Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.
Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently.
A Greek chorus in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks.
A teleprompter, also known as an autocue, is a display device that prompts the person speaking with an electronic visual text of a speech or script.
Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.
In show business, the green room is the space in a theatre or similar venue that functions as a waiting room and lounge for performers before, during, and after a performance or show when they are not engaged on stage. Green rooms typically have seating for the performers, such as upholstered chairs and sofas.
In a theatre, the prompt corner or prompt box is the place where the prompter—usually the stage manager in the US or deputy stage manager in the UK—stands in order to coordinate the performance and to remind performers of their lines when required. It is traditionally located at stage left.
The prompter in an opera house gives the singers the opening words of each phrase a few seconds early. Prompts are mouthed silently or hurled lyrically in a half-voice, audible (hopefully) only on stage.
Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall. Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences do not occur. Sound and music are diegetic only. Part of a broader artistic movement, it includes Naturalism and Socialist realism.
The prompt book, also called transcript, the bible or sometimes simply the book, is the copy of a production script that contains the information necessary to create a theatrical production from the ground up. It is a compilation of all blocking, business, light, speech and sound cues, lists of properties, drawings of the set, contact information for the cast and crew, and any other relevant information that might be necessary to help the production run smoothly.
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs their practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. Theatre practice describes the collective work that various theatre practitioners do.
The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under the patronage of Prince James, Duke of York. During that period, theatres began to flourish again after they had been closed from the restrictions throughout the English Civil War and the Interregnum. The Duke's Company existed from 1660 to 1682, when it merged with the King's Company to form the United Company.
The Lady Mother is a Caroline era stage play, a tragicomedy generally attributed to Henry Glapthorne, and dating from the middle 1630s. Never printed in its own era, the play survived in a manuscript marked as a theatre prompt-book, revealing significant details about the stage practice of its time.
A Better Class of Person (1981) is an autobiography written by dramatist John Osborne and published in 1981. Based on Osborne's childhood and early life, it ends with the first performance of Look Back in Anger at the Royal Court Theatre in 1956. The book emphasises his warm relationship with his father Thomas, and his antagonistic relationship with his mother Nellie Beatrice, which deepened to hatred after his father died when John was young. A sequel, Almost a Gentleman, was published in 1991.
Edward Knight was the prompter of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.
Marion Bessie Terry was an English actress. In a career spanning half a century, she played leading roles in more than 125 plays. Always in the shadow of her older and more famous sister Ellen, Terry nevertheless achieved considerable success in the plays of W. S. Gilbert, Oscar Wilde, Henry James and others.
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
Raymond Poisson (1630–1690) was a French actor and playwright. Mainly a comic actor, he used the stage names Crispin in comedy and Belleroche in tragedy.
Philippe Poisson, known professionally as Crispin III, was a French actor and playwright.
