Stage lighting accessories are components manufactured for conventional (non-automated) stage lighting instruments. Most conventional fixtures are designed to accept a number of different accessories designed to assist in the modification of the output. These accessories are intended to either provide relatively common functionality not originally provided in a fixture (such as beam shaping through barn doors), or to extend the versatility of a lighting instrument by introducing features. Other accessories have been designed to overcome limitations or difficulties some fixtures present in specific applications.
All stage lighting accessories fall into one of three distinct categories: components installed inside the fixture, components affixed to the front of the fixture (in front of the lens), or components mounted elsewhere on the exterior of a fixture (to the side, top or bottom).
Barn doors, or occasionally a set of barn doors, are an attachment fitted to the front of a Fresnel lantern, a type of lantern used in films, television, and theatres. [1] The attachment has the appearance of a large set of barn doors, but in fact there are four leaves, two larger and widening on the outside, two smaller and getting narrower towards the outside. They facilitate shaping of the beam of light from the fixture, and prevent the distinctive scatter of light created by the Fresnel lens from spilling into areas where it is not wanted, such as the eyes of audience members.
Barn doors are mounted with a ring that fits inside of the color gel slot on the instrument. Because of this, barn doors have a gel slot built into them, so the light can still be colored. Depending on the size and local practices, barn doors may be attached to the pipe or the instrument with their own safety cable.
In some parts of the UK, Barn doors are referred to as "Harris Flaps" [2] [3]
Barn doors are generally not used with "profile" or "ellipsoidal reflector" spotlights because they have internal shutters which work more effectively. Barn doors are not effective at shaping the light of a PAR lights and a narrower lens would be a better way to do this.
A top hat, also known as a stove pipe or snoot, is a device used in theatrical lighting to shield the audience's eyes from the direct source of the light. [1] It is shaped like a top hat with a hole in the top, and the brim being inserted into the gel frame holder on a lighting instrument. The cylinder allows light to pass through but takes away the glint halation of a lighting instrument facing the audience. It also reduces flare created by the light, which is often useful when the unit is hung near the proscenium or other objects that the designer does not want to light.
There are also half-hats or "eyelashes", which function in a similar manner but have only half the cylinder, and short hats, which are shorter in length. Half hats are designed to split the difference between using one or not and has the extended side towards the audience. This also is to help cut down on the glare and distraction of light at the lens as it exits the light fixture.
Top hats are manufactured for most stationary lighting instruments with gel frames of varying sizes. While rare they may be found on automated Intelligent lighting instruments as well. Their use is in mainly in theatrical performance venues than with touring musical concerts rigs.
Gel extenders are similar to top hats in appearance, being a tube placed over the end of a lighting fixture. Unlike top hats, however, gel extenders have a colour frame holder built into the end to allow color gel to be mounted. Gel extenders are also available in a conical shape which does not constrict the beam of light output from the fixture at all.
A colour frame or gel frame is a piece of folded material, made from either metal or cardboard, designed to hold colour media (gel). [4] Colour frames are placed directly outside the fixture, immediately in front of lens assembly. Most fixtures include an integrated holder for the frame. Some accessories designed to mount in the gel frame holder, such as Barn Doors, occasionally include an integrated replacement slot for frames.
Comes in many different sizes for all types of lanterns including, profiles, fresnels, floods and par cans
A doughnut, or donut, is a thin metal or cardboard panel, similar in shape and appearance to a colour frame, but with a small diameter hole intended to reduce off-axis rays of light being projected from a fixture. [4] This increases sharpness of the light by reducing the effect of imperfect lenses. Doughnuts are designed to fit into the colour frame holder directly outside the fixture, immediately in front of lens assembly. Because they are typically thin, doughnuts can often be placed in the same slot as a gel frame. Doughnuts are typically used in fixtures in order to sharpen the beam when a template is in place.
A color scroller, color changer, or "scroller" is a lighting accessory used to change color gels on stage lighting instruments without the need of a person to be in the vicinity of the light. [5] It is attached in the gel frame holder on the outside of a lighting instrument, immediately in front of lens assembly. The "scroll" of colours inside the colour changer allows a single fixture to output several different colours, or no colour, and to rapidly change between colours on command. Most scrollers are controlled via DMX512 protocol, but some newer models also utilize the RDM protocol.
A moving mirror attachment is an ellipsoidal spotlight accessory that allows you to remotely re-position the beam of light, so that a single luminaire in a fixed position can be used for multiple "specials" in dozens of locations. Two of the most prominent models are the Elipscan by Meteor and the Rosco I-Cue.
A pattern holder or gobo holder, is a metal frame designed to hold a gobo. [4] Gobo holders are placed inside a fixture through a specifically designed opening, which places the pattern directly in the focal plane of the fixture. By placing the pattern inside of the focal plane of a fixture adjustments to image (hard or soft edges) can easily be created. Larger pattern holders are also available designed to mount into the accessory slot on some fixtures, allowing for the use of larger gobos, or the projection of two overlapping patterns from a single fixture.
Gobo rotators are metal frames designed to hold a gobo. They have a much larger cross-section (thicker) than a regular gobo holder due to the motors and gearing required to facilitate rotation. Because of their increased thickness, gobo rotators are not placed inside fixture through the specifically designed opening (the gobo slot) but instead install into the accessory (iris) slot. Installing the rotator in the accessory slot still places te pattern inside the focal plane of a fixture, allowing adjustments to the image (creating hard or soft edges). All gobo rotators require an external power source, separate from the lighting fixtures power. Many models allow for remote DMX512 control of motor, permitting fine control of rotation speed and orientation of pattern. Features can also include uni- or bi-directional control of the rotation of a pattern, as well as indexing (tracking a patterns position to return it to the same orientation repeatedly.) Several models are available which can hold two patterns simultaneously, and may allow patterns to rotate separately or in opposite directions. [1]
The iris is a metal frame housing designed with an adjustable shutter assembly (an iris). The iris is placed inside fixtures through a specifically designed opening, the accessory (or iris) slot. The iris is placed inside focal plane of fixture, before the lens assembly. An iris is designed to reduce diameter of beam emitted from fixture. The iris assembly is different from the donut as it adjusts the diameter of the beam, not the amount of off-axis light emitted.
Gam Products Inc. manufactures two different models of effect loop, the Film/FX and the SX4. Both of these devices use a ribbon punched with a pattern to project a continuous scrolling pattern. The Film/FX is designed to install into the accessory slot, while the SX4 is installed directly into the fixture, between the lamp assembly and barrel.
The followspot yoke is an oversized replacement yoke intended to allow an ellipsoidal reflector spot to be installed into a followspot stand and be used as a small, short throw followspot. Generally these yokes allow a much wider range of tilt than a conventional yoke, and have had the hole for a c-clamp bolt replaced with a spigot for a spot stand.
City Theatrical manufactures a complete assembly which essentially turns a conventional fixture into an automated fixture. The autoyoke is a DMX512 operated assembly which provides complete remote pan and tilt control of a fixture. The autoyoke is also designed to control other accessories, including color changers and iris units. [8]
The Right Arm adds pan and tilt capabilities to a wide range of static theatrical and studio lighting fixtures, allowing the designer to maximize the lighting rig without crowding fixtures or over-extending the budget. Video cameras and LCD projectors can be blended into the lighting rig with minimal preparation, providing easy adjustment from the lighting console. The Right Arm conveniently repositions these devices in theatrical and church productions, corporate events, trade shows - anywhere flexibility in the light plot is needed.
The film industry is built upon many technologies and techniques, drawing upon photography, stagecraft, music, and many other disciplines. Following is an index of specific terminology applicable thereto.
Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.
In theatre, a lighting designer works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.
A spotlight is a powerful stage lighting instrument which projects a bright beam of light onto a performance space. Spotlights are controlled by a spotlight operator who tracks actors around the stage. Spotlights are most commonly used in concerts, musicals and large-scale presentations in which highlighting a specific mobile individual is critical. Spotlights are sometimes located overhead on catwalks. In some theatres, they may also be located in the control booth or purpose-built "spot booths" in addition to the catwalk.
A gobo is an object placed inside or in front of a light source to control the shape of the emitted light and its shadow.
Ellipsoidal reflector spot is the name for a type of stage lighting instrument, named for the ellipsoidal reflector used to collect and direct the light through a barrel that contains a lens or lens train. The optics of an ERS instrument are roughly similar to those of a 35 mm slide projector.
A parabolic aluminized reflector lamp is a type of electric lamp that is widely used in commercial, residential, and transportation illumination. It produces a highly directional beam. Usage includes theatrical lighting, locomotive headlamps, aircraft landing lights, and residential and commercial recessed lights.
Intelligent lighting refers to lighting that has automated or mechanical abilities beyond those of traditional, stationary illumination. Although the most advanced intelligent lights can produce extraordinarily complex effects, the intelligence lies with the human lighting designer, control system programmer(For example, Chamsys and Avolites), or the lighting operator, rather than the fixture itself. For this reason, intelligent lighting (ILS) is also known as automated lighting, moving lights, moving heads, or simply movers.
A Fresnel lantern is a common lantern used in theatre that employs a Fresnel lens to wash light over an area of the stage. The lens produces a wider, soft-edged beam of light, which is commonly used for back light and top light.
Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.
The spotlight operator or followspot operator is a theatrical technician who operates a specialized stage lighting instrument known as a followspot. A followspot is any lighting instrument manually controlled by an operator during a performance. Generally a followspot will be a dedicated, large lighting instrument designed to pan and change size, beam width, and color easily by hand.
The Electronic Theatre Controls (ETC) Source Four (known by professionals and amateurs alike as Source 4, S4, Source 4 Leko, "19 / 26 / 36 / 50 Degree " is an ellipsoidal reflector spotlight used in stage lighting. First released in 1992, the Source Four was invented by David Cunningham and features an improved lamp and reflector compared to previous ERS designs, tool-free lamp adjustment, and a rotating, interchangeable shutter barrel. The Source Four is widely used by professional theaters across the globe.
In theatre, an electrician is a person who works with the various aspects of lighting. Some of the positions among electricians include the lighting supervisor, master electrician, deck electrician, light board operator, moving light programmer, followspot operator, as well as simply electricians. This group is generally known as the "Electrics" Department or LX Department.
The Source Four PAR is a stage lighting instrument manufactured by Electronic Theatre Controls. The name of the fixture derives from the stylistic and construction features it shares with ETC's Source Four. The suffix identifies the Source Four PAR as a parabolic aluminized reflector (PAR). It is designed and marketed as a modern, energy efficient alternative to traditional PAR fixtures used in theatrical and broadcast lighting.
A light plot, lighting plot or just plot is a document like an architectural blueprint used specifically by theatrical lighting designers to illustrate and communicate the lighting design to the director, other designers and finally the Master Electrician and electrics crew. The light plot specifies how each lighting instrument should be hung, focused, colored, and connected. Typically the light plot is supplemented by other paperwork such as the channel hookup or instrument schedule.
A colour scroller or colour changer is an electro-mechanical lighting accessory used in theater, film, dance and concerts to change the colour projected by stage lighting instruments without the need of a person to be in the vicinity of the light. A colour scroller moves plastic "gel" colour gel [actually dyed polyester and/or other base materials coated with dyes] into the beam of the light. It is generally attached to the gel frame holder at the transmitting end of a lighting fixture, so colour is introduced after the beam characteristics have been defined by the optics of the lighting instrument. Most scrollers are controlled via DMX512 protocol, but some models also utilize the RDM protocol. When colour scrollers were first introduced around 1980, a number of companies produced them, including: Avolites, GAM Products, Morpheus Lights, Rainbow, Rosco Laboratories and Wybron Inc. Now the main manufacturers are: A.C. Lighting, Apollo, Morpheus Lights and Rainbow.
The SeaChanger Color Engine is an electro-mechanical device that is used to control light color in entertainment-industry lighting applications. The unit employs four overlapped color filter wheels, inserted into a light beam near its source, to produce colored light. This is in contrast to color scrollers, which insert color filter ribbons into a light beam. The color engine, which was released by Ocean Thin Films in 2005, is designed to fit into the Source Four lighting instrument made by Electronic Theatre Controls.
LED stage lighting instruments are stage lighting instruments that use light-emitting diodes (LEDs) as a light source. LED instruments are an alternative to traditional stage lighting instruments which use halogen lamp or high-intensity discharge lamps. Like other LED instruments, they have high light output with lower power consumption.
Vari-Lite is a brand of automated, variable-colour stage lighting systems. Their intelligent lighting fixtures are commonly used in theatre, concerts, television, film and corporate events.
The following outline is provided as an overview of and topical guide to stagecraft: