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Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found.Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation.
Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals.
Improvisation in engineering is to solve a problem with the tools and materials immediately at hand.Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission , or the use of a knife in place of a screwdriver to turn a screw.
Engineering improvisations may be needed because of emergencies, embargo, obsolescence of a product and the loss of manufacturer support, or just a lack of funding appropriate for a better solution. Users of motor vehicles in parts of Africa develop improvised solutionswhere it is not feasible to obtain manufacturer-approved spare parts.
The popular television program MacGyver used as its gimmick a hero who could solve almost any problem with jury rigged devices from everyday materials, a Swiss Army knife and some duct tape.
Improvisation can be thought of as an "on the spot" or "off the cuff" spontaneous moment of sudden inventiveness that can just come to mind, body and spirit as an inspiration. Viola Spolin created theater games as a method of training improvisational acting.Her son, Paul Sills popularized improvisational theater, or IMPROV, by using Spolin's techniques to train The Second City in Chicago, the first totally improvisational theater company in the US. However, for some particularly gifted performers, no preparation or training is needed. Improvisation in any life or art form, can occur more often if it is practiced as a way of encouraging creative behavior. That practice includes learning to use one's intuition, as well as learning a technical understanding of the necessary skills and concerns within the domain in which one is improvising. This can be when an individual or group is acting, dancing, singing, playing musical instruments, talking, creating artworks, problem solving, or reacting in the moment and in response to the stimulus of one's immediate environment and inner feelings. This can result in the invention of new thought patterns, new practices, new structures or symbols, and/or new ways to act.
Improvisation was originally rarely used on dramatic television. A major exception was the situation comedy Mork & Mindy where star Robin Williams was allotted specific sections in each episode where he was allowed to perform freely.
Musical improvisation is usually defined as the spontaneous performance of music without previous preparation or any written notes.In other words, the art of improvisation can be understood as composing music "on the fly". There have been previous experiments by Charles Limb, using functional magnetic resonance imaging, that show the brain activity during musical improvisation. Limb was able to show an increased activity in the medial prefrontal cortex, which is an area associated with an increase in self-expression. Further, there was decreased activity in the lateral prefrontal cortex, which is an area associated with self-monitoring. This change in activity is thought to reduce the inhibitions that normally prevent individuals from taking risks and improvising.
Improvisation can take place as a solo performance, or interdependently in ensemble with other players. When done well, it often elicits gratifying emotional responses from the audience. One notable improvisational pianist is Franz Liszt. The origins of Liszt's improvisation in an earlier tradition of playing variations on a theme were mastered and epitomized by Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.
Notable improvisational musicians from the modern era include: Keith Jarrett, an improvisational jazz pianist and multi-instrumentalist who has performed many completely improvised concerts all over the world; W. A. Mathieu aka William Allaudin Mathieu, was the musical director for The Second City in Chicago, the first on-going improvisational theatre troupe in the United States, and later was musical director for another improv theatre, The Committee, an offshoot of The Second City in San Francisco; Derek Bailey, an improvisational guitarist; Stephen Nachmanovitch, an improvisational violinist; and Eugene Friesen, an improvisational cellist.
Improvised freestyle rap is commonly practiced as a part of rappers' creative processes, as a "finished product" for release on recordings (when the improvisation is judged good enough), as a spiritual event, as a means of verbal combat in battle rap, and, simply, for fun. It often incorporates insults similar to those in the African-American game The Dozens, and complex rhythmic and sometimes melodic forms comparable to those heard in jazz improvisation.
In the realm of silent film music, there are also a small number of musicians whose work has been recognized as exceptional by critics, scholars and audiences alike; these include Neil Brand and John Sweeney, among others who are all performers at the Pordenone Silent Film Festival in Italy. Their performances must match the style and pacing of those films which they accompany and the knowledge of a wide range of musical styles is required, as well as the stamina to play for films which occasionally run more than three hours in length, without a pause.
Improvisation, in theatre, is the playing of dramatic scenes without written dialogue and with minimal or no predetermined dramatic activity. The method has been used for different purposes in theatrical history.
Improvisational comedy is a theatre art performed throughout the world and has had on-again, off-again status throughout history.
Some of the more famous improv theatres and training centers in the world include: i.O. (formerly ImprovOlympic) in Chicago and Los Angeles, The Second City in Chicago and Toronto, The Players Workshop in Chicago, National Comedy Theatre in San Diego, New York and Phoenix, Upright Citizens Brigade, the Peoples Improv Theater, the Magnet Theater in New York, The Groundlings in Los Angeles, BATS Improv (Bay Area Theatre Sports) in San Francisco, Wing-It Productions in Seattle, Philly Improv Theater in Philadelphia, Brave New Workshop in Minneapolis, ComedySportz in Milwaukee, Theatresports in Calgary and Improv Comedy Copenhagen.
There are also many well known university improv teams, including Theatre Strike Force at the University of Florida, Gigglepants at the University of Texas at Austin, and Erasable Inc. at the University of Maryland. Improvisation found a home at universities. The origins of the Second City was the Compass Players, an offshoot of theatre programs at the University of Chicago in the 1950s. Later, once improv had been established as an art form, improv groups sprung up on college campuses, starting in the 1980s where crowds were easy to find and teams could perform frequently. Now an improv group is a common staple of college extra curricular activities.
Notable pioneers in the field of improvisation, comedic or otherwise, include Mike Myers, Neil Mullarkey, Paul Merton, Stephen Fry, John Sessions, Josie Lawrence, Viola Spolin, Paul Sills, David Shepherd, Del Close, Josephine Forsberg, Gary Austin, Martin de Maat, and Keith Johnstone. Notable performers include: Paul Merton, Stephen Colbert, Steve Carell, Bill Murray, Harold Ramis, Robert Townsend, Colin Mochrie, Ryan Stiles, Ross Noble, Eddie Izzard, Tony Slattery, Mike McShane, Sandi Toksvig, Wayne Brady, Jonathan Winters, T. J. Jagodowski, Robin Williams, Conan O'Brien and David Pasquesi.
Dance improvisation as a choreographic tool: Improvisation is used as a choreographic tool in dance composition. Experimenting with the concepts of shape, space, time, and energy while moving without inhibition or cognitive thinking can create unique and innovative movement designs, spatial configuration, dynamics, and unpredictable rhythms. Improvisation without inhibition allows the choreographer to connect to their deepest creative self, which in turn clears the way for pure invention. This cognitive inhibition is similar to the inhibition described by Limb for musical improvisation, which can be found in the music section above.
Contact improvisation: a form developed in 1973, that is now practiced around the world. Contact improvisation originated from the movement studies of Steve Paxton in the 1970s and developed through the continued exploration of the Judson Dance Theater. It is a dance form based on weight sharing, partnering, playing with weight, exploring negative space and unpredictable outcomes.
The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more.
Techniques of improvisation are widely used in training for performing arts or entertainment; for example, music, theatre and dance. To "extemporize" or "ad lib" is basically the same as improvising. Colloquial terms such as "let's play it by the ear", "take it as it comes", and "make it up as we go along" are all used to describe "improvisation".
The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that feed back into the thought process (the performer as listener), creating an enriched process that is not unlike instantaneous composition [with a given set or repertoire of elements].
Where the improvisation is intended to solve a problem on a temporary basis, the "proper" solution being unavailable at the time, it may be known as a "stop-gap". This applies to the field of engineering. Another improvisational, group problem-solving technique being used in organizations of all kinds is brainstorming, in which any and all ideas that a group member may have are permitted and encouraged to be expressed, regardless of actual practicality. As in all improvisation, the process of brainstorming opens up the minds of the people involved to new, unexpected and possibly useful ideas. The colloquial term for this is "thinking outside the box."
Sculpture often relies on the enlargement of a small model or maquette to create the final work in a chosen material. Where the material is plastic such as clay, a working structure or armature often needs to be built to allow the pre-determined design to be realized. Alan Thornhill's method for working with clay abandons the maquette,seeing it as ultimately deadening to creativity. Without the restrictions of the armature, a clay matrix of elements allows that when recognisable forms start to emerge, they can be essentially disregarded by turning the work, allowing for infinite possibility and the chance for the unforeseen to emerge more powerfully at a later stage.
Moving from adding and taking away to purely reductive working, the architectural considerations of turning the work are eased considerably but continued removal of material through the rejection of forms deemed too obvious can mean one ends up with nothing. Former pupil Jon Edgar uses Thornhill's method as a creative extension to direct carving in stone and wood.
The director Mike Leigh uses lengthy improvisations developed over a period of weeks to build characters and story lines for his films. He starts with some sketch ideas of how he thinks things might develop but does not reveal all his intentions with the cast who discover their fate and act out their responses as their destinies are gradually revealed, including significant aspects of their lives which will not subsequently be shown onscreen. The final filming draws on dialogue and actions that have been recorded during the improvisation period.
Improvisational writing is an exercise that imposes limitations on a writer such as a time limit, word limit, a specific topic, or rules on what can be written. This forces the writer to work within stream of consciousness and write without judgment of the work they produce. This technique is used for a variety of reasons, such as to bypass writer's block, improve creativity, strengthen one's writing instinct and enhance one's flexibility in writing.
Some improvisational writing is collaborative, focusing on an almost dadaist form of collaborative fiction. This can take a variety of forms, from as basic as passing a notebook around a circle of writers with each writing a sentence, to coded environments that focus on collaborative novel-writing,like OtherSpace .
Improvised weapons are often used by guerrillas, insurgents and criminals as conventional weapons may be unavailable. Such weapons vary in sophistication from simple sharpened sticks, to petrol bombs and homemade napalm, to improvised explosive devices and makeshift bomber aircraft. Weapons are also improvised by regular military organizations and formations as "stop-gap" measures when purpose-built equipment is either not on hand or is simply not yet available.
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted: created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script.
Improv may refer to:
The Compass Players was an improvisational cabaret revue active from 1955 to 1958 in Chicago and St. Louis. Several members went on to form The Second City Theater in 1959.
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema.
The Second City is an improvisational comedy enterprise and is, historically, the first ongoing improvisational theater troupe to be continually based in Chicago, with training programs and live theatres in Toronto and Los Angeles. The Second City Theatre opened on December 16, 1959, and has since become one of the most influential and prolific comedy theatres in the world.
Creativity techniques are methods that encourage creative actions, whether in the arts or sciences. They focus on a variety of aspects of creativity, including techniques for idea generation and divergent thinking, methods of re-framing problems, changes in the affective environment and so on. They can be used as part of problem solving, artistic expression, or therapy.
Viola Spolin was an American theatre academic, educator and acting coach. She is considered an important innovator in 20th century American theater for creating directorial techniques to help actors to be focused in the present moment and to find choices improvisationally, as if in real life. These acting exercises she later called Theater Games and formed the first body of work that enabled other directors and actors to create improvisational theater. Her book Improvisation for the Theater, which published these techniques, includes her philosophy and her teaching and coaching methods, and is considered the "bible of improvisational theater". Spolin's contributions were seminal to the improvisational theater movement in the U.S. She is considered to be the mother of Improvisational theater. Her work has influenced American theater, television and film by providing new tools and techniques that are now used by actors, directors and writers.
Harold is a structure used in longform improvisational theatre that is performed by improv troupes and teams across the world. In the Harold structure, characters and themes are introduced and then recur in a series of connected scenes.
The Brave New Workshop Comedy Theater (BNW), is a sketch and improvisational comedy theater based in Minneapolis, Minnesota. The artists of the BNW have been writing, performing and producing live sketch comedy and improvisation performances for 61 years – longer than any other theater in the nation.
Unexpected Productions (UP) is an improvisational comedy company in Seattle, Washington, USA. From their home at the Market Theater in Seattle's historic Pike Place Market, in Post Alley, Unexpected Productions produces year-round shows, teaches improv classes, and hosts the Seattle International Festival of Improvisation.
Spontaneous Broadway is an advanced long-form improvised performance, based on audience suggestions. The audience typically submits titles of songs that have never been written, and the performers choose suggestions to create songs, the audience votes through acclamation on their favorite song, which is then used as the core of a brand new Broadway musical.
iO, or iO Chicago, was an improv theater and training center in central Chicago, with a former branch in Los Angeles called iO West and in Raleigh, North Carolina called iO South. The theater teaches and hosts performances of improvisational comedy. It was founded in 1981 by Del Close and Charna Halpern. The theater has many notable alumni, including Amy Poehler and Stephen Colbert.
The Magnet Theater is an improvisational comedy theatre and improv school in New York City. It has shows seven nights a week, many of which are consistently selected as editor's pick of the week in Time Out New York and The Onion.
The Wellington Improvisation Troupe (WIT) is a not-for-profit, community-based improvisational theatre group in Wellington, New Zealand. It is run by a committee elected by and from its forty to sixty active members. WIT performs both long and short-form improvisation.
Paul Sills was an American director and improvisation teacher, and the original director of Chicago's The Second City.
Theatre Strike Force is the University of Florida's premier improv and sketch comedy troupe. The group also goes by TSF. The style of improv performed by Theatre Strike Force is a combination long form and short form. They both teach and perform improvisational comedy. They have six house teams which include both forms of improv as well as a sketch team. There are four long form house teams which are cast every semester and usually have six to eight members. The TSF Short Form Team is cast every semester as well and usually has fifteen to nineteen members. TSF Sketch is the final house team and usually has twelve to sixteen members, cast each semester.
Stephen Nachmanovitch is a musician, author, computer artist, and educator. He is an improvisational violinist, and writes and teaches about improvisation, creativity, and systems approaches in many fields of activity.
Theatre or theater is a collaborative form of performing art that uses live performers, typically actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον, itself from θεάομαι.
Applied improvisation is the application of improvisational methods in various fields like consulting, facilitating, teaching, coaching, researching, generating or evolving ideas and designs, theatrical training and playing, medical and therapeutic settings or in social work.
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