Prompt book

Last updated
Pages from the American actress Charlotte Cushman's prompt-book for a production of Hamlet at the Washington Theater, 1861 Charlotte Cushman's prompt book for Hamlet.jpg
Pages from the American actress Charlotte Cushman's prompt-book for a production of Hamlet at the Washington Theater, 1861

The prompt book, also called transcript, the bible or sometimes simply the book, is the copy of a production script that contains the information necessary to create a theatrical production from the ground up. It is a compilation of all blocking, business, light, speech and sound cues, lists of properties, drawings of the set, contact information for the cast and crew, and any other relevant information that might be necessary to help the production run smoothly.[ citation needed ]

Contents

In modern theatrical productions, the prompt book is generally maintained and kept by the stage manager, with differences in the specific construction and organization to suit the style of the stage manager keeping the book, and the type of production (legitimate theatre, musical theatre, dance, opera, etc.).

Description and use

Modern prompt books will tend to be constructed using binders with multiple tab dividers, with the page of the production attached to a larger sheet of paper to provide more margin space for taking notes. Markings to the script (for cues, notes, etc.) are typically done in pencil, and either in the margins or on the blank side of the back of the opposing page.

In situations where there are multiple stage managers or assistants, it is not uncommon for many copies of the prompt book to exist. Generally a lead stage manager will keep the master book, which is then copied by assistants on a nightly basis to account for any new information inserted during rehearsals, productions, and meetings. While all prompt books will contain some of the same basic information (script, cast list, contact information, set drawings, etc.), there is no official standard, and individual stage managers will determine the best way of keeping books for themselves and the productions they manage. While Actors' Equity Association, the union governing professional stage managers in the United States, does not publish any official pragma for a prompt book, such practices are often covered as part of college curricula, and many books exist on the subject.

History

Prompt books were originally used by a prompter to much the same effect that they are today used by deputy stage managers. During the period spanning from the mid 17th through the early 19th centuries, rehearsal periods were generally very short by modern standards: a period of 1–2 weeks for three hours a day was common. Performances were likewise unpolished by modern standards, even when taking into account the theatrical conventions of the time, and so it was necessary to have a prompter standing by to assist actors with lines, blocking, and business—all of which the prompter would need to have recorded in their book.

In practice, prompters were also responsible for copying sides of the script for the company's actors, giving cues for music and scene shifts, securing licenses for plays, and assessing fines for actors who failed to attend rehearsals—in keeping with the duties of a modern stage manager. The records that prompters kept in their books are some of the most valuable resources available to modern scholars for understanding historical theatrical practice in the period. [1]

As audience expectations for spectacle evolved in the 19th century, prompt books were published to describe the techniques involved in constructing complex scenery and special effects. These prompt books more closely resemble instructional works on how to create scenery, as they often included recommendations for simplification for less well-equipped theatres, than they do a modern prompt book. [2]

Examples

Prompt book for Radamisto, 1720 Prompt book for Radamisto 1720 VA.jpg
Prompt book for Radamisto, 1720
The prompt book from a 1874 staging of Hamlet by English actor and manager Henry Irving Harvard Theatre Collection - TS Promptbooks Sh 154.75, Henry Irving 1874.jpg
The prompt book from a 1874 staging of Hamlet by English actor and manager Henry Irving

While at Hofstra, Francis Ford Coppola learned about the idea of a prompt book, so he used the technique to produce his 1972 Paramount release of The Godfather . In a three-ring binder he kept an "annotated copy of the novel, scene-by-scene breakdowns, notes on the times and setting, cliches to avoid and casting ideas." [3] Director Kim Aubry created a 10-minute documentary short in 2001 entitled Francis Coppola's Notebook which features Coppola talking about and displaying his original prompt book. In 2016 Coppola released a published replica of this prompt book as The Godfather Notebook as well as a signed $500 limited edition in a three-ring binder. [4]

See also

Related Research Articles

<span class="mw-page-title-main">Francis Ford Coppola</span> American filmmaker

Francis Ford Coppola is an American film director, producer and screenwriter. He is considered one of the leading figures of the New Hollywood film movement of the 1960s and 1970s and is widely considered one of the greatest directors of all time. He is the recipient of five Academy Awards, six Golden Globe Awards, two Palmes d'Or and a British Academy Film Award (BAFTA).

<span class="mw-page-title-main">Outline of theatre</span> Overview of and topical guide to theatre

The following outline is provided as an overview of and topical guide to theatre:

<i>The Godfather Part II</i> 1974 epic crime film directed by Francis Ford Coppola

The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone, the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone, from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Mariana Hill, and Lee Strasberg.

<span class="mw-page-title-main">Mario Puzo</span> American author, screenwriter, and journalist

Mario Francis Puzo was an American author and screenwriter. He wrote crime novels about the Italian-American Mafia and Sicilian Mafia, most notably The Godfather (1969), which he later co-adapted into a film trilogy directed by Francis Ford Coppola. He received the Academy Award for Best Adapted Screenplay for the first film in 1972 and for Part II in 1974. Puzo also wrote the original screenplay for the 1978 Superman film and its 1980 sequel. His final novel, The Family, was released posthumously in 2001.

<i>The Godfather Part III</i> 1990 American crime film directed by Francis Ford Coppola

The Godfather Part III is a 1990 American crime film produced and directed by Francis Ford Coppola from the screenplay co-written with Mario Puzo. The film stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, and Sofia Coppola. It is the third and final installment in The Godfather trilogy. A sequel to The Godfather (1972) and The Godfather Part II (1974), it concludes the fictional story of Michael Corleone, the patriarch of the Corleone family who attempts to legitimize his criminal empire. The film also includes fictionalized accounts of two real-life events: the 1978 death of Pope John Paul I and the Papal banking scandal of 1981–1982, both linked to Michael Corleone's business affairs.

<span class="mw-page-title-main">Stage management</span> Theatre or event coordination and organization

Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently.

<span class="mw-page-title-main">Lighting design</span> Person responsible for lighting on a stage

In theatre, a lighting designer works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.

<i>The Cotton Club</i> (film) 1984 American film

The Cotton Club is a 1984 American musical crime drama film co-written and directed by Francis Ford Coppola and based on James Haskins' 1977 book of the same name. The story centers on the Cotton Club, a Harlem jazz club in the 1930s. The film stars Richard Gere, Gregory Hines, Diane Lane and Lonette McKee, with Bob Hoskins, James Remar, Nicolas Cage, Allen Garfield, Gwen Verdon, Fred Gwynne and Laurence Fishburne in supporting roles.

Theatrical superstitions are superstitions particular to actors or the theatre.

<span class="mw-page-title-main">John Cazale</span> American actor (1935–1978)

John Holland Cazale was an American actor. He appeared in five films over seven years, all of which were nominated for the Academy Award for Best Picture: The Godfather (1972), The Conversation (1974), The Godfather Part II (1974), Dog Day Afternoon (1975), and The Deer Hunter (1978), with the two Godfather films and The Deer Hunter winning. Cazale started as a theater actor in New York City, ranging from regional, to off-Broadway, to Broadway acting alongside Al Pacino, Meryl Streep, and Sam Waterston. Cazale soon became one of Hollywood's premier character actors, starting with his role as the doomed, weak-minded Fredo Corleone opposite longtime friend Al Pacino in Francis Ford Coppola's film The Godfather and its 1974 sequel, as well as Sidney Lumet's Dog Day Afternoon. In 1977, Cazale was diagnosed with lung cancer, but he chose to complete his role in The Deer Hunter. He died shortly after, in New York City on March 13, 1978.

<span class="mw-page-title-main">Costume design</span> Creation of clothing from an aesthetic standpoint

Costume design is the creation of clothing for the overall appearance of a character or performer. Costume may refer to the style of dress particular to a nation, a class, or a period. In many cases, it may contribute to the fullness of the artistic, visual world which is unique to a particular theatrical or cinematic production. The most basic designs are produced to denote status, provide protection or modesty, or provide visual interest to a character. Costumes may be for a theater, cinema, musical performance, cosplay, parties, or other events. Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes.

<span class="mw-page-title-main">Prompt corner</span>

In a theatre, the prompt corner or prompt box is the place where the prompter—usually the stage manager in the US or deputy stage manager in the UK—stands in order to coordinate the performance and to remind performers of their lines when required. It is traditionally located at stage left.

<i>The Godfather</i> 1972 American crime film by Francis Ford Coppola

The Godfather is a 1972 American epic crime film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte and Diane Keaton. It is the first installment in The Godfather trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss.

The technical rehearsal or tech rehearsal is a rehearsal that focuses on the technological aspects of the performance, in theatrical, musical, and filmed entertainment.

A theatrical technician, also known as a theatrical tech, theatre technician, or theatre tech is a person who operates technical equipment and systems in the performing arts and entertainment industry. In contrast to performers, this broad category contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance including designers, operators, and supervisors.

The Godfather is a trilogy of American crime films directed by Francis Ford Coppola inspired by the 1969 novel of the same name by Italian American author Mario Puzo. The films follow the trials of the fictional Italian American mafia Corleone family whose patriarch, Vito Corleone, rises to be a major figure in American organized crime. His youngest son, Michael Corleone, becomes his successor. The films were distributed by Paramount Pictures and released in 1972, 1974, and 1990. The series achieved success at the box office, with the films earning between $430 and $517 million worldwide. The Godfather and The Godfather Part II are both seen by many as two of the greatest films of all time. The series is heavily awarded, winning 9 out of 28 total Academy Award nominations.

Edward Knight was the prompter of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.

<span class="mw-page-title-main">Theatre</span> Collaborative form of performing art

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.

John Moore (1814–1893) was a British actor, prompter, and stage manager.

References

  1. Brockett, Oscar. History of the Theatre (1999), p. 257
  2. Brockett, p. 346
  3. "Inside Francis Ford Coppola's 'Godfather' Notebook: Never-Before-Seen Photos, Handwritten Notes". The Hollywood Reporter. No. 2016-11-25. 2016-11-15. Retrieved 17 June 2022.
  4. Francis Ford Coppola (2016-11-15). The Godfather Notebook (Hardcover). Regan Arts. ISBN   978-1682450741.

Bibliography

  1. Brockett, Oscar G. (1999). 'History of the Theatre (8th ed.). Boston, MA, USA: Allyn and Bacon.