Established | 1885 (original), 1999 (current) |
---|---|
Location | Moorgate area, City of London, England |
Coordinates | 51°30′56″N0°05′29″W / 51.5155°N 0.0914°W |
Type | Art museum |
Collection size | About 4,000 items |
Architect | Richard Gilbert Scott (current building) |
The Guildhall Art Gallery houses the art collection of the City of London, England. The museum is located in the Moorgate area of the City of London. It is a stone building in a semi-Gothic style intended to be sympathetic to the historic Guildhall, which is adjacent and to which it is connected internally.
The City of London Corporation had commissioned and collected portraits since 1670, originally to hang in the Guildhall. In the 19th and 20th centuries, the Corporation's art collections grew through gifts and bequests to include history paintings and other genres of art. [1]
The first purpose-built gallery for displaying the collection was completed in 1885 . This building was destroyed in The Blitz in 1941, resulting in the loss of 164 paintings, drawings, watercolours, and prints, and 20 sculptures. [2] It was not until 1985 that the City of London Corporation decided to redevelop the site and build a new gallery. The building was designed in a postmodern style by the British architect Richard Gilbert Scott. [3] [4] The new facility, which was intended to house a collection of about 4,000 items, was completed in 1999 . [5]
The centrepiece of the collection, John Singleton Copley's huge painting depicting The Defeat of the Floating Batteries at Gibraltar , was placed in a prominent position in the entrance hall of the gallery. [6]
Vivien Knight was head of the Gallery, from 1983 until her death in 2009. [7]
The Guildhall complex was built on the site of London's Roman amphitheatre, and some of the remains of this are displayed in situ in a room in the basement of the art gallery. [8]
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
Sir John Gilbert was an English artist, illustrator and engraver.
Sir Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
Gilbert Stuart was an American painter born in the Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is usually referred to as the Athenaeum Portrait. Stuart retained the original and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
John Maler Collier was a British painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.
Guildhall is a municipal building in the Moorgate area of the City of London, England. It is off Gresham and Basinghall streets, in the wards of Bassishaw and Cheap. The current building dates from the 15th century; however documentary evidence suggests that a guildhall had existed at the site since at least the early 12th century. The building has been used as a town hall for several hundred years, and is still the ceremonial and administrative centre of the City of London and its Corporation. It should not be confused with London's City Hall, the administrative centre for Greater London. The term "Guildhall" refers both to the whole building and to its main room, which is a medieval great hall. It is a Grade I-listed building.
General George Augustus Eliott, 1st Baron Heathfield, was a Scottish officer of the British Army, who served in three major wars during the 18th century. He rose to distinction during the Seven Years' War when he fought in Germany and participated in the British attacks on Belle Île (France) and Cuba. Eliott is most notable for his command of the Gibraltar garrison during the Great Siege of Gibraltar, which lasted from 1779 to 1783, during the American War of Independence. He was celebrated for his successful defence of the fortress and decisive defeat of Spanish and French attackers.
Francis Owen Salisbury CVO was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain's Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian.
Sir Francis Bernard Dicksee was an English Victorian painter and illustrator, best known for his pictures of dramatic literary, historical, and legendary scenes. He also was a noted painter of portraits of fashionable women, which helped to bring him success in his own time.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for female artists.
David Jagger (1891–1958) was an acclaimed and prolific English portrait painter. He was renowned for his commissioned portraits of London's high society and British aristocracy. Notable portraits include those of Robert Baden-Powell (1929), Queen Mary, King George VI (1937), Winston Churchill (1939), Vivien Leigh (1941) and Prince Philip, Duke of Edinburgh (1958).
A Private View at the Royal Academy, 1881 is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait by John Everett Millais was included on a screen at the special request of Queen Victoria. The room is Gallery III, the largest and most imposing room at Burlington House.
The Defeat of the Floating Batteries at Gibraltar is the title of a 1791 oil-on-canvas painting by Boston-born American artist John Singleton Copley. It depicts the defeat of the floating batteries at Gibraltar during the Great Siege of Gibraltar. The Governor of Gibraltar, General George Augustus Eliott, is on horseback pointing to the rescue of the defeated Spanish sailors by the British.
Victor Arthur James Willing was a British painter, noted for his original nude studies. He was a friend and colleague of many notable artists, including Elisabeth Frink, Michael Andrews and Francis Bacon. He was married to Portuguese feminist artist Paula Rego.
Henry Jamyn Brooks (1839–1925) was a British painter, particularly known for his pictures of meetings and events, in which many individuals are personally identifiable. He painted royalty, and portraits of civic leaders and military people, and was also a photographer.
John Graham-Gilbert was a Scottish portrait painter and art collector.
No Colour Bar: Black British Art in Action 1960–1990 was a major public art and archives exhibition, the first of its kind in the UK, held at the Guildhall Art Gallery, City of London, over a six-month period, with a future digital touring exhibition, and an associated programme of events. No Colour Bar took its impetus from the life work and archives of Jessica Huntley and Eric Huntley, Guyanese-born campaigners, political activists and publishers, who founded the publishing company Bogle-L'Ouverture Publications and the associated Walter Rodney Bookshop.
Vivien Margaret Knight, was a British art historian and gallerist, and the head of the Guildhall Art Gallery, from 1983 until her death.
Alfred Ernest Egerton Cooper, RBA, ARCA, was a British painter of portraits, landscapes and other figurative work. In the era of Modernism, he continued to work in traditional style from his studio in Chelsea, London.
Hilda Annetta Walker FRSA was an English sculptor, and a painter of landscapes, seascapes and horses, flourishing between 1902 and 1958. She was a war artist painting in England during the First and Second World Wars, and described as "escapist". Some of her early work was the production of oilette postcard paintings for Raphael Tuck & Sons, of firemen and horses. She was born in Mirfield, Yorkshire, England, to a family of blanket manufacturers who had the means to foster her art education. She grew up in the Protestant work ethic of Congregationalism, and attended Leeds College of Art, where she studied under William Gilbert Foster of the Staithes group and William Charles Holland King, sculptor of Dover Marine War Memorial. She signed her works "Hilda Walker" or sometimes "Hilda A. Walker".