In the United States, Canada and the United Kingdom, grips are technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions. The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second main function of grips is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.
Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.
Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.
A cyclorama is a panoramic image on the inside of a cylindrical platform, designed to give viewers standing in the middle of the cylinder a 360° view, and also a building designed to show a panoramic image. The intended effect is to make viewers, surrounded by the panoramic image, feel as if they were standing in the midst of the place depicted in the image.
Mariano Fortuny y Madrazo was a Spanish fashion designer who opened his couture house in 1906 and continued until 1946. He was the son of the painter Mariano Fortuny y Marsal.
In photography, an infinity cove or infinity cyclorama is an all-white space with no corners, designed to give the impression that the background of an object extends to infinity.
In theatre and performing arts, the stage is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point for the audience. As an architectural feature, the stage may consist of a platform or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.
A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements. The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot." The dolly grip is the dedicated technician trained to operate the dolly by manually pushing it back and forth.
In stage lighting, an ellipsoidal reflector floodlight, better known as a scoop, is a large, simple lighting fixture with a dome-like reflector, large high-wattage lamp and no lens. It consists almost entirely of a lamp in the center of a big curved metal dome that acts as a reflector. The result is a wide, soft-edged pool of light good for general lighting. However, since scoop lights do not have a mechanism for cutting down the size of their beam, they are rarely used for more specific lighting needs.
The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought.
A scrim is a woven material, either finely woven lightweight fabric widely used in theatre, or a heavy, coarse woven material used for reinforcement in both building and canvasmaking.
Duratrans were invented by Eastman Kodak Co. in the late 1970s and trademarked in 1982, to ascribe to their newly developed large-format backlit color transparency film, by shortening the material name of Endura Transparency. The original duratrans film was exposed photographically and developed chemically using a similar silver halide process as conventional lab photography.
Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.
Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes, moving in different ways and constructed from various fabrics. Many are made from black or other darkly colored, light-absorbing material. Theater drapes represent a portion of any production's soft goods, a category comprising any non-wardrobe, cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold weighty chain or to accept pipes to remove their fullness and stretch them tight.
The moving panorama was an innovation on panoramic painting in the mid-nineteenth century. It was among the most popular forms of entertainment in the world, with hundreds of panoramas constantly on tour in the United Kingdom, the United States, and many European countries. Moving panoramas were often seen in melodramatic plays. It became a new visual element to theatre and helped incorporate a more realistic quality. Not only was it a special effect on stage, but it also served as an ancestor and platform to early cinema.
In filmmaking, a skypan is used by the director of photography for lighting scenery that lies outside a set's window or door. Skypans are circular with an upraised ridge around the outside. It is made up of a reflective white pan that has a detachable heavy-duty lamp socket rigged in front of the pan by being clamped to the lip. This is positioned to keep the lamp filament in the middle of the reflector. The skypan is used mainly when raw power is required, spreading a bright light that allows large-scale coverage of a background set. Either 2K or 5K bulbs are generally used. A skypan is usually confined to studio work and rigged up to a scaffold or ceiling-mounted pipe grid. When regularly spaced, they are also useful for lighting green and blue screens.
Channel letters are custom-made metal or plastic letters commonly used in exterior signage on public and commercial buildings, and often internally illuminated. Unlit three dimensional letters that are applied to sign panels or monuments are usually referred to as dimensional letters.
Drafting tools may be used for measurement and layout of drawings, or to improve the consistency and speed of creation of standard drawing elements. Tools such as pens and pencils mark the drawing medium. Other tools such as straight edges, assist the operator in drawing straight lines, or assist the operator in drawing complicated shapes repeatedly. Various scales and the protractor are used to measure the lengths of lines and angles, allowing accurate scale drawing to be carried out. The compass is used to draw arcs and circles. A drawing board was used to hold the drawing media in place; later boards included drafting machines that sped the layout of straight lines and angles. Tools such as templates and lettering guides assisted in the drawing of repetitive elements such as circles, ellipses, schematic symbols and text. Other auxiliary tools were used for special drawing purposes or for functions related to the preparation and revision of drawings. The tools used for manual technical drawing have been displaced by the advent of computer-aided drawing, drafting and design (CADD).
Theatre in the nineteenth century was noted for its changing philosophy, from the Romanticism and Neoclassicism that dominated Europe since the late 18th century, to Realism and Naturalism in the latter half of the 19th century, before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes and with the onslaught of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater.
Theatre in the nineteenth century was noted for its changing philosophy from the Romanticism and Neoclassicism that dominated Europe since the late 18th century to Realism and Naturalism in the latter half of the 19th century before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes, and with the onset of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater.
The J. Everett Collins Center for the Performing Arts is a 1,203 seat, publicly owned theatre in Andover, Massachusetts which functions as both a venue for municipal functions and a facility for private rentals. Auditorium space is used for Andover's annual town meetings and functions as an auditorium for Andover High School, connected to its southeast side. The Collins Center houses offices, facilities and classrooms for the school's drama guild, vocal ensembles, orchestra and band. Paying homage to John Everett Collins, the theatre was named after the Andover musician and politician for his service to the community. Once managed by the Andover Endowment for the Arts, Inc., an operations director now acts as manager on behalf of the town for event scheduling.
