Jon Edgar is a British sculptor of the Frink School. Improvisation is an important part of his reductive working process [1] and developed from the additive working process of Alan Thornhill. Final works are often autobiographical, perhaps referencing anxieties or pre-occupations at the time. [2] [3] His body of work includes many clay portrait sketches of eminent sitters.
Born 1968 in Rustington, West Sussex, the grandson of animator Brian White. He studied at both Exeter University and University of London before attending the former Frink School of Figurative Sculpture for two years from 2000, being awarded The Discerning Eye national bursary [4] for his studies.
The Environment Triptych (2008) features portraits of the independent scientist James Lovelock (who sat in Devon in 2007), moral philosopher Mary Midgley (sitting in Newcastle in 2006) and writer Richard Mabey (sitting in Norfolk in 2007). Entrepreneur and co-founder of Cass Sculpture Foundation Wilfred Cass sat at Goodwood in 2008.
In 2009 the first sittings for the Environment Series heads [5] took place, marking some of those who have contributed to a potential better future, with Professor Chris Rapley CBE sitting in Fittleworth, West Sussex, Tim Smit CBE in Fowey, Cornwall, Peter Randall-Page and Guy Watson in Devon, Gordon Murray in Surrey and Caroline Lucas in Brighton, East Sussex.
In 2010, clay from the parish of Compton, Guildford was used for portraits of potter Mary Wondrausch and former Watts Gallery curator Richard Jefferies both of which became integrated into the Compton Triptych. [6] [7]
Wood from the felled Highgrove Cedar of Lebanon at Highgrove House given by Charles, Prince of Wales has produced three sculptures in 2010 and 2011. [8]
An interesting stone was discovered by Edgar in 2012, being used as a planter in a West Sussex garden. It was subsequently identified as an important Roman sculpture on the theme of Iphigenia in Tauris . [9]
A posthumous bust of Lancelot Capability Brown was created for the tercentenary of Brown's death. Working forensically from the secondary source evidence of contemporary paintings and sketches, the terracotta head was launched in London in 2016 and then exhibited at Stowe House, now Stowe School. [10] [11] [12] [13]
Portraits of Antarctic explorer and broadcaster Duncan Carse exist in public collections in South Georgia Museum, funded by the South Georgia Association, South Atlantic [14] and at the Scott Polar Research Institute, Cambridge University, UK. [15] A bronze of Philippa Scott was unveiled at the Wildfowl and Wetlands Trust Slimbridge visitor centre in December 2011. A relief carving of a snake charmer was acquired by Surrey University Art Collection in 2012. [16]
’Lewes Group (2010)’: Southover Grange Gardens, Lewes [17] ‘Portal (2013)’: Hindhead [18] [19] ‘Trisantonis (2014)’: RSPB Pulborough Brooks [20] A 3 tonne Portland stone block has been worked in public over 2014/5 at Slindon, West Sussex and was permanently placed in the National Trust's replanted historic Northwood. [21] A new 7 tonne Portland stone block was worked on site at Horsham in the Sussex Weald [22] throughout 2019, in response to the environment and involving the local community. In September 2021, a new oak block was begun at the end of lockdown in Sutton, West Sussex. [23]
The documentary film on sculptor Alan Thornhill; Spirit in Mass - Journey into Sculpture, [24] which was produced in 2007 with funding from Screen South and UK Film Council, features former students of the Frink School, including Edgar talking about Thornhill's influence on his own work.
The creation of the Stephen Duffy head [25] was coincidentally documented during the filming of the Douglas Arrowsmith documentary Memory & Desire: 30 Years in the Wilderness with Stephen Duffy & the Lilac Time. The film [26] [27] was released at the London Raindance Film Festival in October 2009.
The terracotta sculpture forms the CD cover image for the 2009 album [28] by the same name.
The 2006 Herefordshire Jigsaw Sculpture outreach project is documented on film. [29]
Petworth Society Magazine No. 176, pp. 38–41, June 2019 - Freelance; the role of art and artist in society
J.Edgar, Foreword M. Imms (2016). A South Downs Year: Creation of the Slindon Stone - The Sculptor’s Journal ISBN 978 0 9558675 2 1 (Hesworth Press)
P.Hall, M.Scott, H. Pheby (2013). Jon Edgar - Sculpture Series Heads - Terracotta Portraits of Contributors to British Sculpture ISBN 978 0 9558675 1 4 (Hesworth Press in association with The Lightbox and Yorkshire Sculpture Park)
E. Black, J. Edgar, K.M.J. Hayward and M. Henig (2012). A New Sculpture of Iphigenia in Tauris. Britannia: A Journal of Romano-British and Kindred Studies, 43, pp 243–249 doi:10.1017/S0068113X12000244 (Cambridge Journals)
Lady Scott Commemorated; Waterlife; April/June 2012 p. 9.
A Decade of Sculpture in the Garden, Harold Martin Botanic Garden University of Leicester (2011) ISBN 978-0-9564739-1-2 p. 30.
Meet the artist, Surrey Life November 2011 p. 156 Archant Press
The Petworth Magazine No. 139, pp. 11–12 2010 - Petworth Marble - an update
The Jackdaw Magazine Nov/Dec 2009 - Portrait Sculpture: A Neglected Form? p. 10. ISSN 1474-3914
The Petworth Magazine No. 132, pp. 10–11 2008 - A contemporary search for Petworth Marble
Responses - Carvings and Claywork (2008) [30] has a foreword by Sir Roy Strong and features other terracotta portraits of eminent sitters who all agreed to sit for Edgar including sculptors Alan Thornhill, Nicolas Moreton and Ken Ford, historian Sir Roy Strong, conservationist Lady Philippa Scott (widow of Sir Peter Scott), entrepreneur Stuart Wheeler, industrialist Sir John Harvey-Jones and songwriter and musician Stephen Duffy.
Timothy Mowl's 2007 publication on the Historic Gardens of Oxfordshire [31] includes the landscape of Asthall Manor, home to the biennial stone sculpture event [32] where reference is made to Edgar "coaxing his stone into semi-figurative forms of brooding power, as in his 'Wight Man'." [33] and 'Arch'. [34]
Lancelot "Capability" Brown was an English gardener and landscape architect, a notable figure in the history of the English landscape garden style.
The Devil's Punch Bowl is a 282.2-hectare (697-acre) visitor attraction and biological Site of Special Scientific Interest situated just to the east of the village of Hindhead in the English county of Surrey. It is part of the Wealden Heaths Phase II Special Protection Area.
Richard Thomas Mabey is a writer and broadcaster, chiefly on the relations between nature and culture.
Petworth House is a late 17th-century Grade I listed country house in the parish of Petworth, West Sussex, England. It was built in 1688 by Charles Seymour, 6th Duke of Somerset, and altered in the 1870s to the design of the architect Anthony Salvin. It contains intricate wood-carvings by Grinling Gibbons. It is the manor house of the manor of Petworth. For centuries it was the southern home for the Percy family, earls of Northumberland.
Sir Roy Colin Strong, is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982.
Wilfred Cass CBE FRSA co-founded the Cass Sculpture Foundation.
Verner Duncan Carse was an English explorer and actor known for surveying South Georgia and for the portrayal of Special Agent Dick Barton on BBC Radio.
Sokari Douglas Camp CBE is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire (CBE) in the 2005 Birthday Honours list.
Fittleworth is a village and civil parish in the District of Chichester in West Sussex, England located seven kilometres (4 miles) west from Pulborough on the A283 road and three miles (5 km) south east from Petworth. The village has an Anglican church, a primary school and one pub, The Swan. It is within the ancient divisions of the Bury Hundred and the Rape of Arundel. The village is bounded south by the Rother Navigation.
Alan Thornhill was a British artist and sculptor whose long association with clay developed from pottery into sculpture. His output includes pottery, small and large scale sculptures, portrait heads, paintings and drawings. His evolved methods of working enabled the dispensing of the sculptural armature to allow improvisation, whilst his portraiture challenges notions of normality through rigorous observation.
Brian "H.B." White was a British cartoonist, creating 'The Nipper' for the Daily Mail between 1933 and 1947. Both "Keyhole Kate" and "Double Trouble" ran in London's Evening Standard.
Ronald Rae is a sculptor and graphic artist born in Ayr, Scotland, in 1946. His large-scale granite sculptures are entirely hand-carved, and over the course of 58 years, he has carved 58 monoliths, many of which are in public and private collections throughout the UK, with one placed in the USA. Rae's sculpture exhibitions include Regent's Park, London (1999–2002), the Yorkshire Sculpture Park, Wakefield (2002-04), and Holyrood Park, Edinburgh (2006-08). Rae is a Fellow of the Royal Society of Sculptors.
Kenneth Ford was a British sculptor, who was a 1955 Prix de Rome winner for sculpture at The British School At Rome. He studied at the Royal College of Art under Frank Dobson.
Sussex Marble is a fossiliferous freshwater limestone material which is prevalent in the Weald Clay of parts of Kent, East Sussex and West Sussex in southeast England. It is also called Petworth Marble, Bethersden Marble or Laughton Stone in relation to villages where it was quarried, and another alternative name is winklestone. It is referred to as "marble" as it polishes very well, although it is not a true marble, geologically speaking, as it has not been subject to metamorphism. The matrix is made up of the shells of freshwater gastropods and viviparus winkles, similar to but larger than those making Purbeck Marble. The pale calcified remains of the shells are in a matrix of darker material. West Sussex has a good concentration of thin layers of Sussex Marble; beds typically measure no more than 1 foot (0.30 m) thick. There are often two beds—the lower formed of smaller-shelled gastropods than the upper—with a layer of calcareous clay between them.
Nicolas Moreton is a British artist. Predominantly a stone carver, two of his sculptures are in permanent public locations in Milton Keynes. A National Stone Carving residency around four English cathedrals during 2004 and 2005 visited Southwell Minster, Gloucester Cathedral, Lincoln Cathedral, and Manchester Cathedral and Moreton was in conversation with Brian Sewell in the BBC Radio 4 series on Divine Art about the residency at Gloucester Cathedral.
Felicity Philippa, Lady Scott was a British wildlife conservationist.
Glynn Williams is a British sculptor. Once an abstract artist, he has worked in the figurative tradition since the late 1970s.
Patricia Maureen Grayburn, MBE, DL has a long involvement with the arts in Surrey after moving to become Arts Administrator at University of Surrey in 1983.
Nancy Durrant is a British culture journalist and broadcaster. From February 2020 to March 2024 she was the Culture Editor of the Evening Standard in London; previously she worked for many years as an art critic and Arts Commissioning Editor for The Times. She has presented on the BBC Culture Show, contributed to Channel 4 News, Sky News, The Today Programme, Front Row, Times Radio and LBC. During her time at the Standard she wrote, programmed and presented Cultural Capital, a ten-minute weekly culture programme on the Evening Standard's YouTube channel including the popular 60 Second Film Review. She has been a judge for the South Bank Show Awards, the Catlin Art Prize and Sky Arts Ignition Futures Fund. She is referenced in the Rose Wylie painting PV Windows & Floorboards 2011, featured in the film by Adolfo Doring. A terracotta portrait by Jon Edgar was exhibited at Yorkshire Sculpture Park in 2013 as part of the Sculpture Series Heads exhibition. The sitting was documented in The Times.
The Environment Series Heads developed from the Environment Triptych portrait sculptures by Jon Edgar in 2006. His ongoing series of terracotta clay portraits celebrates those contributing to a sustainable future on Earth. The sculptor observes the sitter on a rotating chair, working over seven or eight hours building up the head on a wooden peg using small pieces of clay. One sitter accounted "It is the most intense and prolonged physical scrutiny I have ever had from a friend. For hours on end."
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Sculptors 1986-2016 (2017) Miriquidi Books ISBN 978-0-9934111-2-0; foreword by Peter Murray (Yorkshire Sculpture Park) and Adrian Glew, archivist at Tate Gallery