Roy Strong | |
|---|---|
 | |
| Born | 23 August 1935 Winchmore Hill, Middlesex, England |
| Alma mater | Queen Mary's College, University of London (BA) Warburg Institute (PhD) |
| Occupation | Art historian |
| Spouse | |
Sir Roy Colin Strong, CH , FRSL , FSA (born 23 August 1935) is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982.
Roy Colin Strong was born at Winchmore Hill, London Borough of Enfield (then in Middlesex), the third son of hat manufacturer's commercial traveller George Edward Clement Strong, and Mabel Ada Strong (née Smart). [1] [2] He was raised in "an Enfield terrace sans books, with linoleum 'in shades of unutterable green'", [3] and attended nearby Edmonton County School, a grammar school in Edmonton.
Strong graduated with a first class honours degree in history from Queen Mary College, University of London. He then earned his PhD from the Warburg Institute and became a research fellow at the Institute of Historical Research. His passionate interest in the portraiture of Queen Elizabeth I was sidelined "while he wrote a thesis on Elizabethan Court Pageantry supervised by the Renaissance scholar, Dame Frances Yates who (he says) restructured and re-formed ...[his]... thinking." [4] In 2007 Strong listed his qualifications as DLitt PhD FSA. [5]
He became assistant keeper of the National Portrait Gallery in London in 1959. In 1967, aged 32, he was appointed its director, a post he held until 1973. He set about transforming its conservative image with a series of extrovert shows, including "600 Cecil Beaton portraits 1928–1968." Dedicated to the culture of the 1960s and 1970s, Sir Roy went on to amuse audiences at the V&A in 1974 with his collection of fedora hats, kipper ties and maxi coats. By regularly introducing new exhibitions he doubled attendance. [6]
Reflecting on his time as director of the National Portrait Gallery, Strong pinpointed the Beaton exhibition as a turning point in the gallery's history. "The public flocked to the exhibition and its run was extended twice. The queues to get in made national news. The Gallery had arrived", Strong wrote in the catalogue to Beaton Portraits, the more recent exhibition of Beaton that ran at the gallery until 31 May 2004. [7]
In 1973, aged 38, he became the youngest director of the Victoria and Albert Museum (V&A), London following John Pope-Hennessy who moved to the British Museum. Strong proved something of a polarising figure condemned by Hennessy in his 1991 autobiography for 'a thirteen years reign that reduced the museum and its staff to a level from which it will not recover for many years'. [8] In his tenure, until 1987, he presided over its The Destruction of the Country House (1974, with Marcus Binney and John Harris), Change and Decay: the future of our churches (1977), and The Garden: a Celebration of a Thousand Years of British Gardening (1979), all of which have been credited with boosting their conservationist agendas. In 1977, following government cuts, he oversaw the closure of the much-lamented Circulation Department of the V&A, which organised tours of the collection around Britain. In 1980, "he was awarded the prestigious Shakespeare Prize by the FVS Foundation of Hamburg in recognition of his contribution to the arts in the UK." [9] He was awarded The Royal Photographic Society's President's Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2003. [10]
Among other work for television, in 2008 Strong hosted a six-part TV reality series called The Diets That Time Forgot. [11] He acted as the Director of the fictitious Institute of Physical Culture, where nine volunteers spent 24 days testing three weight loss diets and fitness regimes that were popular in the late Victorian era (William Banting and his no-sugar diet), the Edwardian era (Horace Fletcher and his chewing diet), and the 'roaring' Twenties (Dr Lulu Hunt Peters and her calorie-counting diet). The weekly series was first aired on 18 March on Channel 4.
Strong is a notable scholar of Renaissance art, especially English Elizabethan portraiture, on which he has written many books and articles (see bibliography section). His diaries from 1967 to 1987 were published in 1999, as was The Spirit of Britain: A Narrative History of the Arts, a widely acclaimed 700-page popular history of the arts in Britain through two millennia. In 2005, he published Coronation: A History of Kingship and the British Monarchy. He had a monthly column in the Financial Times for much of the 1970s and 1980s, and has written articles for many other magazines and newspapers. In 2000 he wrote Gardens Through the Ages and is a patron of the Plantation Garden, Norwich. [12]
On 10 September 1971, Strong married 41-year-old theatrical designer Julia Trevelyan Oman, [13] at Wilmcote church, near Stratford-upon-Avon, with a special licence from the Archbishop of Canterbury. They enjoyed a belated honeymoon in Tuscany. [14] She died in 2003 of pancreatic cancer.
Strong resides in the village of Much Birch in Herefordshire. Here, with his wife, he designed one of Britain's largest post-war formal gardens, the Laskett Gardens. In 1995 he and his wife commissioned the artist Jonathan Myles-Lea to paint a portrait of the house and gardens, which was completed the same year. Since 2010 the gardens have been open to the public by appointment, for groups of more than twenty. [15] An offer by Strong to bequeath Laskett Gardens to the National Trust was rejected in 2014 after it was deemed that they fail to "reach the high rung of national and historic importance". Strong later announced plans to have the gardens "destroyed" after his death. He subsequently relented and in 2015 agreed to bequeath the gardens to the horticultural charity "Perennial" (Gardeners' Royal Benevolent Society). [16]
After leaving the V&A, Strong published a set of diaries that became notorious for its critical assessments of figures in the art and political worlds. It has been rumoured that he has retained a set for posthumous publication. Jan Moir commented in 2002: "His bitchy, hilarious diaries caused a storm when they were published in 1997 and although he has no plans at present to publish another set, he is keeping a private diary again." [17]
Strong subsequently designed gardens for Gianni Versace at Versace's Lake Como villa, Villa Fontanelle, and Versace's Miami house, Casa Casuarina. At Versace's behest, Strong designed an Italian garden at Elton John's residence, Woodside, in Old Windsor, Berkshire. [18]
A practising Anglican, Strong is an altar server at Hereford Cathedral, and served as High Bailiff and Searcher of the Sanctuary of Westminster Abbey. [19] In this capacity he attended the funeral service of the Queen Mother in 2002. On 30 May 2007, in the crypt of St Paul's Cathedral, he delivered the annual Gresham College Special Lecture, entitled "The Beauty of Holiness and its Perils (or what is to happen to 10,000 parish churches?)," [5] which was deeply critical of the status quo. He said: "little case can be made in the twenty-first century for an expensive building to exist for a service once a week or month lasting an hour," [5] and he wanted to "take an axe and hatchet the utterly awful kipper coloured choir stalls and pews, drag them out of the church and burn them," and "letting in the local community" in order to preserve many rural churches in Britain. [5]
The National Portrait Gallery Collection has seventeen portraits of Strong including a photo and a sketch by Cecil Beaton and an oil painting by Bryan Organ. [20] An early bronze bust by Angela Conner is on view at Chatsworth House, [21] Derbyshire. In 2005, Strong sat for Jon Edgar for a work in terracotta [22] which was exhibited at Yorkshire Sculpture Park in 2013 [23] as part of the Sculpture Series Heads – Contributors to British Sculpture. [24]
In 1980 the Hamburg-based Alfred Toepfer Foundation awarded Strong its annual Shakespeare Prize in recognition of his life's work. Strong was knighted in the 1982 New Year Honours [25] [26] and was appointed Member of the Order of the Companions of Honour (CH) in the 2016 New Year Honours for services to culture. [27] [28]
Patron Broadway Arts Festival 2015
 |
A number of institutions hold the papers of Roy Strong. These include the National Portrait Gallery, the Bodleian Libraries and the Paul Mellon Centre. The National Portrait Gallery holds Strong's correspondence with colleagues and acquaintances, mostly of a semi-personal nature concerning his personal commitments and achievements. [31] The Bodleian Libraries' holdings of Roy Strong papers include manuscripts of his many books on historical, cultural and artistic subjects; personal diaries, correspondence and material relating to the Laskett garden. [32] The Paul Mellon Centre holds the research material compiled by Strong in the process of writing his publications on Tudor and Stuart art. [33]
Hans Eworth was a Flemish painter active in England in the mid-16th century. Along with other exiled Flemings, he made a career in Tudor London, painting allegorical images as well as portraits of the gentry and nobility. About 40 paintings are now attributed to Eworth, among them portraits of Mary I and Elizabeth I. Eworth also executed decorative commissions for Elizabeth's Office of the Revels in the early 1570s.
Sir Cecil Walter Hardy Beaton was a British fashion, portrait and war photographer, diarist, painter, and interior designer, as well as costume designer and set designer for films and the theatre. His work earned him three Academy Awards and four Tony Awards.
Henry Somerset, 1st Marquess of Worcester was an English aristocrat, who was a prominent and financially important Royalist during the early years of the English Civil War.
Nicholas Hilliard was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about 10 inches tall, and at least two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years. His paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays."
Sir Terence Orby Conran was a British designer, restaurateur, retailer and writer. He founded the Design Museum in Shad Thames, London in 1989. The British designer Thomas Heatherwick said that Conran "moved Britain forward to make it an influence around the world." Edward Barber, from the British design team Barber & Osgerby, described Conran as "the most passionate man in Britain when it comes to design, and his central idea has always been 'Design is there to improve your life.'" The satirist Craig Brown once joked that before Conran "there were no chairs and no France."
Sir Walter Calverley Blackett, 2nd Baronet was a British baronet and politician who sat in the House of Commons from 1734 to 1777.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
Rowland Lockey was an English painter and goldsmith, and was the son of Leonard Lockey, a crossbow maker of the parish of St Bride's, Fleet Street, London. Lockey was apprenticed to Queen Elizabeth's miniaturist and goldsmith Nicholas Hilliard for eight years beginning Michaelmas 1581 and was made a freeman or master of the Worshipful Company of Goldsmiths by 1600.
George Gower was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.
John Frederick Harris OBE was an English curator, historian of architecture, gardens and architectural drawings, and the author of more than 25 books and catalogues, and 200 articles. He was a Fellow and Curator Emeritus of the Drawings Collection of the Royal Institute of British Architects, founding Trustee of Save Britain's Heritage and Save Europe's Heritage, and founding member and Honorary Life President of the International Confederation of Architectural Museums.
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.
The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queene's Day. The tilts combined theatrical elements with jousting, in which Elizabeth's courtiers competed to outdo each other in allegorical armour and costume, poetry, and pageantry to exalt the queen and her realm of England.
Sir William Segar was a portrait painter and officer of arms to the court of Elizabeth I of England; he became Garter King of Arms under James I.
Robert Peake the Elder was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.
The portraiture of Queen Elizabeth I (1533–1603) spans the evolution of English royal portraits in the early modern period (1400/1500-1800), from the earliest representations of simple likenesses to the later complex imagery used to convey the power and aspirations of the state, as well as of the monarch at its head.
Jonathan Myles-Lea was an English painter of country houses, historic buildings, and landscapes, typically taking the form of aerial views. Clients have included Charles, Prince of Wales; and the National Trust of Great Britain.
Hieronimo Custodis was a Flemish portrait painter active in England in the reign of Elizabeth I.
Sir Walter Calverley Trevelyan FGS FRSE was an English naturalist and geologist.
Julia Trevelyan Oman, Lady Strong CBE was an English television, theatre, ballet and opera set designer.
The Laskett Gardens, near Much Birch, Herefordshire, England, were created by Sir Roy Strong and Julia Trevelyan Oman. The couple purchased and moved to the rural property in 1973 and, over the next thirty years, built the garden from scratch.
Special Lecture given by Sir Roy Strong
