Compton | |
---|---|
Village and civil parish | |
Church of St. Nicholas, Compton. | |
Location within Surrey | |
Area | 8.43 km2 (3.25 sq mi) |
Population | 1,154 (Civil Parish 2011) [1] |
• Density | 137/km2 (350/sq mi) |
OS grid reference | SU9546 |
Civil parish |
|
District | |
Shire county | |
Region | |
Country | England |
Sovereign state | United Kingdom |
Post town | Guildford |
Postcode district | GU3 |
Dialling code | 01483 |
Police | Surrey |
Fire | Surrey |
Ambulance | South East Coast |
UK Parliament | |
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church.
The village is just off the Compton junction of the A3 road and is crossed parallel to its linear street by the North Downs Way. Compton contains the Watts Mortuary Chapel, built to the memory of Symbolist painter George Frederic Watts, a resident of the village. Development can be classed as ribbon development around the through road. The 2001 census gives a population of 972 living in 384 households. The maximum elevation is on the Hog's Back at 152m, the minimum at a small brook flowing east of the village centre, at its lowest on outflow at 45m above sea level. [2]
The western part of the village forms a conservation area (as well as a very small eastern part between The Avenue and Compton Wood). [3]
Relics from the structure of the tower of the village's church, St Nicholas', suggest that the area was settled during the period of Roman occupation of Britain. Compton appears in Domesday Book of 1086 as Conton(e). It was held by Walter, son of Othere. Its domesday assets were: 11 hides; 1 church, 9 ploughs, 7 acres (28,000 m2) of meadow. It rendered £9. [4]
St Nicholas' Church contains one of the oldest surviving carved Norman screens. The basic structure, including the tower, is Anglo-Saxon, but it has been much altered over the centuries. For example, the influence of the Normans can be seen in the arches, the timber roofing (thought to date back to 1165) and the unique carved wooden screen in the chancel. Other features were added in the generations that followed, such as the spire (14th century), the pulpit and the clock (17th century). A unique feature is the only surviving two-storey sanctuary in England. [5] The church is grade I-listed. [6]
On the outskirts of Compton is the 16th century stately home Loseley Park. The Great Hall contains panelling taken from Henry VIII's palace at Nonsuch Park.
The Withies Inn is one of the oldest buildings in the village. Just off the main road, it was built in the 16th century. [7]
The manor of Field Place was bought in 1709 by the London publisher Samuel Manship (1665-1720), passing to his widow Anne and then their son John. His son John only had one child Anne, who eloped, and the manor was sold. [8]
The ashes of Aldous Huxley were brought from the US on 27 October 1971 and interred in his parents' grave at Watts Cemetery. [9]
One of Compton's most decorated residents by his profession was the artist who was primarily a painter, George Frederic Watts, who lived his later life at a house he called "Limnerslease", [11] close to which is the early 20th century Watts Gallery, dedicated to his work. The gallery is open to visitors. After his death, Watts Mortuary Chapel and cloister designed by his wife Mary Seton Watts were built on a hill overlooking the village. Among his subjects were Hope (part of his "House of Life" cycle), Orpheus and Eurydice and Dante Gabriel Rossetti .
The Compton Potters' Arts Guild was formed in 1899 by Mary Fraser-Tytler (her name before marriage to G. F. Watts) and initially used a source of local clay discovered during the building of Limnerslease. It continued until 1954.
Artist and historian Mary Wondrausch lived and worked in the parish [12] at the site of a former brickworks. Made of local clay from the foundations of her pottery, sculptor Jon Edgar's Compton Triptych [13] was unveiled in November 2011. The three terracotta heads celebrate the parish of Compton and the diverse figures who have contributed to this community.
Arthur Conan Doyle's novels Sir Nigel and The White Company refer to certain characters as being buried in Compton Church. [14]
Compton is the home village of characters described in Freeman Wills Crofts' 1933 murder mystery The Hog's Back Mystery . [15] [16]
The proportion of households in Compton who owned their home outright was 8% above the regional average. The proportion who owned their home with a loan was 3.6% lower than the regional average; social housing formed 13.7% of homes, providing overall a greater proportion of social rented housing and lower proportion of privately rented housing relative to the average of Surrey, the district and of the United Kingdom.
Output area | Population | Households | % Owned outright | % Owned with a loan | % Socially rented | hectares [1] |
---|---|---|---|---|---|---|
Compton (CP) | 1,154 | 386 | 40.4 | 31.9 | 13.7 | 843 [1] |
Output area | Detached | Semi-detached | Terraced | Flats and apartments | Caravans/temporary/mobile homes | shared between households |
---|---|---|---|---|---|---|
(Civil Parish) | 173 | 113 | 51 | 49 | 0 | 0 |
The average level of accommodation in the region composed of detached houses was 28%, the average that was apartments was 22.6%.
Compton is in Guildford (UK Parliament constituency), which since its inception has fluctuated between political parties. Local government is administered by Guildford Borough Council and Surrey County Council.
At Surrey County Council, one of the 81 representatives represents the area within the Shalford division. [17]
At Guildford Borough Council small wards of the borough are deemed appropriate to be best represented under the current constitution of councillors by two councillors. [18]
Election | Member [18] | Ward | |
---|---|---|---|
2010 | Neil Ward | Shalford | |
2010 | James Palmer | Shalford |
Election | Member [19] | Electoral Division | |
---|---|---|---|
2013 | George Johnson | Shalford |
East Horsley is a village and civil parish in Surrey, England, 21 miles southwest of London, on the A246 between Leatherhead and Guildford. Horsley and Effingham Junction railway stations are on the New Guildford line to London Waterloo. The two-halves of ancient Horsley are similar in having substantial woodland and some chalky lower slopes, in the south, of the North Downs.
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Normandy is a village and civil parish of 16.37 square kilometres in the borough of Guildford in Surrey, England. Almost surrounded by its hill ranges, Normandy is in the plain west of Guildford, straddles the A323 'Aldershot Road' and is north of the narrowest part the North Downs known as the Hog's Back which carries a dual carriageway. The parish in 2011 had a population of 2,981 living in 1,310 households, has woods, a public common and four government-operated commons to the north that are an SSSI heath. Normandy has been home to a number of notable residents, including William Cobbett.
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Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts.
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The Watts Cemetery Chapel or Watts Mortuary Chapel is a chapel in a Modern Style version of Celtic Revival in the village cemetery of Compton in Surrey. The designer was Mary Fraser-Tytler, an artist resident in the village, who married the painter and sculptor George Frederic Watts. While the overall architectural structure is loosely Romanesque Revival, the lavish decoration in terracotta relief carving and paintings is Celtic Revival, on an unusually large scale. According to the local council, it is "a unique concoction of art nouveau, Celtic, Romanesque and Egyptian influence with Mary's own original style".