A comic book, also called comicbook, comic magazine or simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form.
Currier and Ives was a New York City-based printmaking business operating from 1835 to 1907. Founded by Nathaniel Currier, the company designed and sold inexpensive hand-painted lithographic works based on news events, views of popular culture and Americana. Advertising itself as "the Grand Central Depot for Cheap and Popular Prints," the corporate name was changed in 1857 to "Currier and Ives" with the addition of James Merritt Ives.
Nathaniel Currier was an American lithographer. He headed the company Currier & Ives with James Ives.
Louis Maurer was a German-born American lithographer, and the father of the American painter Alfred Henry Maurer. He was the last surviving artist known to have been employed by Currier and Ives. Prior to his death, Maurer was extensively interviewed about the firm by collector and connoisseur Harry T. Peters for his book Currier & Ives, Printmakers to the American People.
The Mansion of Happiness: An Instructive Moral and Entertaining Amusement is a children's board game inspired by Christian morality. Players race about a 67-space spiral track depicting virtues and vices with their goal being the Mansion of Happiness at track's end. Instructions upon virtue spaces advance players toward the goal while those upon vice spaces force them to retreat.
Characters native to the African continent have been depicted in comics since the beginnings of the modern comic strip. Initially, such early 20th-century newspaper comics as Winsor McCay's Little Nemo depicted the racist stereotype of a spear-carrying cannibal, a comedic convention of the time. African characters later began to appear as another stereotype, the "noble savage"—a similar progression to that of depictions of Native Americans—and eventually as standard human beings.
Ethnic stereotypes in comics have evolved over time, reflecting the changing political climate.
Stereotypes of African Americans are misleading beliefs about the culture of people with partial or total ancestry from any black racial groups of Africa whose ancestors resided in the United States since before 1865, largely connected to the racism and the discrimination to which African Americans are subjected. These beliefs date back to the slavery of black people during the colonial era and they have evolved within American society.
Black people have been portrayed in comics since the medium's beginning, with their portrayals often the subject of controversy. Mainstream comic publishing companies have had a historical trend of being predominantly white and male, reflecting the lack of representation and inaccurate depictions of Black people in comics. The integration of black characters in mainstream and superhero comics has endured various obstacles and challenges. Critics have noted that black men and women have historically often been portrayed as jungle or ghetto stereotypes, and as sidekicks as opposed to primary characters. Occiasionally, comic book creators would lampshade stereotypes, lack of representation and emphasize social injustices. In recent years, with the integration of more Black people in mainstream comic writing rooms as well as the creation of comics on digital platforms has changed the representation and portrayals of Black people in comics and has started to reflect the complexities of Black people across the diaspora.
Westward the Course of Empire Takes Its Way is a 20-by-30-foot painted mural displayed behind the western staircase of the House of Representatives chamber in the United States Capitol Building. The mural was painted by Emanuel Gottlieb Leutze in 1861 and symbolizes Manifest Destiny, the belief that the United States was destined for Western exploration and expansion originating from the initial colonies along the Atlantic seaboard to the Pacific Ocean. A study measuring 33+1⁄4 by 43+3⁄8 inches hangs in the Smithsonian American Art Museum.
Kurz and Allison were a major publisher of chromolithographs in the late 19th century. Based at 267-269 Wabash Avenue in Chicago, they built their reputation on large prints published in the mid-1880s depicting battles of the American Civil War. In all, a set of 36 battle scenes were published from designs by Louis Kurz (1835–1921), himself a veteran of the war. Kurz, a native of Salzburg, Austria, had emigrated to the United States in 1848.
Prentiss Taylor was an American illustrator, lithographer, and painter. Born in Washington D.C., Taylor began his art studies at the Corcoran Gallery of Art, followed by painting classes under Charles Hawthorne in Provincetown, Massachusetts, and training at the Art Students League in New York City. In 1931, Taylor began studying lithography at the League. He became a member of one of the most important printmaking societies in America at that time, the Society of American Graphic Artists. Taylor interacted and collaborated with many writers and musicians in his time in New York in the late 1920s and early 30s. This was in the emergence of the Harlem Renaissance. Among his close friends and colleagues were Langston Hughes and Carl Van Vechten.
Darktown was an African-American neighborhood in Atlanta, Georgia. It stretched from Peachtree Street and Collins Street, past Butler Ave. to Jackson Street. It referred to the blocks above Auburn Avenue in what is now Downtown Atlanta and the Sweet Auburn neighborhood. Darktown was characterized in the 1930s as a "hell-hole of squalor, degradation, sickness, crime and misery".
Darktown is a former African-American neighbourhood of Atlanta, Georgia U.S.
Maral Yusif gizi Rahmanzadeh was a Soviet and Azerbaijani graphic artist and painter. She was awarded the honorary title of People's Artist of the Azerbaijan SSR (1964), and recipient of the State Prize.
Elton Clay Fax was an American illustrator, cartoonist, and writer.
Frances Flora Bond Palmer, often referred to as Fanny Palmer, was an English artist who became successful in the United States as a lithographer for Currier and Ives.
George Washington's reception at Trenton was a celebration hosted by the Ladies of Trenton social club on April 21, 1789, in Trenton, New Jersey, as George Washington, then president-elect, journeyed from his home at Mount Vernon to his first inauguration in the then capital of the United States, New York City. A ceremonial triumphal arch was erected on the bridge over the Assunpink Creek to commemorate his two victories here, the Battle of Trenton on December 26, 1776 and the Battle of the Assunpink Creek on January 2, 1777.
The Law Is Too Slow is a 1923 lithograph by American artist George Bellows (1882–1925), depicting the victim of a racist lynching. Originally commissioned to illustrate an anti-lynching story by Mary Johnston, the image came to be used by publications and organizations including the NAACP to advocate against lynching, and for federal anti-lynching legislation.
The Drunkard's Progress: From the First Glass to the Grave is an 1846 lithograph by Nathaniel Currier. It is a nine-step lebenstreppe on a stone arch depicting a man's journey through alcoholism. Through a series of vignettes it shows how a single drink starts an arc that ends in suicide. Below the structure, the protagonist's wife and child stand in tears.
Darktown Hook and Ladder Corps: In Action
Darktown Fire Brigade: Under Full Steam
Darktown Fire Brigade: Hook and Ladder Gymnastics
Darktown Fire Brigade: Saved!
