Oral literature

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Oral literature, orature, or folk literature is a genre of literature that is spoken or sung in contrast to that which is written, though much oral literature has been transcribed. [1] There is no standard definition, as anthropologists have used varying descriptions for oral literature or folk literature. A broad conceptualization refers to it as literature characterized by oral transmission and the absence of any fixed form. It includes the stories, legends, and history passed through generations in a spoken form. [2]

Contents

Background

Pre-literate societies, by definition, have no written literature, but may possess rich and varied oral traditions such as folk epics, folk narratives (including fairy tales and fables), folk drama, proverbs and folksongs that effectively constitute an oral literature. Even when these are collected and published by scholars such as folklorists and paremiographers, the result is still often referred to as "oral literature". The different genres of oral literature pose classification challenges to scholars because of cultural dynamism in the modern digital age. [3]

Literate societies may continue an oral tradition — particularly within the family (for example bedtime stories) or informal social structures. The telling of urban legends may be considered an example of oral literature, as can jokes and also oral poetry including slam poetry which has been a televised feature on Russell Simmons' Def Poetry ; performance poetry is a genre of poetry that consciously shuns the written form. [4]

Oral literatures forms a generally more fundamental component of culture, but operates in many ways as one might expect literature to do. The Ugandan scholar Pio Zirimu introduced the term orature in an attempt to avoid an oxymoron, but oral literature remains more common both in academic and popular writing. [5] The Encyclopaedia of African Literature, edited by Simon Gikandi (Routledge, 2003), gives this definition: "Orature means something passed on through the spoken word, and because it is based on the spoken language it comes to life only in a living community. Where community life fades away, orality loses its function and dies. It needs people in a living social setting: it needs life itself."

In Songs and Politics in Eastern Africa, edited by Kimani Njogu and Hervé Maupeu (2007), it is stated (page 204) that Zirimu, who coined the term, defines orature as "the use of utterance as an aesthetic means of expression" (as quoted by Ngũgĩ wa Thiong'o, 1988). According to the book Defining New Idioms and Alternative Forms of Expression, edited by Eckhard Breitinger (Rodopi, 1996, page 78): "This means that any 'oral society' had to develop means to make the spoken word last, at least for a while. We tend to regard all the genres of orature as belonging to the homogeneous complex of folklore."

Building on Zirimu's orature concept, Mbube Nwi-Akeeri explained that Western theories cannot effectively capture and explain oral literature, particularly those indigenous to regions such as Africa. The reason is that there are elements to oral traditions in these places that cannot be captured by words alone, such as the existence of gestures, dance, and the interaction between the storyteller and the audience. [6] According to Nwi-Akeeri, oral literature is not only a narrative, but also a performance.

History of oral literature

Oral tradition is seen in societies with vigorous oral conveyance practices to be a general term inclusive of both oral literature and any written literature, including sophisticated writings, as well, potentially, as visual and performance arts which may interact with these forms, extend their expression, or offer additional expressive media. Thus even where no phrase in local language which exactly translates "oral literature" is used, what constitutes "oral literature" as understood today is already understood to be part or all of the lore media with which a society conducts profound and common cultural affairs among its members, orally. In this sense, oral lore is an ancient practice and concept natural to the earliest storied communications and transmissions of bodies of knowledge and culture in verbal form from the dawn of language-based human societies, and 'oral literature' thus understood was putatively recognized in times prior to recordings of history in non-oral media, including painting and writing.

Oral literature as a concept, after 19th-century antecedents, was more widely circulated by Hector Munro Chadwick and Nora Kershaw Chadwick in their comparative work on the "growth of literature" (1932–40). In 1960, Albert B. Lord published The Singer of Tales , which influentially examined fluidity in both ancient and later texts and "oral-formulaic" principles used during composition-in-performance, particularly by contemporary South Slavic bards relating long traditional narratives.

From the 1970s onwards, the term "Oral literature" appears in the work of both literary scholars and anthropologists: Finnegan (1970, 1977), Görög-Karady (1976), [7] Bauman (1986), in the World Oral Literature Project and in the articles of the journal Cahiers de Littérature Orale . [8]

Deaf culture

Although deaf people communicate manually rather than orally, their culture and traditions are considered in the same category as oral literature. Stories, jokes and poetry are passed on from person to person with no written medium.[ citation needed ]

See also

Bibliography

Related Research Articles

<span class="mw-page-title-main">Epic poetry</span> Lengthy narrative poem, ordinarily detailing extraordinary and heroic deeds

An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.

Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm, and sound symbolism, to produce musical or other artistic effects. Most written poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become a synonym for poetry.

<span class="mw-page-title-main">Oral tradition</span> Culture preserved through speech or song

Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry. The information is mentally recorded by oral repositories, sometimes termed "walking libraries", who are usually also performers. Oral tradition is a medium of communication for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. It is the most widespread medium of human communication. They often remain in use in the modern era throughout for cultural preservation.

Word of mouth is the passing of information from person to person using oral communication, which could be as simple as telling someone the time of day. Storytelling is a common form of word-of-mouth communication where one person tells others a story about a real event or something made up. Oral tradition is cultural material and traditions transmitted by word of mouth through successive generations. Storytelling and oral tradition are forms of word of mouth that play important roles in folklore and mythology. Another example of oral communication is oral history—the recording, preservation and interpretation of historical information, based on the personal experiences and opinions of the speaker. Oral history preservation is the field that deals with the care and upkeep of oral history materials collected by word of mouth, whatever format they may be in.

<span class="mw-page-title-main">Spoken word</span> Type of performance art

Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.

<span class="mw-page-title-main">Azerbaijani literature</span>

Azerbaijani literature is written in Azerbaijani, a Turkic language, which is the official state language of the Republic of Azerbaijan, where the North Azerbaijani variety is spoken. It is also natively spoken in Iran, where the South Azerbaijani variety is used, and is particularly spoken in the northwestern historic region of Azerbaijan. Azerbaijani is also spoken natively in Russia, Georgia and Turkey. While the majority of Azerbaijani people live in Iran, modern Azerbaijani literature is overwhelmingly produced in the Republic of Azerbaijan, where the language has official status. Three scripts are used for writing the language: Azerbaijani Latin script in the Republic of Azerbaijan, Arabic script in Iran and Cyrillic script formerly used in Soviet Azerbaijan.

African literature is literature from Africa, either oral ("orature") or written in African and Afro-Asiatic languages. Examples of pre-colonial African literature can be traced back to at least the fourth century AD. The best-known is the Kebra Negast, or "Book of Kings" from the 14th century AD. Another well-known book is the Garima Gospels, one of the oldest known surviving bibles in the world, written in Ge'ez around 500 AD.

Oral poetry is a form of poetry that is composed and transmitted without the aid of writing. The complex relationships between written and spoken literature in some societies can make this definition hard to maintain.

Sudanese literature consists of both oral as well as written works of fiction and nonfiction that were created during the cultural history of today's Republic of the Sudan. This includes the territory of what was once Anglo-Egyptian Sudan, the independent country's history since 1956 as well as its changing geographical scope in the 21st century.

<span class="mw-page-title-main">History of poetry</span>

Poetry as an oral art form likely predates written text. The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns, and other types of song such as chants. As such, poetry is often a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction.

Swahili literature is literature written in the Swahili language, particularly by Swahili people of the East African coast and the neighboring islands. It may also refer to literature written by people who write in the Swahili language. It is an offshoot of the Bantu culture.

Traditional stories, or stories about traditions, differ from both fiction and nonfiction in that the importance of transmitting the story's worldview is generally understood to transcend an immediate need to establish its categorization as imaginary or factual. In the academic circles of literature, religion, history, and anthropology, categories of traditional story are important terminology to identify and interpret stories more precisely. Some stories belong in multiple categories and some stories do not fit into any category.

Folk poetry is poetry that is part of a society's folklore, usually part of their oral tradition. When sung, folk poetry becomes a folk song.

<span class="mw-page-title-main">Oral-formulaic composition</span> Theory about the formulation of epic poetry by oral poets

Oral-formulaic composition is a theory that originated in the scholarly study of epic poetry and developed in the second quarter of the twentieth century. It seeks to explain two related issues:

  1. the process by which oral poets improvise poetry
  2. the reasons for orally improvised poetry having the characteristics that it does
<span class="mw-page-title-main">Literature</span> Written work of art

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

American Sign Language literature is one of the most important shared cultural experiences in the American deaf community. Literary genres initially developed in residential Deaf institutes, such as American School for the Deaf in Hartford, Connecticut, which is where American Sign Language developed as a language in the early 19th century. There are many genres of ASL literature, such as narratives of personal experience, poetry, cinematographic stories, folktales, translated works, original fiction and stories with handshape constraints. Authors of ASL literature use their body as the text of their work, which is visually read and comprehended by their audience viewers. In the early development of ASL literary genres, the works were generally not analyzed as written texts are, but the increased dissemination of ASL literature on video has led to greater analysis of these genres.

<span class="mw-page-title-main">Albanian epic poetry</span> Form of epic poetry

Albanian epic poetry is a form of epic poetry created by the Albanian people. It consists of a longstanding oral tradition still very much alive. A good number of Albanian epic singers can be found today in Kosovo and northern Albania, and some also in Montenegro. The Albanian traditional singing of epic verse from memory is one of the last survivors of its kind in modern Europe, and the last survivor of the Balkan traditions.

<span class="mw-page-title-main">Pio Zirimu</span> Ugandan linguist and scholar (died 1977)

Pio Zirimu was a Ugandan linguist, scholar and literary theorist. He is credited with coining the word "orature" as an alternative to the self-contradictory term, "oral literature" used to refer to the non-written expressive African traditions. Zirimu was also central in reforming the literature syllabus at Makerere University to focus on African literature and culture instead of the English canon.

<span class="mw-page-title-main">Igbo literature</span> Oral and written works in Igbo language

Igbo literature encompasses both oral and written works of fiction and nonfiction created by the Igbo people in the Igbo language. This literary tradition reflects the cultural heritage, history, and linguistic diversity of the Igbo community. The roots of Igbo literature trace back to ancient oral traditions that included chants, folk songs, narrative poetry, and storytelling. These oral narratives were frequently recited during rituals, childbirth ceremonies, and gatherings. Proverbs and riddles were also used to convey wisdom and entertain children.

Dogri literature refers to the body of written and oral works in the Dogri language, predominantly spoken in the Jammu region of Jammu and Kashmir, India, and parts of northern Pakistan. Known for its linguistic rhythm and cultural expressions, Dogri literature refers to the traditions, lifestyle, and history of the Dogras. It encompasses poetry, prose, folklore, and modern literary forms, playing a significant role in preserving the region's heritage.

References

  1. "Oral literature". Encyclopaedia Britannica.
  2. Eugenio, Damiana (2007). Philippine Folk Literature: An Anthology. Quezon City: The University of the Philippines Press. pp. xxiii. ISBN   9789715425360.
  3. Kipchumba, Paul (2016), Oral Literature of the Marakwet of Kenya, Nairobi: Kipchumba Foundation. ISBN   1973160064, ISBN   978-1973160069.
  4. Parker, Sam (16 December 2009). "Three-minute poetry? It's all the rage" . The Times. Archived from the original on Feb 1, 2017.
  5. Auger, Peter (2010), The Anthem Dictionary of Literary Terms and Theory , Anthem Press, ISBN   9780857286703, at p. 210, and Roscoe, Adrian (1977), Uhuru's Fire: African Literature East to South, CUP Archive, ISBN   9780521290890 at p. 9.
  6. Nwi-Akeeri, Mbube (2017). "Oral Literature in Nigeria: A Search for Critical Theory" (PDF). Research Journal of Humanities and Cultural Studies. 3. ISSN   2579-0528.
  7. Samarin, William J. (1980). "Noirs et blancs: leur image dans la litérature orale africaine: étude, anthologie. By Görög-Karady . Paris: Société d'Etudes Linguistiques et Anthropologiques de France, 1976. 427 pp. n.p." Africa. 50 (1): 106–107. doi:10.2307/1158658. ISSN   1750-0184. JSTOR   1158658. S2CID   147222497.
  8. Barnard, Alan, and Jonathan Spencer, Encyclopedia of Social and Cultural Anthropology (Taylor & Francis, 2002).