Occupation | |
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Names | Poet, Troubador, Bard |
Occupation type | Vocation |
Activity sectors | Literary |
Description | |
Competencies | Writing |
Related jobs | Novelist, writer, lyricist |
Literature | ||||||
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Oral literature | ||||||
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Poetry genres | ||||||
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Dramatic genres | ||||||
History | ||||||
Lists and outlines | ||||||
Theory and criticism | ||||||
Literatureportal | ||||||
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator (thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience.
The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. [1] Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced.
The civilization of Sumer figures prominently in the history of early poetry, and The Epic of Gilgamesh, a widely read epic poem, was written in the Third Dynasty of Ur c. 2100 BC; copies of the poem continued to be published and written until c. 600 to 150 BC. However, as it arises from an oral tradition, the poet is unknown.
The Story of Sinuhe was a popular narrative poem from the Middle Kingdom of Egypt, written c. 1750 BC, about an ancient Egyptian man named Sinuhe, who flees his country and lives in a foreign land until his return, shortly before his death. The Story of Sinuhe was one of several popular narrative poems in Ancient Egyptian. Scholars have conjectured that Story of Sinuhe was actually written by an Ancient Egyptian man named Sinuhe, describing his life in the poem; therefore, Sinuhe is conjectured to be a real person. [ citation needed ]
In Ancient Rome, professional poets were generally sponsored by patrons, including nobility and military officials. [2] For instance, Gaius Cilnius Maecenas, friend to Caesar Augustus, was an important patron for the Augustan poets, including both Horace and Virgil. Ovid, a well established poet, was banished from Rome by the first Augustus for one of his poems. [ citation needed ]
During the High Middle Ages, troubadors were an important class of poets. They came from a variety of backgrounds, often living and traveling in many different places and were looked upon as actors or musicians as much as poets. Some were under patronage, but many traveled extensively. [ citation needed ]
The Renaissance period saw a continuation of patronage of poets by royalty. Many poets, however, had other sources of income, including Italians like Dante Aligheri, Giovanni Boccaccio and Petrarch's works in a pharmacist's guild and William Shakespeare's work in the theater.
In the Romantic period and onwards, many poets were independent writers who made their living through their work, often supplemented by income from other occupations or from family. [3] This included poets such as William Wordsworth and Robert Burns.
Poets such as Virgil in the Aeneid and John Milton in Paradise Lost invoked the aid of a Muse.
Poets held an important position in pre-Islamic Arabic society with the poet or sha'ir filling the role of historian, soothsayer and propagandist. Words in praise of the tribe (qit'ah) and lampoons denigrating other tribes (hija') seem to have been some of the most popular forms of early poetry. The sha'ir represented an individual tribe's prestige and importance in the Arabian Peninsula, and mock battles in poetry or zajal would stand in lieu of real wars. 'Ukaz, a market town not far from Mecca, would play host to a regular poetry festival where the craft of the sha'irs would be exhibited.[ citation needed ]
Poets of earlier times were often well read and highly educated people while others were to a large extent self-educated. A few poets such as John Gower and John Milton were able to write poetry in more than one language. Some Portuguese poets, as Francisco de Sá de Miranda, wrote not only in Portuguese but also in Spanish. [4] Jan Kochanowski wrote in Polish and in Latin, [5] France Prešeren and Karel Hynek Mácha [6] wrote some poems in German, although they were poets of Slovenian and Czech respectively. Adam Mickiewicz, the greatest poet of Polish language, wrote a Latin ode for emperor Napoleon III. Another example is Jerzy Pietrkiewicz, a Polish poet. When he moved to Great Britain, he ceased to write poetry in Polish, but started writing a novel in English. [7] He also translated poetry into English.
Many universities offer degrees in creative writing though these only came into existence in the 20th century. While these courses are not necessary for a career as a poet, they can be helpful as training, and for giving the student several years of time focused on their writing. [8]
Lyrical poets who write sacred poetry ("hymnographers") differ from the usual image of poets in a number of ways. A hymnographer such as Isaac Watts who wrote 700 poems in his lifetime, may have their lyrics sung by millions of people every Sunday morning, but are not always included in anthologies of poetry. Because hymns are perceived of as "worship" rather than "poetry", the term "artistic kenosis" is sometimes used to describe the hymnographer's success in "emptying out" the instinct to succeed as a poet. A singer in the pew might have several of Watts's stanzas memorized, without ever knowing his name or thinking of him as a poet.
Karel Hynek Mácha was a Czech romantic poet.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature flourished for the next six centuries. The classical era of Latin literature can be roughly divided into several periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
Gaius Cilnius Maecenas was a friend and political advisor to Octavian. He was also an important patron for the new generation of Augustan poets, including both Horace and Virgil. In many languages, his name is an eponym for "patron of arts".
Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
Greek literature dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today.
Callimachus was an ancient Greek poet, scholar, and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period, he wrote over 800 literary works, most of which do not survive, in a wide variety of genres. He espoused an aesthetic philosophy, known as Callimacheanism, which exerted a strong influence on the poets of the Roman Empire and, through them, on all subsequent Western literature.
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above.
The Story of Sinuhe is a work of ancient Egyptian literature. It was likely composed in the beginning of the Twelfth Dynasty after the death of Amenemhat I. The tale describes an Egyptian man who flees his kingdom, and lives as a foreigner before returning to Egypt shortly before his death. It explores universal themes such as divine providence and mercy. The oldest known copy of the text dates to the reign of Amenemhat III, around 1800 BCE. The work was so popular within Egypt that newer copies have been found ranging up to 750 years after the original.
Corinna or Korinna was an ancient Greek lyric poet from Tanagra in Boeotia. Although ancient sources portray her as a contemporary of Pindar, not all modern scholars accept the accuracy of this tradition. When she lived has been the subject of much debate since the early twentieth century, proposed dates ranging from the beginning of the fifth century to the late third century BC.
Posidippus of Pella was an Ancient Greek epigrammatic poet.
Jan Kochanowski was a Polish Renaissance poet who wrote in Latin and Polish and established poetic patterns that would become integral to Polish literary language. He has been called the greatest Polish poet before Adam Mickiewicz and one of the most influential Slavic poets prior to the 19th century.
Tiberius Catius Asconius Silius Italicus was a Roman senator, orator and epic poet of the Silver Age of Latin literature. His only surviving work is the 17-book Punica, an epic poem about the Second Punic War and the longest surviving poem in Classical Latin at over 12,000 lines.
Arabic poetry is one of the earliest forms of Arabic literature. Pre-Islamic Arabic poetry contains the bulk of the oldest poetic material in Arabic, but Old Arabic inscriptions reveal the art of poetry existed in Arabic writing in material as early as the 1st century BCE, with oral poetry likely being much older still.
Poetry as an oral art form likely predates written text. The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns, and other types of song such as chants. As such, poetry is often a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction.
The Laments is a series of nineteen threnodies (elegies) written in Polish by Jan Kochanowski and published in 1580. They are a high point of Polish Renaissance literature, and one of Kochanowski's signal achievements.
Ancient Egyptian literature was written with the Egyptian language from ancient Egypt's pharaonic period until the end of Roman domination. It represents the oldest corpus of Egyptian literature. Along with Sumerian literature, it is considered the world's earliest literature.
Egyptian literature traces its beginnings to ancient Egypt and is some of the earliest known literature. Ancient Egyptians were the first to develop written literature, as inscriptions or in collections of papyrus, precursors to the modern book.
Melinno was a Greek lyric poet. She is known from a single surviving poem, known as the "Ode to Rome". The poem survives in a quotation by the fifth century AD author Stobaeus, who included it in a compilation of poems on manliness. It was apparently included in this collection by mistake, as Stobaeus misinterpreted the word ρώμα in the first line as meaning "strength", rather than being the Greek name for the city of Rome.
Piotr Kochanowski (1566–1620) was a Polish nobleman, poet and translator. He belonged to a family of writers. He was a son of Mikołaj Kochanowski and a nephew of Jan Kochanowski. He was born in 1566 in Sycyna. He is famous for his translations from Italian. He translated into Polish what were generally esteemed to be the two greatest modern epic poems: Ludovico Ariosto's Orlando furioso and Torquato Tasso's Gerusalemme liberata. His version of Tasso's poem served as the Polish national epic. Piotr Kochanowski was the second poet in Poland to use ottava rima, which became very popular in Baroque Polish poetry. He died on 2 August 1620 and was buried at the Franciscan church in Kraków. He is commonly regarded as one of the most important Polish writers of the Renaissance.
Idris Muhammad Jamma' was a Sudanese poet whose only collection of poems, which is titled The Lasting moments, was published in 1969. Jamma' was born and raised in Halfaya al-Muluk, Khartoum North, in a notable family. He graduated from Teachers College in Bakht al-Ruda in Ed Dueim in the late 1930s. He worked as schoolteacher in the 1940s, continued his higher education in Egypt in Dar al-Ulum until 1951 and returned to teaching in Sudan. In his later years, Jamma' was affected by a disorder of consciousness and died at the age of 58 in his hometown.