Established | 1901 |
---|---|
Location | 100 London Road, Forest Hill London, SE23 3PQ United Kingdom |
Visitors | 952,954 (2019) [1] |
Public transit access | |
Website | horniman.ac.uk |
Listed Building – Grade II* | |
Official name | Horniman Museum |
Designated | 12 March 1973 |
Reference no. | 1079996 |
The Horniman Museum and Gardens is a museum in Forest Hill, London, England. Commissioned in 1898, it opened in 1901 and was designed by Charles Harrison Townsend in the Modern Style. [2] It has displays of anthropology, natural history and musical instruments, and is known for its large collection of taxidermied animals. The building is Grade II* listed. [3]
It is a non-departmental public body of the Department for Culture, Media and Sport and is constituted as a company and registered charity under English law. [4] In 2022 the museum won Museum of the Year, an award made by the Art Fund.
The museum was founded in 1901 by Frederick John Horniman. Frederick had inherited his father's Horniman's Tea business, which by 1891 had become the world's biggest tea trading business. [5]
The proceeds from the business allowed Horniman to indulge his lifelong passion for collecting, and which after travelling extensively had some 30,000 items in his various collections, covering natural history, cultural artefacts and musical instruments.
In 1911, an additional building to the west of the main building, originally containing a lecture hall and library, was donated by Frederick Horniman's son Emslie Horniman. This was also designed by Townsend. A new extension, opened in 2002, was designed by Allies and Morrison. [6]
The museum won the Art Fund's Museum of the Year award in 2022. [7] In November 2022, the museum returned a collection of 72 items that were stolen from the Kingdom of Benin, including Benin Bronzes, to Nigeria's National Commission for Museums and Monuments. [8]
The Horniman specialises in anthropology, natural history and musical instruments [9] and has a collection of 350,000 objects. The ethnography and music collections have Designated status. One of its most famous exhibits is the large collection of stuffed animals. It also has an aquarium noted for its unique layout[ clarify ].
The Horniman housed some of the Benin Bronzes until 28 November 2022, when they were signed back unconditionally to Nigeria, from where the pieces were looted in 1897 by British troops. [10] [11]
1st Floor | Ground Floor | Lower Ground Floor | Basement Floor Access by stairs and lift |
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Under 5s Book Zone Natural History Balcony Horniman Highlight Objects 3 Apostle Clock, Germany | Main Entrance CUE Building Conservatory Café Shop Education Centre Hands On Base Natural History Gallery Balcony Gallery Environment Room Horniman Highlight Objects 1 Sand Painting, America 2 Walrus, Canada | World Gallery Temporary Exhibition Gallery Horniman Highlight Objects | Aquarium |
Service | Station/Stop | Lines/Routes served | Distance from Horniman Museum |
---|---|---|---|
London Buses | Horniman Museum | 176, 185, 197, 356, P4 | |
Horniman Park | 363 | 260 m (850 ft) walk [12] | |
London Overground | Forest Hill | East London line | 650 m (2,130 ft) walk [13] |
National Rail | Southern |
The museum is set in 16 acres (65,000 m2) of gardens, which include the following features:
The gardens are also Grade II listed on the Register of Historic Parks and Gardens of Special Historic Interest in England. [14]
On the London Road wall of the main building is a neoclassical mosaic mural entitled Humanity in the House of Circumstance, designed by Robert Anning Bell and assembled by a group of young women over the course of 210 days. Composed of more than 117,000 individual tesserae, it measures 10 ft × 32 ft (3.0 m × 9.8 m) and symbolises personal aspirations and limitations. [15]
The three figures on the far left represent Art, Poetry and Music, standing by a doorway symbolising birth, while the armed figure represents Endurance. The two kneeling figures represent Love and Hope, while the central figure symbolises Humanity. Charity stands to the right bearing figs and wine, followed by white-haired Wisdom holding a staff, and a seated figure representing Meditation. Finally, a figure symbolising Resignation stands by the right-hand doorway, which represents death. [16]
A 20 ft (6.1 m) totem pole, carved from red cedar, stands outside the museum's main entrance. It was carved in 1985 as part of the American Arts Festival by Nathan Jackson, a Tlingit native Alaskan. The carvings on the pole depict figures from Alaskan legend of a girl who married a bear, with an eagle (Jackson's clan crest) at the top. [17] The pole is one of only a handful of totem poles in the United Kingdom, others being on display at the British Museum, the National Museum of Scotland in Edinburgh, Windsor Great Park, Bushy Park, the Yorkshire Sculpture Park, the Pitt Rivers Museum at Oxford, and at Alsford's Wharf in Berkhamsted. [18] There is also a totem pole in the Royal Albert Memorial Museum in Exeter. It is displayed in their World Cultures galleries.
The Horniman Museum contains the CUE (Centre for Understanding the Environment) building. This opened in 1996 and was designed by local architects Archetype using methods developed by Walter Segal. The building has a grass roof and was constructed from sustainable materials. It also incorporates passive ventilation.
Christie's is a British auction house founded in 1766 by James Christie. Its main premises are on King Street, St James's in London, and it has additional salerooms in New York, Paris, Hong Kong, Milan, Amsterdam, Geneva, Shanghai, and Dubai. It is owned by Groupe Artémis, the holding company of François Pinault. In 2022 Christie's sold US$8.4 billion in art and luxury goods, an all-time high for any auction house. On 15 November 2017, the Salvator Mundi was sold at Christie's in New York for $450 million to Saudi Prince Badr bin Abdullah Al Saud, the highest price ever paid for a painting.
The year 1901 in architecture involved some significant events.
The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin, in what is now Edo State, Nigeria. The metal plaques were produced by the Guild of Benin Bronze Casters, now located in Igun Street, also known as Igun-Eronmwon Quarters. Collectively, the objects form the best examples of Benin art and were created from the fourteenth century by artists of the Edo people. The plaques, which in the Edo language are called Ama, depict scenes or represent themes in the history of the kingdom. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewelry, and smaller pieces.
Forest Hill is a district of the London Borough of Lewisham in south east London, England, on the South Circular Road, which is home to the Horniman Museum.
Coombe is a place in the London Borough of Croydon, situated south-east of central Croydon, between Addiscombe, Selsdon and Upper Shirley. Formerly a hamlet, since the growth of suburban development the area has become swallowed into the London conurbation and often does not appear on modern map.
Syon House is the west London residence of the Duke of Northumberland. A Grade I listed building, it lies within the 200-acre Syon Park, in the London Borough of Hounslow.
Bishopsgate Institute is a cultural institute in the Bishopsgate Without area of the City of London, located near Liverpool Street station and Spitalfields market. The institute was established in 1895. It offers a cultural events programme, courses for adults, historic library and archive collections and community programme.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
The Musée du Quai Branly – Jacques Chirac, located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection comprises more than a million objects, of which 3,500 are on display at any given time, in both permanent and temporary thematic exhibits. A selection of objects from the museum is also displayed in the Pavillon des Sessions of the Louvre.
The Museum of Archaeology and Anthropology, also known as MAA, at the University of Cambridge houses the university's collections of local antiquities, together with archaeological and ethnographic artefacts from around the world. The museum is located on the university's Downing Site, on the corner of Downing Street and Tennis Court Road. In 2013 it reopened following a major refurbishment of the exhibition galleries, with a new public entrance directly on to Downing Street.
Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
Romuald Hazoumè is a Yoruba artist and sculptor, from the Republic of Bénin.
Charles Harrison Townsend was an English architect. He was born in Birkenhead, educated at Birkenhead School and articled to the Liverpool architect Walter Scott in 1870. He moved to London with his family in 1880 and entered partnership with the London architect Thomas Lewis Banks in 1884. Townsend became a member of the Art Workers' Guild in 1888 and in the same year was elected a Fellow of the more conservative Royal Institute of British Architects. He remained an active member of both organisations throughout his career and was elected Master of the Art Workers' Guild in 1903. He is important Modern Style architect whose favourite motif was the tree.
The Hunterian Museum is a museum of anatomical specimens in London, located in the building of the Royal College of Surgeons of England.
Nathan Jackson is an Alaska Native artist. He is among the most important living Tlingit artists and the most important Alaskan artists. He is best known for his totem poles, but works in a variety of media.
Okukor is the name given to a bronze statue of a cock from West Africa, held by Jesus College, Cambridge, from 1905 to 2021. One of the Benin bronzes, it was taken from the Kingdom of Benin during the Benin Expedition of 1897, a punitive expedition dispatched to punish the Oba of Benin after a Royal Niger Company delegation was ambushed and killed. It became controversial in 2016 as an example of looted art, with demands that the statue be repatriated back to Nigeria. It was transferred to Ewuare II, Oba of Benin, and Nigeria's National Commission for Museums and Monuments by Jesus College in 2021.
The Benin Dialogue Group is a multi-lateral international collaborative working group that brings together delegates from Western museums with representatives of the Nigerian Government, the Royal Court of Benin, and the Nigerian National Commission for Museums and Monuments. Its aims are cooperation between museums possessing Nigerian cultural heritage and the creation of a permanent display in Benin City, in particular the Benin Bronzes.
Benin Altar Tusks are ivory artefacts from the Benin Kingdom in present-day Benin City, Edo State, Nigeria. These tusks date back to the 16th century and measure approximately 61 inches (1,500 mm) in height, 5.2 inches (130 mm) in width, 4.7 inches (120 mm) in depth, and weighing 25 kilograms (55 lb) according to a sample at the British Museum. The tusks feature carved royal figures in traditional regalia, depicting scenes of power, ritual, and at times, conflict.