abo, who was then the lead singer of Manfred Mann. D'Abo describes the song as "saying to a teenage girl that the way to happiness is not through being trendy. There are deeper values."

<span class="mw-page-title-main">Get the Message (song)</span> 1991 single by Electronic

"Get the Message" is a song by Electronic, the English band formed by Bernard Sumner of New Order and ex-Smiths guitarist Johnny Marr. "Get the Message" was the second single from their 1991 debut album, Electronic, and was a commercial success around the world. It is an example of Marr and Sumner's original concept of mixing the synthesizers of New Order with the Smiths' guitar sound.

<span class="mw-page-title-main">Vacation (The Go-Go's song)</span> 1982 single by the Go-Gos

"Vacation" is a 1982 single released by the all-female rock band, the Go-Go's. The song was the first single from the album, Vacation.

<span class="mw-page-title-main">New World Man</span> 1982 single by Rush

"New World Man" is a hit single from the 1982 album Signals by Canadian rock band Rush. The song was the last and most quickly composed song on the album, stemming from a suggestion by then-Rush producer Terry Brown to even out the lengths of the two sides of the cassette version. It went to #1 in Canada, where it remained for two weeks in October 1982. It was the only single by a Canadian act to top the RPM chart that year.

<span class="mw-page-title-main">Out of Tears</span> 1994 single by the Rolling Stones

"Out of Tears" is a song by English rock band the Rolling Stones featured on their 1994 album, Voodoo Lounge. It was released as the album's third single. The song was moderately successful, reaching the top 40 in several countries, but was a successful follow-up to "Love Is Strong" in Canada, peaking at No. 3 on the RPM Top Singles chart for six consecutive weeks.

<span class="mw-page-title-main">Figure of Eight (song)</span> 1989 single by Paul McCartney

"Figure of Eight" is a song from Paul McCartney's 1989 album, Flowers in the Dirt. After the completion of the album, McCartney recorded a new version for single release, using his newly formed touring band. The single version is unusual in running nearly two minutes longer than the album version, rather than following the typical radio edit pattern of shortening the track for single release. Despite this quirk, the single - which was released in seven formats - reached number 42 on the UK singles chart and number 92 on the Billboard Hot 100.

<span class="mw-page-title-main">C·30 C·60 C·90 Go</span> 1980 single by Bow Wow Wow

"C·30 C·60 C·90 Go" is the debut single by English new wave band Bow Wow Wow. It was written by Malcolm McLaren, Matthew Ashman, Leigh Gorman and Dave Barbarossa. Originally only released on cassette, it was the world's first-ever cassette single.

<i>The Best of Lynn Anderson: Memories and Desires</i> 1982 studio album (re-recording) by Lynn Anderson

The Best of Lynn Anderson: Memories and Desires is a studio album by American country artist Lynn Anderson. It was released in 1982 via Era Records.Internationally, the album was released on the K-tel distribution company. Although labeled as "The Best of," the album was actually a studio release but it contained re-recordings of songs Anderson first cut in years prior for other labels. Many of the songs on the project were re-recordings of songs she has first cut for other labels. Previously unrecorded tracks were also included on the project.

References

  1. 1 2 3 4 5 6 7 Geoff Mayfield (19 July 1986). "Billboard – Retailers boost cassette singles – a new format encores as vinyl fades". New York: Billboard – Nielsen Business Media, Inc. pp. 45, 47. Retrieved 6 September 2020 via Google Books.
  2. 1 2 Johnson, Bobbie (19 October 2006). "CDs, downloads ... and now band launches the memory-stick single". www.TheGuardian.com. London: The Guardian – Guardian News & Media Limited. Retrieved 5 September 2020.
  3. 1 2 3 Pareles, Jon (2 September 1987). "Cassette singles: new 45's". www.NYTimes.com. The New York Times – The New York Times Company. p. C21. Retrieved 5 September 2020.
  4. Joel Whitburn (2003). Joel Whitburn's Top Pop Singles 1955-2002 (10 ed.). Michigan: University of Michigan / Record Research. p. xxiii. ISBN   0898201551 . Retrieved 6 September 2020 via Google Books.