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Caricature of Aubrey Beardsley by Max Beerbohm (1896), taken from Caricatures of Twenty-five Gentlemen Beerbohm-Beardsley.jpg
Caricature of Aubrey Beardsley by Max Beerbohm (1896), taken from Caricatures of Twenty-five Gentlemen

A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines.


In literature, a caricature is a distorted representation of a person in a way that exaggerates some characteristics and oversimplifies others. [1]


The term is derived for the Italian caricare—to charge or load. An early definition occurs in the English doctor Thomas Browne's Christian Morals , published posthumously in 1716.

Expose not thy self by four-footed manners unto monstrous draughts, and Caricatura representations.

with the footnote:

When Men's faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura

Thus, the word "caricature" essentially means a "loaded portrait". Until the mid 19th century, it was commonly and mistakenly believed that the term shared the same root as the French 'charcuterie', likely owing to Parisian street artists using cured meats in their satirical portrayal of public figures. [2]

In 18th century usage, 'caricature' was used for any image that made use of exaggerated or distorted features; thus both for comic portraits of specific people and for general social and political comic illustrations such as the satires of James Gillray, Thomas Rowlandson and many others. The title of the British Caricature Magazine (1807-1819) exemplifies this usage. In modern usage, 'caricature' is used predominantly for a portrait of a recognizable individual (much as originally used to describe the works of Pier Leone Ghezzi) , while the more recent term 'cartoon', popularised in the 19th century from its use in Punch magazine, is used for any other form of comic image, including political satire.


Ancient Pompeiian graffiti caricature of a politician Graffiti politique de Pompei.jpg
Ancient Pompeiian graffiti caricature of a politician

Some of the earliest caricatures are found in the works of Leonardo da Vinci, who actively sought people with deformities to use as models. The point was to offer an impression of the original which was more striking than a portrait.[ citation needed ]

Caricature became popular in European aristocratic circles, notably through the works of the Italian Rococo artist Pier Leone Ghezzi. Caricature portraits were passed around for mutual enjoyment.[ citation needed ] and the fashion spread to Britain from visitors returning from the Grand Tour; the much greater freedom of the press in England allowed its use in biting political satire and furthered its development as an art form in its own right.

A Caricature Group, c. 1766, by John Hamilton Mortimer John Hamilton Mortimer - A Caricature Group - Google Art Project.jpg
A Caricature Group, c.1766, by John Hamilton Mortimer

While the first book on caricature drawing to be published in England was Mary Darly's A Book of Caricaturas (c.1762), the first known North American caricatures were drawn in 1759 during the battle for Quebec. [3] These caricatures were the work of Brig.-Gen. George Townshend whose caricatures of British General James Wolfe, depicted as "Deformed and crass and hideous" (Snell), [3] were drawn to amuse fellow officers. [3]

James Gillray's The Plumb-pudding in danger (1805), which caricatured Pitt and Napoleon, was voted the most famous of all UK political cartoons. Caricature gillray plumpudding.jpg
James Gillray's The Plumb-pudding in danger (1805), which caricatured Pitt and Napoleon, was voted the most famous of all UK political cartoons.

In the 18th century, because of England's liberal political traditions, relative freedom of speech, and burgeoning publishing industry, London was a hot bed for the development of modern forms of caricature. William Hogarth (1697–1764) elevated satirical art into an accepted art form and a succeeding generation of talented artists including names such as James Gillray (1757–1815), Thomas Rowlandson (1756–1827) and Isaac Cruikshank (1757–1815) advanced it further. Caricature became a valuable tool for political campaigning and both Gillray and Rowlandson established their reputations as caricaturists working as 'hired guns' in the 1784 Westminster election. [5] . Their skills continued to be in high demand; in the turbulent period of the French Revolution and Napoleonic Wars caricature became an increasingly important communication medium. Gillray became the leading political caricaturist of his time [6] , famous across Europe, while Rowlandson's vast output used caricature for both political and social caricature and for comic book illustration. [7]

Published from 1868 to 1914, the London weekly magazine Vanity Fair became famous for its caricatures of famous people in society. [8] In a lecture titled The History and Art of Caricature, the British caricaturist Ted Harrison said that the caricaturist can choose to either mock or wound the subject with an effective caricature. [9] Drawing caricatures can simply be a form of entertainment and amusement – in which case gentle mockery is in order – or the art can be employed to make a serious social or political point. A caricaturist draws on (1) the natural characteristics of the subject (the big ears, long nose, etc.); (2) the acquired characteristics (stoop, scars, facial lines etc.); and (3) the vanities (choice of hair style, spectacles, clothes, expressions, and mannerisms).[ citation needed ]

Notable caricaturists


An example of a caricature created using computerized techniques, superimposed over a photographic image Caricature of Ammon Bundy.jpg
An example of a caricature created using computerized techniques, superimposed over a photographic image

There have been some efforts to produce caricatures automatically or semi-automatically using computer graphics techniques. For example, a system proposed by Akleman et al. [12] provides warping tools specifically designed toward rapidly producing caricatures. There are very few software programs designed specifically for automatically creating caricatures.

Computer graphic system requires quite different skill sets to design a caricature as compared to the caricatures created on paper. Thus, using a computer in the digital production of caricatures requires advanced knowledge of the program's functionality. Rather than being a simpler method of caricature creation, it can be a more complex method of creating images that feature finer coloring textures than can be created using more traditional methods.[ citation needed ]

A milestone in formally defining caricature was Susan Brennan's master's thesis [13] in 1982. In her system, caricature was formalized as the process of exaggerating differences from an average face. For example, if Charles III has more prominent ears than the average person, in his caricature the ears will be much larger than normal. Brennan's system implemented this idea in a partially automated fashion as follows: the operator was required to input a frontal drawing of the desired person having a standardized topology (the number and ordering of lines for every face). She obtained a corresponding drawing of an average male face. Then, the particular face was caricatured simply by subtracting from the particular face the corresponding point on the mean face (the origin being placed in the middle of the face), scaling this difference by a factor larger than one, and adding the scaled difference back onto the mean face.[ citation needed ]

Though Brennan's formalization was introduced in the 1980s, it remains relevant in recent work. Mo et al. [14] refined the idea by noting that the population variance of the feature should be taken into account. For example, the distance between the eyes varies less than other features, such as the size of the nose. Thus even a small variation in the eye spacing is unusual and should be exaggerated, whereas a correspondingly small change in the nose size relative to the mean would not be unusual enough to be worthy of exaggeration.[ citation needed ]

On the other hand, Liang et al. [15] argue that caricature varies depending on the artist and cannot be captured in a single definition. Their system uses machine learning techniques to automatically learn and mimic the style of a particular caricature artist, given training data in the form of a number of face photographs and the corresponding caricatures by that artist. The results produced by computer graphic systems are arguably not yet of the same quality as those produced by human artists. For example, most systems are restricted to exactly frontal poses, whereas many or even most manually produced caricatures (and face portraits in general) choose an off-center "three-quarters" view. Brennan's caricature drawings were frontal-pose line drawings. More recent systems can produce caricatures in a variety of styles, including direct geometric distortion of photographs.[ citation needed ]

Recognition advantage

Brennan's caricature generator was used to test recognition of caricatures. Rhodes, Brennan and Carey demonstrated that caricatures were recognised more accurately than the original images. [16] They used line drawn images but Benson and Perrett showed similar effects with photographic quality images. [17] Explanations for this advantage have been based on both norm-based theories of face recognition [16] and exemplar-based theories of face recognition. [18]

Modern use

A modern, street-style caricature of a man (c. 2010), with the subject on the right MattCaric.jpg
A modern, street-style caricature of a man (c. 2010), with the subject on the right

Beside the political and public-figure satire, most contemporary caricatures are used as gifts or souvenirs, often drawn by street vendors. For a small fee, a caricature can be drawn specifically (and quickly) for a patron. These are popular at street fairs, carnivals, and even weddings, often with humorous results. [19]

Caricature artists are also popular attractions at many places frequented by tourists, especially oceanfront boardwalks, where vacationers can have a humorous caricature sketched in a few minutes for a small fee. Caricature artists can sometimes be hired for parties, where they will draw caricatures of the guests for their entertainment.[ citation needed ] [20]


There are numerous museums dedicated to caricature throughout the world, including the Museo de la Caricatura of Mexico City, the Muzeum Karykatury in Warsaw, the Caricatura Museum Frankfurt, the Wilhelm Busch Museum in Hanover and the Cartoonmuseum in Basel. The first museum of caricature in the Arab world was opened in March, 2009, at Fayoum, Egypt. [21]

See also

Related Research Articles

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A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

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<span class="mw-page-title-main">Political cartoon</span> Illustration used to comment on current events and personalities

A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.

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<span class="mw-page-title-main">Thomas Rowlandson</span> English artist and caricaturist (1757–1827)

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<i>The Caricature Magazine or Hudibrastic Mirror</i>

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  1. "Caricature in literature". 2012-04-10. Archived from the original on 2013-01-12. Retrieved 2013-01-25.
  2. Lynch, John (1926). A History of Caricature. London: Faber & Dwyer.
  3. 1 2 3 Mosher, Terry. "Drawn and Quartered." Leader and Dreamers Commemorative Issue. Maclean's. 2004: 171. Print.
  4. Preston O (2006). "Cartoons... at last a big draw". Br Journalism Rev. 17 (1): 59–64. doi:10.1177/0956474806064768. S2CID   144360309.
  5. Humphrey, William. (1794). History of the Westminster election, containing every material occurrence ... to which is prefixed a summary account of the proceedings of the late Parliament ... / by Lovers of Truth and Justice. London: William Humphrey.
  6. See the Tate Gallery's exhibit "James Gillray: The Art of Caricature" Archived 2014-07-29 at the Wayback Machine . Accessed July 21, 2014
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  8. "Vanity Fair cartoons: drawings by various artists, 1869-1910". National Portrait Gallery. Retrieved 18 March 2022.
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  10. The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem, ed Elizabeth Mcgrath and Jean Michel Massing, London (The Warburg Institute)2012
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  14. Mo, Z.; Lewis, J.; Neumann, U. (2004). "ACM SIGGRAPH 2004 Sketches on - SIGGRAPH '04". ACM Siggraph. p. 57. doi:10.1145/1186223.1186294. ISBN   1-58113-896-2.
  15. L. Liang, H. Chen, Y. Xu, and H. Shum, Example-Based Caricature Generation with Exaggeration, Pacific Graphics 2002.
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  17. Benson, Philip J.; Perrett, David I. (1991-01-01). "Perception and recognition of photographic quality facial caricatures: Implications for the recognition of natural images". European Journal of Cognitive Psychology. 3 (1): 105–135. doi:10.1080/09541449108406222. ISSN   0954-1446.
  18. Lewis, Michael B.; Johnston, Robert A. (1998-05-01). "Understanding Caricatures of Faces". The Quarterly Journal of Experimental Psychology Section A. 51 (2): 321–346. doi:10.1080/713755758. ISSN   0272-4987. PMID   9621842. S2CID   13022741.
  19. McGlynn, Katla (June 16, 2010). "Street Portraits Gone Wrong: The Funniest Caricature Drawings Ever (PICTURES)". Archived from the original on August 13, 2010. Retrieved 2010-12-31.
  20. "Caricature artist for hire in modern use". YTEevents . Archived from the original on 2021-04-22.
  21. "A sanctuary for Egyptian caricature opens in Fayoum". Daily News Egypt (Egypt). Daily News Egypt. 4 March 2009. Archived from the original on 5 May 2013. Retrieved 8 September 2012.