| Clytemnestra | |
|---|---|
 | |
| Artist | John Collier |
| Year | 1882 |
| Medium | Oil on canvas |
| Dimensions | 239 cm× 174 cm(94 in× 69 in) |
| Location | Guildhall Art Gallery, City of London |
Clytemnestra, also known as Clytemnestra after the Murder, is an 1882 oil painting by John Collier. It has been held by the Guildhall Art Gallery, in the City of London, since 1893. A second version, c. 1914, is held by Worcester City Art Gallery & Museum.
The painting measures 239 cm × 174 cm (94 in × 69 in). It depicts Clytemnestra, mythical daughter of the Spartan queen Leda and sister of Helen of Troy, who herself became queen of ancient Mycenae. In an episode recounted in the tragic play Agamemnon by Aeschylus, the stern-faced queen is shown at the palace of Argos, shortly after she has killed her husband Agamemnon in revenge for his sacrifice of their youngest daughter Iphigenia to secure favourable winds for the journey home at the end of the siege of Troy. Agamemnon returned home with the captured Trojan princess Cassandra, but an enraged Clytemnestra murdered them both (in some accounts she is assisted by their son Orestes, and in others Agamemnon is killed by her lover Aegisthus).
Clytemnestra is standing in a doorway, holding back a curtain with one hand, and resting her other hand on the very long handle of a double-headed axe, which is dripping blood onto the floor. Her clothes are also spattered with blood, while a body can be dimly seen in the gloomy room beyond.
Collier was influenced by Lawrence Alma-Tadema, who encouraged Collier to use archaeological discoveries to give his paintings greater historical accuracy. Details of the painting are based on discoveries from excavations of archaeological sites in Greece and of the site of Troy in Turkey. Clytemnestra is wearing a delicate gold headpiece, based on the small "Helen of Troy" diadem, part of the so-called Treasure of Priam discovered by Heinrich Schliemann in the 1870s. The pattern traced on the axehead is taken from a stone cylinder also from Troy. Her patterned clothes and the architecture of the doorway are based on other archaeological examples, and the column beside the doorway in the painting resembles one from the Treasury of Atreus at Mycenae (but with its capital incorrectly positioned at the base of the column rather than its top, perhaps based on a similarly inverted contemporaneous display of the column at the British Museum, later corrected). The somewhat androgynous features of Clytemnestra may be based on a production of the Aeschylus play Agamemnon at Balliol College, Oxford in 1880, in which a male student Frank Benson acted the part of Clytemnestra.
The painting was exhibited at the Royal Academy in 1882, accompanied by a line from Aeschylus's play: "Him twice I smote – twice groaning prone he fell, / With limbs relaxed; then, prostrate where he lay, / Him with third blow I dowered, votive gift / To Hades, guardian of the dead below." It was presented to the Guildhall Art Gallery in 1893 by Mrs Mary Harrison.
Around 1914, Collier painted a second version of the scene, correcting many of the details of the Mycenaean period. The second painting depicts a bare-breasted Clytemnestra with a bloody Mycenaean sword. Many details are different, including the decoration of the floor, and doorway. Clytemnestra wears a long skirt based on Minoan discoveries, replacing the robe in the 1882 version, and the column from the Treasury of Atreus has been put up the right way. It measures 238 cm × 147.8 cm (93.7 in × 58.2 in), and is held by Worcester City Art Gallery & Museum.
In Greek mythology, Agamemnon was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son of King Atreus and Queen Aerope, the brother of Menelaus, the husband of Clytemnestra, and the father of Iphigenia, Iphianassa, Electra, Laodike, Orestes and Chrysothemis. Legends make him the king of Mycenae or Argos, thought to be different names for the same area. Agamemnon was killed upon his return from Troy by Clytemnestra, or in an older version of the story, by Clytemnestra's lover Aegisthus.
Aegean civilization is a general term for the Bronze Age civilizations of Greece around the Aegean Sea. There are three distinct but communicating and interacting geographic regions covered by this term: Crete, the Cyclades and the Greek mainland. Crete is associated with the Minoan civilization from the Early Bronze Age. The Cycladic civilization converges with the mainland during the Early Helladic ("Minyan") period and with Crete in the Middle Minoan period. From c. 1450 BC, the Greek Mycenaean civilization spreads to Crete, probably by military conquest. The earlier Aegean farming populations of Neolithic Greece brought agriculture westward into Europe before 5,000 BC.
Aegisthus was a figure in Greek mythology. Aegisthus is known from two primary sources: the first is Homer's Odyssey, believed to have been first written down by Homer at the end of the 8th century BC, and the second from Aeschylus's Oresteia, written in the 5th century BC. Aegisthus also features heavily in the action of Euripides's Electra, although his character remains offstage.
Cassandra or Kassandra in Greek mythology was a Trojan priestess dedicated to the god Apollo and fated by him to utter true prophecies but never to be believed. In modern usage her name is employed as a rhetorical device to indicate a person whose accurate prophecies, generally of impending disaster, are not believed.
Johann Ludwig Heinrich Julius Schliemann was a German businessman and pioneer in the field of archaeology. He was an advocate of the historicity of places mentioned in the works of Homer and an archaeological excavator of Hisarlik, now presumed to be the site of Troy, along with the Mycenaean sites Mycenae and Tiryns. His work lent weight to the idea that Homer's Iliad reflects historical events. Schliemann's excavation of nine levels of archaeological remains has been criticized as destructive of significant historical artifacts, including the level that is believed to be the historical Troy.
Mycenae is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about 120 kilometres south-west of Athens; 11 kilometres north of Argos; and 48 kilometres south of Corinth. The site is 19 kilometres inland from the Saronic Gulf and built upon a hill rising 900 feet above sea level.
In Greek mythology, Atreus was a king of Mycenae in the Peloponnese, the son of Pelops and Hippodamia, and the father of Agamemnon and Menelaus. Collectively, his descendants are known as Atreidai or Atreidae.
In Greek mythology, Thyestes was a king of Olympia. Thyestes and his brother, Atreus, were exiled by their father for having murdered their half-brother, Chrysippus, in their desire for the throne of Olympia. They took refuge in Mycenae, where they ascended the throne upon the absence of King Eurystheus, who was fighting the Heracleidae. Eurystheus had meant for their lordship to be temporary; it became permanent because of his death in conflict.
The Oresteia is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies.
The Treasury of Atreus or Tomb of Agamemnon is a large tholos or beehive tomb constructed between 1300 and 1250 BCE in Mycenae, Greece.
Wilhelm Dörpfeld was a German architect and archaeologist, a pioneer of stratigraphic excavation and precise graphical documentation of archaeological projects. He is famous for his work on Bronze Age sites around the Mediterranean, such as Tiryns and Hisarlik, where he continued Heinrich Schliemann's excavations. Like Schliemann, Dörpfeld was an advocate of the historical reality of places mentioned in the works of Homer. While the details of his claims regarding locations mentioned in Homer's writings are not considered accurate by later archaeologists, his fundamental idea that they correspond to real places is accepted. Thus, his work greatly contributed to not only scientific techniques and study of these historically significant sites but also a renewed public interest in the culture and the mythology of Ancient Greece.
Mask of Agamemnon is the name given to one of gold funeral masks discovered at the ancient Greek site of Mycenae. The mask, displayed in the National Archaeological Museum of Athens, has been described by Cathy Gere as the "Mona Lisa of prehistory".
Clytemnestra, in Greek mythology, was the wife of Agamemnon, king of Mycenae, and the half-sister of Helen of Troy. In Aeschylus' Oresteia, she murders Agamemnon – said by Euripides to be her second husband – and the Trojan princess Cassandra, whom Agamemnon had taken as a war prize following the sack of Troy; however, in Homer's Odyssey, her role in Agamemnon's death is unclear and her character is significantly more subdued.
Grave Circle A is a 16th-century BC royal cemetery situated to the south of the Lion Gate, the main entrance of the Bronze Age citadel of Mycenae in southern Greece. This burial complex was initially constructed outside the walls of Mycenae and ultimately enclosed in the acropolis when the fortification was extended during the 13th century BC. Grave Circle A and Grave Circle B, the latter found outside the walls of Mycenae, represents one of the significant characteristics of the early phase of the Mycenaean civilization.
Agamemnon is a fabula crepidata of c. 1012 lines of verse written by Lucius Annaeus Seneca in the first century AD, which tells the story of Agamemnon, who was killed by his wife Clytemnestra in his palace after his return from Troy.
The Tomb of Clytemnestra was a Mycenaean tholos type tomb built in c. 1250 BC. A number of architectural features such as the semi-column were largely adopted by later classical monuments of the first millennium BC, both in the Greek and Latin world. The Tomb of Clytemnestra with its imposing façade is together with the Treasury of Atreus the most monumental tomb of that type.
The death masks of Mycenae are a series of golden funerary masks found on buried bodies within a burial site titled Grave Circle A, located within the ancient Greek city of Mycenae. There are seven discovered masks in total, found with the burials of six adult males and one male child. There were no women who had masks. They were discovered by Heinrich Schliemann during his 1876 excavation of Mycenae.
Triptych Inspired by the Oresteia of Aeschylus is a 1981 oil-on-canvas triptych painting by Francis Bacon. It is one of 28 large triptych paintings by Bacon, each comprising three oil on canvas panels which measure 198 cm × 147.5 cm.
Panagiotis Stamatakis was a Greek archaeologist. He is noted particularly for his role in supervising the excavations of Heinrich Schliemann at Mycenae in 1876, and his role in recording and preserving the archaeological remains at the site.
The Tomb of Aegisthus is a Mycenaean tholos tomb located near the citadel of Mycenae, Greece. It was constructed in the Late Helladic IIA period, approximately 1510–1450 BCE, and rediscovered in the 19th century. It was first excavated by Winifred Lamb in 1922, as part of a project led by Alan Wace.