Set construction

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Carpenters work on constructing the set Set construction.jpg
Carpenters work on constructing the set

Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.

Contents

Theater

A set under construction at the Semperoper in Dresden, Germany. Dresden - Scenography, set construction and theatrical scenery - 2601.jpg
A set under construction at the Semperoper in Dresden, Germany.
Set construction at the Carnegie Mellon School of Drama. Carnegie Mellon School of Drama set workshop.jpg
Set construction at the Carnegie Mellon School of Drama.

In theater, the technical director or production manager is the person responsible for evaluating the finished designs and considering budget and time limitations. He or she engineers the scenery, has it redrafted for building, budgets time, crew and materials, and liaisons between the designer and the shop. Technical directors often have assistant technical directors whose duties can range from drafting to actually building scenery.

A scene shop, in theatrical production is often overseen by a shop foreman or master carpenter. This person assigns tasks, does direct supervision of carpenters, and deals with day-to-day matters such as absences, breaks, tool repair, etc. The staff of a scene shop is usually referred to as scenic carpenters, but within that there are many specialities such as plasterers, welders, machinists and scenic stitchers. Scenic painting is a separate aspect of scenic construction, although the scenic painter usually answers to the scenic charge who usually answers to the technical director.

Film production

In major film production in England, a Supervising Art Director is responsible for a team of Art Directors, each drafting separate sets or sections of a single set. Construction supervisors interpret the drawings and allocate labour and resources, with the Production Designer giving approval of the finished set on the Directors behalf. Film construction is rigidly compartmentalized on major motion pictures. [1]

Construction of a set is mainly done on studio stages or back lots, often within a studio complex and several studio stages may be allocated purely as workshop space during the construction process. Many disciplines are employed under construction managers but craftsmen tend to not multi-task and so there are a range of job titles such as carpenter, rigger, plasterer, stage hand, poly waller, scenic painter, standby painter and standby carpenter. A prop making workshop is set up in a similar stage and may be paid for out of a Construction or Art Department budget depending on the nature and size of the props in question.

The construction department is led by a construction coordinator. The coordinator reports to the art director and production designer and is in charge of budgeting and implementing designs. The construction coordinator has a general foreman to assist. Next there are other foremen, lead carpenters called gang bosses, and then all of the carpenters and craftsmen.

The construction coordinator, or construction company, provides all tools and equipment apart from small hand tools specific to a craftsman's work, such as screw guns, paint brushes and plastering trowels. This makes logistics and efficiency the responsibility of the construction manager and leaves each crew member as fluid freelancers to be hired and off hired at extremely short notice throughout the production.

Studio complexes tend to have support services such as Drape Shops, general stores, timber stores and plaster shop as well as special effects companies, on site to support construction and other departments.

In the United States, set construction workers are usually members of the entertainment union, IATSE, International Alliance of Theatrical Stage Employees.

See also

Related Research Articles

<span class="mw-page-title-main">Film crew</span> Group of people involved in some phase of the making of a film

A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.

<span class="mw-page-title-main">Stage management</span> Theatre or event coordination and organization

Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently.

<span class="mw-page-title-main">Stagecraft</span> Technical aspect of theatrical, film, video production

Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision.

<span class="mw-page-title-main">Theatrical scenery</span> Space used as a setting for a theatrical production

Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use.

"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting and the rest of the crew, or production team.

<span class="mw-page-title-main">Scenic design</span> Creation of theatrical or film scenery

Scenic design is the creation of theatrical scenery. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however, it is generally considered to be a part of the visual production of a film or television.

A technical director (TD) is usually a senior technical person within e.g. a software company, engineering firm, film studio, theatre company or television studio. This person usually has the highest level of skill within a specific technical field.

<span class="mw-page-title-main">United Scenic Artists</span> American entertainment industry labor union (founded 1897)

United Scenic Artists, Local USA 829, formerly known as United Scenic Artists of America (USAA), is an American labor union. It is a nationwide autonomous Local of the International Alliance of Theatrical Stage Employees. It organizes designers, artists, and craftspeople in the entertainment and decorative arts industries. The organization was part of International Brotherhood of Painters and Allied Trades, however it reaffiliated with IATSE in 1999. United Scenic Artists was organized to protect craft standards, working conditions and wages for the entertainment and decorative arts industries. The members of Local USA 829 are Artists and Designers working in film, theatre, opera, ballet, television, industrial shows, commercials and exhibitions. The current membership totals nearly 3,800. Local USA 829 establishes wages for designers and artists, and negotiates with employers the best possible terms and conditions of employment, as well as Health Insurance and Retirement benefits through employer contributions of Pension, Welfare, 401(k) and Annuity plans.

Television crew positions are derived from those of film crew, but with several differences.

The set decorator is the head of the set decoration department in the film and television industry, responsible for selecting, designing, fabricating, and sourcing the "set dressing" elements of each set in a Feature Film, Television, or New Media episode or commercial, in support of the story and characters of the script. The set decorator is responsible for each décor element inside the sets, from practical lighting, technology, art, furniture, drapery, floor coverings, books, collectables, to exterior furnishings such as satellite dishes, Old West water troughs, streetlamps, traffic lights, garden furniture and sculptures.

<span class="mw-page-title-main">Stagehand</span>

A stagehand is a person who works backstage or behind the scenes in theatres, film, television, or location performance. Their work include setting up the scenery, lights, sound, props, rigging, and special effects for a production.

The technical rehearsal or tech rehearsal is a rehearsal that focuses on the technological aspects of the performance, in theatrical, musical, and filmed entertainment.

<span class="mw-page-title-main">Scene shop</span>

A scenery shop or scene shop is a specialized workshop found in many medium or large theaters, as well as many educational theatre settings. The primary function of a scene shop is to fabricate and assemble the flats, platforms, scenery wagons, and other scenic (set) pieces required for a performance. Commonly, a scene shop is also the location where most of the set painting is done, and is sometimes used to make props. Generally, the individuals who work in a scene shop are carpenters, although, in bigger shops, it is common for metalworkers to be employed for steel-construction set pieces which require welding and other machining. It is common for the individuals working in a scene shop to be knowledgeable in a wide variety of technical skills, developed over time as required for specific construction needs.

Performing arts – are art forms where the participant engages in a physical performance using their body, voice, language, or use of specific equipment for entertainment purposes.

A theatrical technician, also known as a theatrical tech, theatre technician, or theatre tech is a person who operates technical equipment and systems in the performing arts and entertainment industry. In contrast to performers, this broad category contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance including designers, operators, and supervisors.

<span class="mw-page-title-main">Carpenter (theatre)</span> Type of stagehand

In theatre, a carpenter is a stagehand who builds sets and stage elements. They usually are hired by the production manager, crew chief or technical director. In some less common cases, they may be hired by the director, or producer. They are usually paid by the hour.

A charge artist leads and oversees the painting of stage, film or television scenery. In the United States such individuals are typically members of the United Scenic Artists union.

(Also known as Designer's Guild or B.F.D.G. and can be seen after a member's name as a professional certification abbreviation)

The following outline is provided as an overview of and topical guide to stagecraft:

References

  1. "THE ART OF ILLUSION: THE DESIGN OF FILM SET CONSTRUCTION". urdesign. August 2, 2019. Retrieved January 16, 2021.