X10 is a protocol for communication among electronic devices used for home automation (domotics). It primarily uses power line wiring for signaling and control, where the signals involve brief radio frequency bursts representing digital information. A wireless radio-based protocol transport is also defined.
Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.
In theatre, a lighting designer works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.
DMX512 is a standard for digital communication networks that are commonly used to control lighting and effects. It was originally intended as a standardized method for controlling stage lighting dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It quickly became the primary method for linking controllers to dimmers and special effects devices such as fog machines and intelligent lights.
A dimmer is a device connected to a light fixture and used to lower the brightness of the light. By changing the voltage waveform applied to the lamp, it is possible to lower the intensity of the light output. Although variable-voltage devices are used for various purposes, the term dimmer is generally reserved for those intended to control light output from resistive incandescent, halogen, and compact fluorescent lamps (CFLs) and light-emitting diodes (LEDs). More specialized equipment is needed to dim fluorescent, mercury-vapor, solid-state, and other arc lighting.
In stage lighting, a fade is a gradual increase or decrease of the intensity of light projected onto the stage. The term fade-in refers to gradually changing the lighting level from complete darkness to a predetermined lighting level. A fade-out refers to gradually decreasing the intensity of light until none is shining on the stage. A crossfade is when lighting levels are gradually altered from one setting to another. A fade-in is sometimes called a build, and where this terminology is used, a fade is understood to be a fade-out.
The light board operator or moving light programmer, is the electrician who operates and/or programs the light board. Depending on the scale and type of production, the board op may be responsible for conventional or automated lighting fixtures, as well as practicals and, in some instances, controlling video as well.
Show control is the use of automation technology to link together and operate multiple entertainment control systems in a coordinated manner. It is distinguished from an entertainment control system, which is specific to a single theatrical department, system or effect, one which coordinates elements within a single entertainment discipline such as lighting, sound, video, rigging, or pyrotechnics. A typical entertainment control system would be a lighting control console. An example of show control would be linking a video segment with a number of lighting cues, or having a sound cue trigger animatronic movements, or all of these combined. Shows with or without live actors can almost invariably incorporate entertainment control technology and usually benefit from show control to operate these subsystems independently, simultaneously, or in rapid succession.
Remote Device Management (RDM) is a protocol enhancement to USITT DMX512 that allows bi-directional communication between a lighting or system controller and attached RDM compliant devices over a standard DMX line. This protocol will allow configuration, status monitoring, and management of these devices in such a way that does not disturb the normal operation of standard DMX512 devices that do not recognize the RDM protocol.
A lighting control system is an intelligent network based lighting control solution that incorporates communication between various system inputs and outputs related to lighting control with the use of one or more central computing devices. Lighting control systems are widely used on both indoor and outdoor lighting of commercial, industrial, and residential spaces. Lighting control systems are sometimes referred to under the term smart lighting. Lighting control systems serve to provide the right amount of light where and when it is needed.
Intelligent lighting refers to lighting that has automated or mechanical abilities beyond those of traditional, stationary illumination. Although the most advanced intelligent lights can produce extraordinarily complex effects, the intelligence lies with the human lighting designer, control system programmer, or the lighting operator, rather than the fixture itself. For this reason, intelligent lighting (ILS) is also known as automated lighting, moving lights, moving heads, or simply movers.
Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.
Dynalite is a lighting and automation control system developed in Sydney, Australia by a company of the same name. In 2009 the company was bought by Philips to become Philips-Dynalite. The system is commonly used for lighting control, building automation, home automation and room automation applications and is sold worldwide.
0–10 V is one of the first and simplest electronic lighting control signaling systems, used as an early fluorescent dimming system. Simply put, the control signal is a DC voltage that varies between zero and ten volts. Two standards are recognized: current sourcing and current sinking.
Universal Powerline Bus (UPB) is a proprietary software protocol developed by Powerline Control Systems for power-line communication between devices used for home automation. Household electrical wiring is used to send digital data between UPB devices via pulse-position modulation.
Digital Serial Interface (DSI) is a protocol for the controlling of lighting in buildings. It was created in 1991 by Austrian company Tridonic and is based on Manchester-coded 8-bit protocol, data rate of 1200 baud, 1 start bit, 8 data bits, 4 stop bits, and is the basis of the more sophisticated protocol Digital Addressable Lighting Interface (DALI).
In theatre, an electrician is a person who works with the various aspects of lighting. Some of the positions among electricians include the lighting supervisor, master electrician, deck electrician, light board operator, moving light programmer, followspot operator, as well as simply electricians. This group is generally known as the "Electrics" Department or LX Department.
A colour scroller or colour changer is an electro-mechanical lighting accessory used in theater, film, dance and concerts to change the colour projected by stage lighting instruments without the need of a person to be in the vicinity of the light. A colour scroller moves plastic "gel" colour gel [actually dyed polyester and/or other base materials coated with dyes] into the beam of the light. It is generally attached to the gel frame holder at the transmitting end of a lighting fixture, so colour is introduced after the beam characteristics have been defined by the optics of the lighting instrument. Most scrollers are controlled via DMX512 protocol, but some models also utilize the RDM protocol. When colour scrollers were first introduced around 1980, a number of companies produced them, including: Avolites, GAM Products, Morpheus Lights, Rainbow, Rosco Laboratories and Wybron Inc. Now the main manufacturers are: A.C. Lighting, Apollo, Morpheus Lights and Rainbow.
Vari-Lite is a brand of automated, variable-colour stage lighting systems. Their intelligent lighting fixtures are commonly used in theatre, concerts, television, film and corporate events.
Stage lighting accessories are components manufactured for conventional (non-automated) stage lighting instruments. Most conventional fixtures are designed to accept a number of different accessories designed to assist in the modification of the output. These accessories are intended to either provide relatively common functionality not originally provided in a fixture, or to extend the versatility of a lighting instrument by introducing features. Other accessories have been designed to overcome limitations or difficulties some fixtures present in specific applications.
