A cartoon is a type of illustration that is typically drawn, sometimes animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.
A political cartoon, a form of editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.
James Gillray was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Thomas Rowlandson was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte.
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of Gargantua, a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism.
Le Charivari was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, Le Charivari began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers.
Charles Philipon was a French lithographer, caricaturist and journalist. He was the founder and director of the satirical political journals La Caricature and of Le Charivari
Sam Viviano is an American caricature artist and art director. Viviano’s caricatures are known for their wide jaws, which Viviano has explained is a result of his incorporation of side views as well as front views into his distortions of the human face. He has also developed a reputation for his ability to do crowd scenes. Explaining his twice-yearly covers for Institutional Investor magazine, Viviano has said that his upper limit is sixty caricatures in nine days.
André Gill was a French caricaturist. Born Louis-Alexandre Gosset de Guînes at Paris, the son of the Comte de Guînes and Sylvie-Adeline Gosset, Gill studied at the Royal Academy of Painting and Sculpture. He adopted the pseudonym André Gill in homage to his hero, James Gillray. Gill began illustrating for Le Journal Amusant, but he became known for his work for the weekly four-sheet newspaper La Lune, edited by Francis Polo, in which he drew portraits for a series entitled The Man of the Day. He worked for La Lune from 1865 to 1868. When La Lune was banned, he worked for the periodical L'Éclipse from 1868 to 1876. Gill also drew for famous periodical Le Charivari.
Kevin Kallaugher is a political cartoonist for The Economist and the Baltimore Sun. He cartoons using the pen name, KAL.
Isaac Cruikshank (1764–1811), Scottish painter and caricaturist, was born in Edinburgh and spent most of his career in London. Cruikshank is known for his social and political satire. His sons Isaac Robert Cruikshank (1789–1856) and George Cruikshank (1792–1878) also became artists, and the latter in particular achieved fame as an illustrator and caricaturist.
This is a timeline of significant events in comics prior to the 20th century.
Characters and Caricaturas is an engraving by English artist William Hogarth, that he produced as the subscription ticket for his 1743 series of prints, Marriage à-la-mode, and which was eventually issued as a print in its own right. Critics had sometimes dismissed the exaggerated features of Hogarth's characters as caricature and, by way of an answer, he produced this picture filled with characterisations accompanied by a simple illustration of the difference between characterisation and caricature.
The Bench is the title of both a 1758 oil-on-canvas painting by the English artist William Hogarth, and a print issued by him in the same year. Unlike many of Hogarth's engravings produced from painted originals, the print differs considerably from the painting. It was intended as a demonstration of the differences between character painting, caricature and outré—developing on the theme he had begun to address in Characters and Caricaturas —but Hogarth was unhappy with the result as it showed only "characters", and he continued to work on the piece until his death.
Jean-Pierre Dantan, known as Dantan the Younger, was a French portrait sculptor. His subjects include many famous figures from the realms of politics, music and the arts, and literature. He is said to be the inventor of the sculptural caricature.
Mary and Matthew Darly were English printsellers and caricaturists during the 1770s. Mary Darly was a printseller, caricaturist, artist, engraver, writer, and teacher. She wrote, illustrated, and published the first book on caricature drawing, A Book of Caricaturas [sic], aimed at "young gentlemen and ladies." Mary was the wife of Matthew Darly, also called Matthias, a London printseller, furniture designer, and engraver. Mary was evidently the second wife of Matthew; his first was named Elizabeth Harold.
The Wilhelm Busch Museum is a museum in Hanover, Lower Saxony, Germany. It features the world's largest collection of works by Wilhelm Busch, as well as contemporary comic art, illustrations and drawings.
La Caricature was a satirical weekly published French periodical that was distributed in Paris between 1830 and 1843 during the July Monarchy. Its cartoons repeatedly attacked King Louis Philippe, whom it typically depicted as a pear.
Feliu Elias i Bracons was a Catalan caricaturist, painter and critic.
