Neil Brand | |
---|---|
Born | Burgess Hill, Sussex, England | 18 March 1958
Occupation(s) | Actor, dramatist, composer, author |
Website | http://www.neilbrand.com |
Neil Brand (born 18 March 1958) is an English dramatist, composer and author. In addition to being a regular silent film accompanist at London's National Film Theatre, Brand has composed new scores for two restored films from the 1920s, The Wrecker and Anthony Asquith's Underground .
Neil Brand has been a silent film accompanist for nearly 40 years, regularly in London at the Barbican and BFI National Film Theatres, throughout the UK and Ireland and at film festivals around the world, including Australia, New Zealand, America, Canada, Israel, Scandinavia, Georgia, Ukraine, throughout Europe.[ citation needed ] Brand has also acted and written plays for the BBC.[ citation needed ] His book, Dramatic Notes, focuses on the art of composing narrative music for the cinema, theatre, radio and television. For his contribution to music, in 2016, Brand was awarded with a BASCA Gold Badge Award. [1]
Brand was born in Burgess Hill, Sussex, England, and attended Junction Road Primary School in Burgess Hill, then Brighton, Hove and Sussex Grammar School (now Brighton Hove & Sussex Sixth Form College).
At the age of 18, he went to the University College of Wales, Aberystwyth, to study Drama under John Edmunds.[ citation needed ] However, he had a talent for music, and it was at Aberystwyth that he began writing and playing music seriously for the first time. In 2013 he was made a Fellow of Aberystwyth University.[ citation needed ]
On television, Brand has appeared in Switch , a BBC drama for the hearing impaired, as Ted, a bullying businessman. In 2004 he appeared as an expert on cinema accompaniment in Who Do You Think You Are? which investigated the musical background of soprano Lesley Garrett.[ citation needed ]
Other work for the BBC has included musical compositions and radio plays. [2] He also composed the score for Channel Four's three-part documentary series on the Crimean War in 1997. [3] One of his plays, Stan, was broadcast on radio [4] in 2004 on BBC Radio 4 and then adapted as a television play, first broadcast on BBC Four. It documents Stan Laurel's last moments with best friend and comedy partner Oliver Hardy, who lies bedridden after a stroke. Another play broadcast on Radio 4, in 2007 Seeing It Through, dealt with Charles Masterman and his efforts to coordinate writers and journalists for the British propaganda effort in World War I.[ citation needed ]
In September 2013, Neil Brand presented the BBC Four programme Sound of Cinema: The Music that Made the Movies. [5] In the first episode in the series, he looked at the impact of classic orchestral film scores via the work of European-born composers (such as Max Steiner and Erich Wolfgang Korngold) and their influence on contemporary film composers such as Bernard Herrmann, Hans Zimmer and John Williams. He was also a guest presenter in the BBC Radio 3 programme Sound of Cinema: Live from the BFI [6] presented by Sean Rafferty where he demonstrated on piano some of the intricate motifs from Franz Waxman as well as some of his own music.
On 20 December 2014, BBC Radio 4 broadcast Brand's new version of A Christmas Carol , adapted by him for actors, the BBC Singers and the BBC Symphony Orchestra, which was recorded before an audience in the BBC Maida Vale Studios. [7] Other Christmas broadcasts included the ghost stories of M.R. James (BBC Woman's Hour Drama, 2018) and an original radio play, The Haunting of M.R. James.
In January and February 2015, Brand presented the BBC Four programme Sound of Song in which he looked at the history of popular song and its relationship to technology in the twentieth century.[ citation needed ] In January 2017, also on BBC Four, he presented Sound of Musicals, [8] exploring how musical theatre has evolved over 100 years. a further series Sound of Movie Musicals, was broadcast in 2018. One critic said: "Brand was an enthusiastic compère throughout, combining formidable knowledge and terrific piano playing on his Steinway". [9] His 2020 series The Sound of TV was called "refreshing" and "insightful" by the i . [10]
Brand wrote a new score for the restored 1929 film The Wrecker , released on DVD in November 2009. [11] He followed this up in 2011 with a score for another recently restored film, Anthony Asquith's 1928 drama Underground : the new composition was premiered by the BBC Symphony Orchestra at the Barbican Centre in London. [12]
Brand regularly accompanies silent films with the skiffle band The Dodge Brothers [13] (which includes Mark Kermode on double bass). [14] They have played to White Oak, Beggars of Life, The Ghost That Never Returns, Hell's Hinges and City Girl.
Brand also composed a score for The Lodger. This is the score that is available on the Criterion Collection's release of the DVD. According to Brand, he looked to film noir motifs from composers such as Miklos Rosza when making this score.[ citation needed ]
He has also written a book, Dramatic Notes (1998), discussing the art of composing narrative music for the cinema, theatre, radio or television, and including interviews with composers and directors. [15]
He has an occasional slot on BBC Radio 4's The Film Programme, analysing and deconstructing film music of various genres, illustrating his points with excerpts on the piano.
Radio drama is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatized works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera.
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music.
David Arnold is an English film composer whose credits include scoring five James Bond films, as well as Stargate (1994), Independence Day (1996), Godzilla (1998) and the television series Little Britain and Sherlock. For Independence Day, he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television, and for Sherlock, he and co-composer Michael Price won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold scored the BBC / Amazon Prime series Good Omens (2019) adapted by Neil Gaiman from his book Good Omens, written with Terry Pratchett. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors.
George Richard Ian Howe, known professionally as George Fenton, is an English composer. Best known for his work writing film scores and music for television, he has received five Academy Award nominations, several Ivor Novello, BAFTA, Golden Globe, Emmy and BMI Awards, and a Classic BRIT. He is one of 18 songwriters and composers to have been made a Fellow of the Ivors Academy.
Carl Davis was an American-born British conductor and composer. He wrote music for more than 100 television programmes (notably the landmark ITV series World At War and BBC's Pride and Prejudice, created new scores for concert and cinema performances of vintage silent movies and composed many film, ballet and concert scores that were performed worldwide, including the Liverpool Oratorio in 1991. Davis's publisher was Faber Music.
Howard Lindsay Goodall is an English composer of musicals, choral music and music for television. He also presents music-based programmes for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and "Composer-in-Residence" with the UK radio channel Classic FM. In May 2009, he was named "Composer of the Year" at the Classic BRIT Awards.
John Harle is an English saxophonist, composer, educator and record producer. He is an Ivor Novello Award winner and has been the recipient of two Royal Television Society awards.
William Alan Hawkshaw was a British composer and performer, particularly of library music used as themes for movies and television programs. Hawkshaw worked extensively for the KPM production music company in the 1950s to the 1970s, composing and recording many stock tracks that have been used extensively in film and TV.
Murray Jonathan Gold is an English composer for stage, film, and television and a dramatist for both theatre and radio. He is best known as the musical director and composer of the music for Doctor Who from its revival in 2005 until 2017. In 2023, he was announced to be returning to the series. Gold's other television work includes Queer as Folk, Last Tango in Halifax and Gentleman Jack. He has been nominated for five BAFTAs.
The Ivor Novello Awards, named after the entertainer Ivor Novello, are awards for songwriting and composing. They have been presented annually in London by the Ivors Academy, formerly called the British Academy of Songwriters, Composers, and Authors, since 1956.
James Mavin Parker was a British BAFTA-winning composer.
The Film Programme was a British film review radio programme, broadcast weekly on BBC Radio 4, from 2004 to 2021, presented by Francine Stock.
Underground is a 1928 British sound drama film directed by Anthony Asquith and starring Brian Aherne, Elissa Landi, Cyril McLaglen, and Norah Baring. While the film has no audible dialogue, it was released with a synchronized musical score with sound effects, using both the sound-on-disc and sound-on-film process. The film examines the lives of ordinary Londoners and the romance between them, set on and around the London Underground.
Michael Price is an English composer and pianist. Prior to establishing himself as a composer, he held a number of roles within the TV & film music field such as producer, arranger and music editor, much of which whilst working alongside acclaimed film score composer Michael Kamen.
Raymond Montgomery Raikes was a British theatre producer, director and broadcaster. He was particularly known for his productions of classic dramas for BBC Radio's "World Theatre" and "National Theatre of the Air" series, which pioneered the use of stereophonic sound in radio drama broadcasts. He received two Prix Italia awards in 1965 for his stereophonic productions of The Foundling by A. R. Gurney and The Anger of Achilles by Robert Graves.
Michael Eaton MBE is an English playwright and scriptwriter. He is best known for his television docudrama scripts, including Shipman, Why Lockerbie, and Shoot to Kill, and for writing the 1989 feature film Fellow Traveller, which won best screenplay at the British Film Awards. He is also known for his stage plays and BBC radio dramas.
Ludwig Blattner was a German-born inventor, film producer, director and studio owner in the United Kingdom, and developer of one of the earliest magnetic sound recording devices.
Stuart Hancock is a British composer of film, TV and concert music. Hancock is known for having composed the original soundtracks to series 2 of the BBC fantasy series Atlantis, the animated TV adaptation of We're Going On A Bear Hunt and the Netflix comedy horror Crazyhead. He won the BASCA British Composer Award in 2015 for his community song-cycle, Snapshot Songs.
Christopher Whelen was an English composer, conductor and playwright, best known for his radio and television operas. Because much of his work was written for specific theatre productions in the 1950s, or directly for broadcast in the 1960s to the 1980s, little of it survives today, though a number of his scores and related papers have been deposited in the British Library.
Lee Orville Erwin was an American theatre organist who played an important part in a revival of interest in the silent film era. His career began as an organist accompanying first-run silent films in the 1920s. He received classical training in Cincinnati and France, and then began a career as organist and arranger for radio, significantly at WLW and CBS Radio, the latter in association with Arthur Godfrey, that lasted through the mid-1960s. When his radio career ended he was commissioned to provide complete new scores for silent films exceeding seventy in number, and in this capacity and as an organist for silent film tours and exhibitions he received widespread critical acclaim. Erwin was active into his early 90s.