The Celtic Revival is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and Celtic art—what historians call insular art. Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "Æ" Russell, Edward Martyn, Alice Milligan and Edward Plunkett stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century.
George Frederic Watts was a British painter and sculptor associated with the Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language.
Ullet Road Church is a Unitarian church at 57 Ullet Road, Sefton Park, Liverpool. Both the church and its attached hall are separately recorded in the National Heritage List for England as designated Grade I listed buildings. It was the first place of worship in the United Kingdom to register a civil partnership for a same-sex couple. It is a member of the General Assembly of Unitarian and Free Christian Churches, the umbrella organisation for British Unitarians.
Mary Seton Fraser Tytler was a symbolist craftswoman, designer and social reformer.
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church.
Postman's Park is a public garden in central London, a short distance north of St Paul's Cathedral. Bordered by Little Britain, Aldersgate Street, St. Martin's Le Grand, King Edward Street, and the site of the former headquarters of the General Post Office (GPO), it is one of the largest open spaces in the City of London.
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts.
Louis Reid Deuchars (1870–1927) was a Scottish artist and sculptor.
Henry Woodyer (1816–1896) was an English architect, a pupil of William Butterfield and a disciple of A. W. N. Pugin and the Ecclesiologists.
Sir Walter John Tapper was an English architect known for his work in the Gothic Revival style and a number of church buildings. He worked with some leading ecclesiastical architects of his day and was President of the Royal Institute of British Architects. Tapper was appointed Surveyor of the Fabric of Westminster Abbey and acted as consulting architect to York Minster and Manchester Cathedral. On his death in 1935 his son Michael Tapper completed some of his works.
The Compton Potters' Arts Guild was an art pottery, founded by and based at the Surrey home of Scottish artist, Mary Fraser Tytler.
The Memorial to Heroic Self-Sacrifice is a public monument in Postman's Park in the City of London, commemorating ordinary people who died saving the lives of others and who might otherwise have been forgotten. It was first proposed by painter and sculptor George Frederic Watts in 1887, to commemorate the Golden Jubilee of Queen Victoria. The scheme was not accepted at that time, and in 1898 Watts was approached by Henry Gamble, vicar of St Botolph's Aldersgate church. Postman's Park was built on the church's former churchyard, and the church was at that time trying to raise funds to secure its future; Gamble felt that Watts's proposed memorial would raise the profile of the park. The memorial was unveiled in an unfinished state in 1900, consisting of a 50-foot (15 m) wooden loggia designed by Ernest George, sheltering a wall with space for 120 ceramic memorial tiles to be designed and made by William De Morgan. At the time of opening, only four of the memorial tiles were in place. Watts died in 1904, and his widow Mary Watts took over the running of the project.
The Anglican Bath Abbey Cemetery, officially dedicated as the Cemetery of St Peter and St Paul, was laid out by noted cemetery designer and landscape architect John Claudius Loudon (1783–1843) between 1843 and 1844 on a picturesque hillside site overlooking Bath, Somerset, England.
St John the Evangelist's Church is a redundant Anglican church in the cathedral city of Chichester in West Sussex, England. Built in 1812 to the design of James Elmes as a proprietary chapel, the octagonal white-brick "evangelical preaching house" reflects the early 19th-century ideals of the Church of England's evangelical wing before High church movements such as the Cambridge Camden Society changed ideas on church design. The Diocese of Chichester declared it redundant in 1973. Although worship no longer takes place in the building, its theatre-like design has made it a popular venue for concerts and musical events. The church is a Grade I Listed building.
St Leonard's Baptist Church is the Baptist place of worship serving St Leonards-on-Sea, a town and seaside resort which is part of the Borough of Hastings in East Sussex, England. The elaborate building was designed by the architectural firm of Thomas Elworthy, responsible for many churches in late-Victorian era Sussex, and serves the residential hinterland of St Leonards-on-Sea—an area which grew rapidly after its early 19th-century founding by James Burton. English Heritage has listed the church at Grade II for its architectural and historical importance.
The Lancaster Cemetery Chapels are the three chapels, each built to serve a different denomination, in the main cemetery of Lancaster, England. The chapels stand around a central point at the highest part of the cemetery. They were all built in 1854–55, and were designed by the local architect E. G. Paley. The chapel to the west of the central point served the Anglicans, that to the east the Non-conformists, and the chapel to the north was for Roman Catholics.
Mortuary Chapel, Handsworth Cemetery is a Grade I listed chapel in the Church of England in Handsworth, Birmingham, England.
Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages, Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian. As National Romantic style is also referred to Art Nouveau, churches of that style are also listed here, as well as some temples not of pure Art Nouveau style but with distinctive Art Nouveau features.
Horsley Towers, East Horsley, Surrey, England is a country house dating from the 19th century. The house was designed by Charles Barry for the banker William Currie. The East Horsley estate was later sold to William King-Noel, 1st Earl of Lovelace who undertook two major expansions of the house to his own designs. Lovelace lived at the Towers with his wife, Ada, daughter of Lord Byron, a pioneering mathematician, friend of Charles Babbage and described as among the first computer programmers. In 1919, the Towers was purchased by Thomas Sopwith, the aviator and businessman, who named his plane, the Hawker Horsley, after his home. Now a hotel, wedding and conference venue set in parkland with a total area of about 50 acres, Horsley Towers is a Grade II* listed building.
