The National Portrait Gallery (NPG) is an art gallery in London that houses a collection of portraits of historically important and famous British people. When it opened in 1856, it was arguably the first national public gallery in the world that was dedicated to portraits.[3]
The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes photographs and caricatures as well as paintings, drawings and sculpture.[4] One of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare[5] although there is some uncertainty about whether the painting actually is of the playwright.[6]
Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds and other British artists of note. Some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Often, the curiosity value is greater than the artistic worth of a work, as in the case of the anamorphic portrait of Edward VI by William Scrots, Patrick Branwell Brontë's painting of his sisters Charlotte, Emily and Anne, or a sculpture of Queen Victoria and Prince Albert in medieval costume. Portraits of living figures were allowed from 1969. In addition to its permanent galleries of historical portraits, the National Portrait Gallery exhibits a rapidly changing selection of contemporary work, stages exhibitions of portrait art by individual artists and hosts the annual BP Portrait Prize competition.
The locations of the National Portrait Gallery and its regional outposts, past and present
The gallery's former main entrance in 2018
The three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the former main entrance on St Martin's Place. At the centre is Philip Henry Stanhope, 4th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay (to Stanhope's left) and Thomas Carlyle (to Stanhope's right). It was Stanhope who, in 1846 as a Member of Parliament (MP), first proposed the idea of a National Portrait Gallery. It was not until his third attempt, in 1856, this time from the House of Lords, that the proposal was accepted. With Queen Victoria's approval, the House of Commons set aside a sum of £2000 to establish the gallery. As well as Stanhope and Macaulay, the founder trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallery's first portrait. Carlyle became a trustee after the death of Ellesmere in 1857.[7]
For the first 40 years, the gallery was housed in various locations in London. The first 13 years were spent at 29 Great George Street, Westminster. There, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the collection moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in those buildings, the collection was moved in 1885, this time to the Bethnal Green Museum. This location was ultimately unsuitable due to its distance from the West End, condensation and lack of waterproofing. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander. Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian. The government provided the new site on St Martin's Place, adjacent to the National Gallery, and £16,000.[7] The buildings, faced in Portland stone, were constructed by Shillitoe & Son.[8] Both the architect, Ewan Christian, and the gallery's first director, George Scharf, died shortly before the new building was completed. The gallery opened at its new location on 4 April 1896.[7] The first extension, in 1933, was funded by Lord Duveen, and resulted in the wing by the architect Sir Richard Allison[9] on a site previously occupied by St George's Barracks running along Orange Street.[10]
In February 1909, a murder–suicide took place in a gallery known as the "Arctic Room". In an apparently planned attack, John Tempest Dawson, aged 70, shot his 58-year-old wife, Nannie Caskie, from behind with a revolver, then shot himself in the mouth, dying instantly. His wife died in hospital several hours later. Both were American nationals who had lived in Hove for around 10 years.[11] Evidence at the inquest suggested that Dawson, a wealthy and well-travelled man, was suffering from a persecutory delusion.[12] The incident came to public attention in 2010 when the Gallery's archive was put on-line as this included a personal account of the event by James Donald Milner, then the Assistant Director of the Gallery.[13]
The second extension was funded by Sir Christopher Ondaatje and a £12m Heritage Lottery Fund grant, and was designed by the London-based architects Edward Jones and Jeremy Dixon.[15] The Ondaatje Wing opened in 2000 and occupies a narrow space of land between the two 19th-century buildings of the National Gallery and the National Portrait Gallery, and is notable for its immense, two-storey escalator which takes visitors to the earliest part of the collection, the Tudor portraits.
In January 2008, the Gallery received its largest single donation to date, a £5m gift from the US billionaire Randy Lerner.
In June 2017 it was announced that the NPG has been awarded funding of £9.4million from the Heritage Lottery Fund towards its major transformation programme Inspiring People, the Gallery's biggest ever development.[19] The Gallery had already raised over £7m of its £35.5m target. The building works were scheduled to start in 2020.[20][21]
In October 2019, a group of semi-naked environmental campaigners were drenched in fake oil, in the Ondaatje Wing main hall, as part of a protest against BP's sponsorship of a collection of pieces in the gallery. The protest performance piece, which was entitled Crude Truth, involve a clothed protester reciting a monologue in which they called upon arts organisations to sever ties with companies "funding extinction". Three activists covered in black liquid lay down for about five minutes on a plastic sheet before standing up again, wiping themselves down with towels, and cleaning up after themselves. The action, which was applauded by onlookers, passed uninterrupted.[22]
Closure and refurbishment in 2020–2023
Tracey Emin's The DoorsNational Portrait Gallery door panel by Tracey Emin
A major programme of refurbishment with the project name of "Inspiring People" led to the gallery's closure from 2020 to 2023. Some galleries closed by late May 2020, with full closure by July 2020. There were a number of planned exhibitions and collaborations around the UK to display parts of the collection while the gallery was closed. These included exhibitions starting at the York Art Gallery in 2021, the Holburne Museum, Bath (Tudor portraits, 2022), and museums in Liverpool, Newcastle, Coventry and Edinburgh, which later toured to other venues. Other partners included the National Trust, the National Maritime Museum and the National Gallery. In London, the shops and restaurants closed, but the Heinz Archive and Library remained open. Another programme, called "Coming Home", loaned portraits of individual people to museums in their home towns. Exhibitions also travelled to Japan, Australia and the United States.[23]
The "Inspiring People" project "comprises a comprehensive redisplay of the Collection from the Tudors to now, combined with a complete refurbishment of the building, the creation of new public spaces, a more welcoming visitor entrance and public forecourt, and a new state of the art Learning Centre". The East Wing returned to being gallery space, with its own new street entrance.[23]
The refurbishment cost £41 million, was designed by the architect Jamie Fobert and Purcell and the main contractor was Gilbert-Ash.[24][25] It added new galleries, learning spaces, restaurants and a public forecourt. The gallery's main entrance was moved and features three new 4m (13ft) bronze doors which carry 45 portraits of un-named women, drawn by Tracey Emin.[26][27]
The gallery was reopened by the Princess of Wales on 20 June 2023 and she met Sir Paul McCartney whose photography exhibition was the first major show in the new space and viewed the Portrait of Omai by Sir Joshua Reynolds, which the gallery had just acquired jointly with the Getty Museum in Los Angeles, for £50 million.[28] The gallery reopened to the public on 22 June. In 2024 the Inspiring People project was short-listed for the RIBAStirling prize.[29]
The National Portrait Gallery's total income in 2007–2008 amounted to £16,610,000, the majority of which came from government grant-in-aid (£7,038,000) and donations (£4,117,000).[31] As of 31 March 2008, its net assets amounted to £69,251,000.[31] In 2008, the NPG had 218 full-time equivalent employees.[31] It is an exempt charity under English law.[32]
On 14 July 2009, the National Portrait Gallery sent a demand letter alleging breach of copyright against an editor-user of Wikipedia, who downloaded thousands of high-resolution reproductions of public domain paintings from the NPG website, and placed them on Wikipedia's sister media repository site, Wikimedia Commons.[39][40] The gallery's position was that it held copyright in the digital images uploaded to Wikimedia Commons, and that it had made a significant financial investment in creating these digital reproductions. Whereas single-file low resolution images were already available on its website, the images added to Wikimedia Commons were re-integrated from separate files after the user "found a way to get around their software and download high-resolution images without permission."[39]
In 2012, the Gallery licensed 53,000 low-resolution images under a Creative Commons licence, making them available free of charge for non-commercial use. A further 87,000 high-resolution images are available for academic use under the gallery's own licence that invites donations in return; previously, the gallery charged for high-resolution images.[41]
As of 2012[update], 100,000 images, around a third of the Gallery's collection, had been digitised.[41]
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Charing Cross 
Charing Cross; Leicester Square; Embankment 
