Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech, used to evoke strong feelings or to create a strong impression.
Amplifying achievements, obstacles and problems to seek attention is an everyday occurrence [1] Inflating the difficulty of achieving a goal after attaining it, can be used to bolster self-esteem. [2]
In the arts, exaggerations are used to create emphasis or effect. As a literary device, exaggerations are often used in poetry, and is frequently encountered in casual speech. [3] Many times the usages of hyperbole describes something as better or worse than it really is. [4] An example of hyperbole is: "The bag weighed a ton." [5] Hyperbole makes the point that the bag was very heavy, though it probably does not weigh a ton. [6]
Exaggerating is also a type of deception, [7] as well as a means of malingering – magnifying small injuries or discomforts as an excuse to avoid responsibilities. [8]
The word has origins in the mid-16th century: from Latin exaggerat- 'heaped up', from the verb exaggerare, from ex- 'thoroughly' + aggerare 'heap up' (from agger 'heap'). The word originally meant 'pile up, accumulate', later 'intensify praise or blame', giving rise to current senses.
The exaggerator has been a familiar figure in Western culture since at least Aristotle's discussion of the alazon. [9]
Harold Bloom describes expressionist art as attempting to "intensify the expression of feeling and attitude by exaggeration". [10] Harold Osborne writes that in its wake, even the "new and hard realism...kept much of the distortion and exaggeration which had been one of the chief devices of earlier Expressionism". [11]
Although primarily a comic figure, the boastful alazon may be one aspect of the tragic hero as well: the touch of miles gloriosus ("braggart soldier") in Tamburlaine, even in Othello, has been commented upon, as has the touch of the obsessed philosopher in Faustus and Hamlet'. [12]
Emil Draitser writes that "Some theoreticians of the comic consider exaggeration to be a universal comic device." [13] It may take different forms in different genres, but in the words of M. Eastman and W. Fry, all rely on the fact that 'the easiest way to make things laughable is to exaggerate to the point of absurdity their salient traits'. [14]
A caricature is a type of portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness: Filippo Baldinucci describes this as "disproportionately increasing and emphasizing the defects of the features". [15] In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others. [16]
Slapstick is the recourse to humor involving exaggerated physical activity which exceeds the boundaries of common sense. [17] [18] [19] These exaggerated depictions are often found in cartoons, and light film comedies aimed at younger audiences.
Overacting is the exaggeration of gestures and speech when acting. It may be unintentional, particularly in the case of a bad actor, or be required for the role. For the latter, it is commonly used in comical situations or to stress the evil characteristics of a villain. Since the perception of acting quality differs between people the extent of overacting can be subjective.
Exaggeration is an effect especially useful for animation, as perfect imitation of reality can look static and dull in cartoons. [20] The level of exaggeration depends on whether one seeks realism or a particular style, like a caricature or the style of a specific artist. The classical definition of exaggeration, employed by Disney, was to remain true to reality, just presenting it in a wilder, more extreme form. [21] Other forms of exaggeration can involve the supernatural or surreal, alterations in the physical features of a character; or elements in the storyline itself. [22] It is important to employ a certain level of restraint when using exaggeration. If a scene contains several elements, there should be a balance in how those elements are exaggerated in relation to each other, to avoid confusing or overawing the viewer. [23]
A shock jock, a type of radio broadcaster or disc jockey, entertains listeners or attracts attention using humor or melodramatic exaggeration that some portion of the listening audience may find offensive.
Schopenhauer saw exaggeration as essential to journalism. [24] He may have overstated this case, but yellow journalism thrived on exaggeration, [25] and fact-checking and independent verification have not succeeded in suppressing clickbait or hyperbolic headlines.
Politicians can exaggerate. [27] In the electoral process one may expect exaggeration. [28] Outside, the exaggerations of propaganda [29] can bolster an incumbent's position.
People with the following mental health issues are prone to make exaggerated representations:
Factitious disorder is when a person acts as if they have a physical or psychological illness. People with this disorder created the symptoms and are willing to undergo painful or risky tests to get sympathy and special attention. [31]
In 1969, The Monty Python Dirty Fork sketch demonstrates an absurd level of catastrophization where restaurant staff commit suicide and murder each other because of a customer complaint of a dirty fork. Compare with the scene in the film Monty Python and the Holy Grail [32] involving the Black Knight character which is the opposite extreme of absurdity (minimisation). [33] [32]
A comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
Sir Michael Edward Palin, is an English actor, comedian, writer, and television presenter. He was a member of the Monty Python comedy group. He received the BAFTA Fellowship in 2013 and was knighted by Queen Elizabeth II in 2019.
Terence Graham Parry Jones was a Welsh actor, comedian, director, popular historian, writer and member of the Monty Python comedy troupe.
Factitious disorder imposed on self, also known as Munchausen syndrome, is a factitious disorder in which those affected feign or induce disease, illness, injury, abuse, or psychological trauma to draw attention, sympathy, or reassurance to themselves. Munchausen syndrome fits within the subclass of factitious disorder with predominantly physical signs and symptoms, but patients also have a history of recurrent hospitalization, travelling, and dramatic, extremely improbable tales of their past experiences. The term Munchausen syndrome derives its name from the fictional character Baron Munchausen.
Hyperbole is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis. In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally.
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings. Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines.
Malingering is the fabrication, feigning, or exaggeration of physical or psychological symptoms designed to achieve a desired outcome, such as personal gain, relief from duty or work, avoiding arrest, receiving medication, and mitigating prison sentencing. It presents a complex ethical dilemma within domains of society, including healthcare, legal systems, and employment settings.
Resource acquisition is initialization (RAII) is a programming idiom used in several object-oriented, statically typed programming languages to describe a particular language behavior. In RAII, holding a resource is a class invariant, and is tied to object lifetime. Resource allocation is done during object creation, by the constructor, while resource deallocation (release) is done during object destruction, by the destructor. In other words, resource acquisition must succeed for initialization to succeed. Thus the resource is guaranteed to be held between when initialization finishes and finalization starts, and to be held only when the object is alive. Thus if there are no object leaks, there are no resource leaks.
A factitious disorder is a mental disorder in which a person, without a malingering motive, acts as if they have an illness by deliberately producing, feigning, or exaggerating symptoms, purely to attain a patient's role. People with a factitious disorder may produce symptoms by contaminating urine samples, taking hallucinogens, injecting fecal material to produce abscesses, and similar behaviour. The word factitious derives from the Latin word factītius, meaning "human-made".
Doctor shopping is the practice of visiting multiple physicians to obtain multiple prescriptions. It is a common practice of people with substance use disorders, suppliers of addictive substances, hypochondriacs or patients of factitious disorder and factitious disorder imposed on another. A doctor who, for a price, will write prescriptions without the formality of a medical exam or diagnosis is known as a "writer" or "writing doctor".
Hypervigilance is a condition in which the nervous system is inaccurately filtering sensory information and the individual is in an enhanced state of sensory sensitivity. This appears to be linked to a dysregulated nervous system which can often be caused by traumatic events or PTSD. Normally, the nervous system releases stress signals in certain situations as a defense mechanism to protect one from perceived dangers. In some cases, the nervous system becomes chronically dysregulated, causing a release of stress signals that are inappropriate to the situation, creating inappropriate and exaggerated responses. Hypervigilance may bring about a state of increased anxiety which can cause exhaustion. Other symptoms include: a high responsiveness to stimuli, and a constant scanning of the environment.
Pathological lying, also known as mythomania and pseudologia fantastica, is a chronic behavior characterized by the habitual or compulsive tendency to lie. It involves a pervasive pattern of intentionally making false statements with the aim of deceiving others, sometimes without a clear or apparent reason, or even if the truth is benfitual to the liar. Individuals who engage in pathological lying often claim to be unaware of the motivations behind their lies.
Factitious disorder imposed on another (FDIA), also known as fabricated or induced illness by carers (FII), and first named as Munchausen syndrome by proxy (MSbP) after Munchausen syndrome, is a mental health disorder in which a caregiver creates the appearance of health problems in another person, typically their child. This may include injuring the child or altering test samples. The caregiver then presents the person as being sick or injured. Permanent injury or death of the victim may occur as a result of their caregiver having the disorder. The behaviour may be motivated by the caregiver seeking sympathy or attention.
The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level. Through the use of the grotesque body in his novels, Rabelais related political conflicts to human anatomy. In this way, Rabelais used the concept as "a figure of unruly biological and social exchange".
Propaganda techniques are methods used in propaganda to convince an audience to believe what the propagandist wants them to believe. Many propaganda techniques are based on socio-psychological research. Many of these same techniques can be classified as logical fallacies or abusive power and control tactics.
Homicidal ideation is a common medical term for thoughts about homicide. There is a range of homicidal thoughts which spans from vague ideas of revenge to detailed and fully formulated plans without the act itself. Most people who have homicidal ideation do not commit homicide. 50–91% of people surveyed on university grounds in various places in the United States admit to having had a homicidal fantasy. Homicidal ideation is common, accounting for 10–17% of patient presentations to psychiatric facilities in the United States.
Disney's twelve basic principles of animation were introduced by the Disney animators Ollie Johnston and Frank Thomas in their 1981 book The Illusion of Life: Disney Animation.[a] The principles are based on the work of Disney animators from the 1930s onwards, in their quest to produce more realistic animation. The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal.
Monty Python's Flying Circus is a British surreal sketch comedy series created by and starring Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, who became known collectively as "Monty Python", or the "Pythons". The first episode was recorded at the BBC on 7 September 1969 and premiered on 5 October on BBC1, with 45 episodes airing over four series from 1969 to 1974, plus two episodes for German TV. A feature film adaptation of several sketches, And Now for Something Completely Different, was released in 1971.
Loren Pankratz is a consultation psychologist at the Portland VA Medical Center and professor in the department of psychiatry at Oregon Health & Science University (OHSU).
Mockery or mocking is the act of insulting or making light of a person or other thing, sometimes merely by taunting, but often by making a caricature, purporting to engage in imitation in a way that highlights unflattering characteristics. Mockery can be done in a lighthearted and gentle way, but can also be cruel and hateful, such that it "conjures images of corrosion, deliberate degradation, even subversion; thus, 'to laugh at in contempt, to make sport of' (OED)". Mockery appears to be unique to humans, and serves a number of psychological functions, such as reducing the perceived imbalance of power between authority figures and common people. Examples of mockery can be found in literature and the arts.
Exaggeration of every kind is as essential to journalism as it is to the dramatic art; for the object of journalism is to make events go as far as possible. Thus it is that all journalists are, in the very nature of their calling, alarmists; and this is their way of giving interest to what they write.
yellow journalism[: ...] a style of reporting that relied on exaggerted or invented stories of scandal and crime to attract readers; attention.
Several communicative strategies commonly identified with political discourse produced by politicians can be found in the MoS written by the common people in a bid to represent their voices in the political process in Cameroon. Among these strategies are persuasion, exaggeration, manipulation, vagueness, and falsehood.
The first requirement of a journalist covering an election in Trinidad and Tobago is to understand the multicultural nature and culture of the people, the disposition to exaggeration of politicians and political parties, the apparent contradictions of the culture and to vow not to take the country's politics too seriously.
Exaggeration is often associated with propaganda. Goebbels said that outrageous charges evoked more belief than milder statements.