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A lyricist is a writer who writes lyrics (the spoken words), as opposed to a composer, who writes the song's music which may include but not limited to the melody, harmony, arrangement and accompaniment.
 | The examples and perspective in this section deal primarily with the United States and do not represent a worldwide view of the subject.(May 2020) |
A lyricist's income derives from royalties received from original songs. Royalties may range from 50 percent of the song, if it was written primarily with the composer, or less if they wrote the song in collaboration. Songs are automatically copyrighted as soon as they are in tangible forms, such as a recording or sheet music. However, before a song is published or made public, its author or publisher should register it with the Copyright Office at the United States Library of Congress to better protect against copyright infringement. [1]
Songwriting collaborations can take different forms. Some composers and lyricists work closely together on a song, with each having an input into both words and tune. Usually a lyricist fills in the words to a tune already fully written out. Dorothy Fields worked in this way. [2] Lyricists have often added words to an established tune, as Johnny Burke did with the Erroll Garner jazz standard "Misty". [3] Some partnerships work almost totally independently, for example, Bernie Taupin would write lyrics and hand them over to Elton John, who composed the music to go with it, with minimum interaction between the two writers. [4]
The collaboration of John Lennon and Paul McCartney is widely considered the most successful songwriting partnership in history, with their songs making up the majority of The Beatles' catalog. [5] Other famous collaborations include Leiber and Stoller, the Rolling Stones lead singer Mick Jagger with Keith Richards, and Richard Carpenter with John Bettis. [5]
In the Christian hymn-singing tradition, many of the popular pieces have words written to fit existing melodies. The Christmas carol "What Child Is This?" had its words set to an old English folk tune that had been a lover's lament, "Greensleeves". The English composer Ralph Vaughan Williams set existing poems, such as those by William Cowper and Charles Wesley, to traditional folk tunes to create hymns, many of which he published in The English Hymnal . A different way this happened was the combination of unrelated words and tune, such as "The Star-Spangled Banner", the national anthem of the United States, with words written by Francis Scott Key strictly as a poem, later set to the tune of an old drinking song.[ citation needed ]
In opera, the librettist is responsible for all text, whether spoken or sung in recitative or aria.[ citation needed ]
"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is an immensely popular hymn, particularly in the United States, where it is used for both religious and secular purposes.
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all and instead compose the song in their mind and then play, sing or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers.
Mitchell Parish was an American lyricist, notably as a writer of songs for stage and screen.
The Finlandia hymn refers to a serene hymn-like section of the patriotic symphonic poem Finlandia, written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece. With words written in 1940 by Veikko Antero Koskenniemi, it is one of the most important national songs of Finland. Although not the official national anthem of Finland, it has been continuously proposed as such.
A national anthem is a patriotic musical composition symbolizing and evoking eulogies of the history and traditions of a country or nation. The majority of national anthems are marches or hymns in style. American, Central Asian, and European nations tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a more simplistic fanfare. Some countries that are devolved into multiple constituent states have their own official musical compositions for them ; their constituencies' songs are sometimes referred to as national anthems even though they are not sovereign states.
The "Londonderry Air" is an Irish air that originated in County Londonderry, first recorded in the nineteenth century. The tune is played as the victory sporting anthem of Northern Ireland at the Commonwealth Games. The song "Danny Boy" written by English lawyer Fred Weatherly uses the tune, with a set of lyrics written in the early 20th century.
Bernard John Taupin is an English lyricist and visual artist. He is best known for his songwriting partnership with Elton John, recognised as one of the most successful partnerships of its kind in history. Taupin co-wrote the majority of John's songs, dating back to the 1960s.
"John Brown's Body", originally known as "John Brown's Song", is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune.
The "Battle Hymn of the Republic", also known as the "Mine Eyes Have Seen the Glory" or the "Glory, Glory Hallelujah" outside of the United States, is an American patriotic song that was written by the abolitionist writer Julia Ward Howe during the American Civil War.
"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina.
"Auld Lang Syne" is a Scottish song. In the English-speaking world, it is traditionally sung to bid farewell to the old year at the stroke of midnight on New Year's Eve/Hogmanay. By extension, it is also often heard at funerals, graduations, and as a farewell or ending to other occasions; for instance, many branches of the Scouting movement use it to close jamborees and other functions.
Stephen Lawrence Schwartz is an American musical theatre composer and lyricist. In a career spanning over five decades, Schwartz has written hit musicals such as Godspell (1971), Pippin (1972), and Wicked (2003). He has contributed lyrics to a number of successful films, including Pocahontas (1995), The Hunchback of Notre Dame (1996), The Prince of Egypt, and Enchanted (2007).
Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney of the Beatles. It is widely considered one of the greatest, best known and most successful musical collaborations ever by records sold, with the Beatles selling over 600 million records worldwide as of 2004. Between 5 October 1962 and 8 May 1970, the partnership published approximately 180 jointly credited songs, of which the vast majority were recorded by the Beatles, forming the bulk of their catalogue.
"Ar Hyd y Nos" is a Welsh song sung to a tune that was first recorded in Edward Jones' Musical and Poetical Relics of the Welsh Bards (1784). The most commonly sung Welsh lyrics were written by John Ceiriog Hughes (1832-1887), and have been translated into several languages, including English and Breton. One of the earliest English versions, to different Welsh lyrics by one John Jones, was by Thomas Oliphant in 1862.
In vocal music, contrafactum is "the substitution of one text for another without substantial change to the music". The earliest known examples of this procedure date back to the 9th century used in connection with Gregorian chant.
Hebrew Melodies is a collection of 30 poems by Lord Byron. They were largely created by Byron to accompany music composed by Isaac Nathan, who played the poet melodies which he claimed (incorrectly) dated back to the service of the Temple in Jerusalem.
The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala. Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years. Authorized by the Commandant of the Marine Corps in 1929, it is the oldest official song in the United States Armed Forces. The "Marines' Hymn" is typically sung at the position of attention as a gesture of respect, akin to a national anthem. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies.
"The Babe in Bethlem's Manger", also called "The Babe in Bethlehem's Manger Laid", "Old Kentish Carol" and "The Saviour's Work", is an anonymous English folk Christmas carol celebrating the birth of Jesus in Bethlehem.
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