John Williams

Last updated

John Williams
John Williams 2024.jpg
Williams in 2024
Born
John Towner Williams

(1932-02-08) February 8, 1932 (age 92)
New York City, U.S.
Occupations
  • Composer
  • conductor
  • pianist
Years active1952–present
Works List of compositions
Spouses
  • ​
    ​
    (m. 1956;died 1974)​
  • Samantha Winslow
    ​
    (m. 1980)​
Children3, including Joseph
Father Johnny Williams
Signature
John Williams Signature.png

John Towner Williams (born February 8, 1932) [1] [2] [3] is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history. [4] [5] [6] He has a distinct sound that mixes romanticism, impressionism and atonal music with complex orchestration. [7] He is best known for his collaborations with Steven Spielberg and George Lucas and has received numerous accolades including 26 Grammy Awards, five Academy Awards, seven BAFTA Awards, three Emmy Awards and four Golden Globe Awards. With 54 Academy Award nominations, he is the second-most nominated person, after Walt Disney, [a] and is the oldest Oscar nominee in any category, at 92 years old. [8]

Contents

Williams's early work as a film composer includes Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), Images and The Cowboys (both 1972), The Long Goodbye (1973) and The Towering Inferno (1974). He has collaborated with Spielberg since The Sugarland Express (1974), composing music for all but five of his feature films. He received five Academy Awards for Best Score for Fiddler on the Roof (1971), Jaws (1975), Star Wars (1977), E.T.: The Extra Terrestrial (1982) and Schindler's List (1993). Other memorable collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Jurassic Park (1993), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012) and The Fabelmans (2022). [9] He also scored Superman (1978), the first two Home Alone films (1990–1992) and the first three Harry Potter films (2001–2004). Among other directors, he has worked with Alfred Hitchcock, Brian De Palma, Robert Altman, Clint Eastwood and Richard Donner.

Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops' principal conductor from 1980 to 1993 and is its laureate conductor. [10] Other works by Williams include theme music for the 1984 Summer Olympic Games; NBC Sunday Night Football; "The Mission" theme (used by NBC News and Seven News in Australia); the television series Lost in Space , Land of the Giants and Amazing Stories. [11] [12] Williams announced but then rescinded his intention to retire from film score composing after the release of Indiana Jones and the Dial of Destiny in 2023. [13]

Among other accolades, he has received the Kennedy Center Honor in 2004, the National Medal of the Arts in 2009 and the AFI Life Achievement Award in 2016. [b] He was inducted into the Songwriters Hall of Fame in 1998, the Hollywood Bowl's Hall of Fame in 2000 and the American Classical Music Hall of Fame in 2004. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office. [14] In 2022, Williams was appointed an Honorary Knight Commander of the Order of the British Empire (KBE) by Queen Elizabeth II, "for services to film music". In 2005, the American Film Institute placed Williams's score to Star Wars first on its list AFI's 100 Years of Film Scores; his scores for Jaws and E.T. also made the list. The Library of Congress entered the Star Wars soundtrack into the National Recording Registry for being "culturally, historically, or aesthetically significant". [15]

Early life

John Towner Williams was born in Flushing, Queens, New York City, to Esther (née Towner) and Johnny Williams, [16] a jazz drummer and percussionist who played with the Raymond Scott Quintet. He has an older sister, Joan, [17] [18] and two younger brothers, Jerry and Don, who play on his film scores. [19] Williams said of his lineage: "My father was a Maine man—we were very close. My mother was from Boston. My father's parents ran a department store in Bangor, Maine, and my mother's father was a cabinetmaker." [20] Johnny Williams collaborated with Bernard Herrmann, and his son sometimes joined him in rehearsals. [21]

In 1948, the Williams family moved to Los Angeles where John attended North Hollywood High School, graduating in 1950. He later attended the University of California, Los Angeles, and studied composition privately with the Italian composer Mario Castelnuovo-Tedesco. [22] Williams also attended Los Angeles City College for one semester, as the school had a Studio Jazz Band. [23] In 1951, Williams joined the U.S. Air Force, where he played the piano and brass and conducted and arranged music for the U.S. Air Force Band as part of his assignments. [24] [25] In a 2016 interview with the U.S. Air Force Band, he recounted having attended basic training at Lackland Air Force Base, after which he served as a pianist and brass player, with secondary duties of making arrangements for three years. [26] In March 1952, he was assigned to the Northeast Air Command 596th Air Force Band, stationed at Pepperrell Air Force Base in St. John's, Newfoundland. [27] He also attended music courses at the University of Arizona as part of his service. [28]

In 1955, following his Air Force service, Williams moved to New York City and entered Juilliard, where he studied piano with Rosina Lhévinne. [22] He was originally set on becoming a concert pianist, but after hearing contemporary pianists like John Browning and Van Cliburn perform, he switched his focus to composition. [29] "It became clear," he recalled, "that I could write better than I could play." [30] During this time Williams worked as a pianist in many of the city's jazz clubs. [31]

Early career

After his studies at Juilliard and the Eastman School of Music, Williams went to Los Angeles where he began working as an orchestrator at film studios. Williams worked with such composers as Franz Waxman, Bernard Herrmann and Alfred Newman, and with fellow orchestrators Conrad Salinger and Bob Franklyn. [32]

Williams was also a studio pianist and session musician, performing on scores by such composers as Jerry Goldsmith, Elmer Bernstein and Henry Mancini. One of his first jobs was working under mentor Alfred Newman with an uncredited role in the orchestra for the 1956 film Carousel , which also coincidently starred his soon-to-be wife Barbara Ruick. [33]

With Mancini, he recorded the scores of Peter Gunn (1959), Breakfast at Tiffany's (1961), Days of Wine and Roses (1962) and Charade (1963), and played the piano part of the guitar-piano ostinato in Mancini's Peter Gunn title theme. [34] [35] With Elmer Bernstein, he performed on the scores of Alexander Mackendrick's Sweet Smell of Success (1957) and Robert Mulligan's To Kill a Mockingbird (1962). Williams was also the pianist on the scores of Billy Wilder's The Apartment (1960) Jerome Robbins and Robert Wise's West Side Story (1961), and Blake Edwards The Great Race (1966). [36]

Known as Johnny Williams during this period, he released several jazz albums under this name, including Jazz Beginnings, World on a String, and The John Towner Touch. [36] Williams also served as music arranger and bandleader for a series of popular music albums with the singers Ray Vasquez and Frankie Laine. [37] [38]

Film and television scoring

Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006 Johnwilliams2006.JPG
Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006

While fluent in many 20th-century musical languages, Williams's most familiar style is neoromanticism. [39] Williams's score for Star Wars is often described as Wagnerian as it makes use of the leitmotif, a musical phrase associated with a place, character or idea. [40] Williams downplays the influence of Wagner: "People say they hear Wagner in Star Wars, and I can only think, It's not because I put it there. Now, of course, I know that Wagner had a great influence on Korngold and all the early Hollywood composers. Wagner lives with us here—you can't escape it. I have been in the big river swimming with all of them." [41]

1954–1973: Rise to prominence

Williams wrote his first film composition in 1952 while stationed at Pepperrell Air Force Base for a promotional film titled You Are Welcome, created for the Newfoundland tourist information office. [25] Williams's first feature film composition was for Daddy-O (1958), and his first screen credit came two years later in Because They're Young . Williams also composed music for television, Bachelor Father (1957–59), the Kraft Suspense Theatre (1963–65), Lost in Space (1965–68), The Time Tunnel (1966–67) and Land of the Giants (1968-70), the last three created by the prolific producer Irwin Allen. [42] He also worked on several episodes of M Squad (1957-1960) and Checkmate (1960–1962) and the pilot episode of Gilligan's Island (1964–67). [43] [44]

Williams called William Wyler's How to Steal a Million (1966) "the first film I ever did for a major, super-talent director". Williams received his first Oscar nomination for his score for Valley of the Dolls (1967) and was nominated again for Goodbye, Mr. Chips (1969). His first Oscar was for Scoring: Adaptation and Original Song Score, for Fiddler on the Roof (1971). He scored Robert Altman's psychological thriller Images (1972) and his neo-noir The Long Goodbye (1973), based on the novel of the same name by Raymond Chandler. Pauline Kael wrote that "Altman does variations on Chandler's theme the way the John Williams score does variations the title song, which is tender in one scene, a funeral dirge in another. Williams' music is a parody of the movies' frequent overuse of a theme, and a demonstration of how adaptable a theme can be." [45] Altman, known for giving actors free rein, had a similar approach to Williams, telling him "Do whatever you want. Do something you haven't done before." [35] His prominence grew in the early 1970s thanks to his work for Irwin Allen's disaster films; he scored The Poseidon Adventure (1972), The Towering Inferno and Earthquake (both 1974). Williams named his Images score as a favorite; he recalls "the score used all kinds of effects for piano, percussion, and strings. It had a debt to Varèse, whose music enormously interested me. If I had never written film scores, if I had proceeded writing concert music, it might have been in this vein. I think I would have enjoyed it. I might even have been fairly good at it. But my path didn't go that way." [41] As it happened, Williams's scores for The Reivers (1969) and The Cowboys (1972) shaped the path his career went.

1974–present: Collaborations with Steven Spielberg

Williams's scores for The Reivers and The Cowboys impressed a young Steven Spielberg, who was getting ready to direct his feature debut, The Sugarland Express (1974) and requested the composer for The Reivers. Williams recalled, "I met what looked to be this seventeen-year-old kid, this very sweet boy, who knew more about film music than I did—every Max Steiner and Dimitri Tiomkin score. We had a meeting in a fancy Beverly Hills restaurant, arranged by executives. It was very cute—you had the feeling Steven had never been in a restaurant like that before. It was like having lunch with a teen-age kid, but a brilliant one." [41] They reunited a year later for Jaws. Spielberg used Williams's theme for Images as a temp track while editing Jaws. When Williams played his main theme for Jaws, based on the alteration of two notes, Spielberg initially thought it was a joke. Williams explained that "the sophisticated approach you would like me to take isn't the approach you took with the film I just experienced." After hearing variations on the theme, Spielberg agreed: "sometimes the best ideas are the most simple ones." [46] The score earned Williams his second Academy Award, his first for Best Original Score. [47] Its ominous two-note ostinato has become a shorthand for approaching danger. [48] Williams's score is more complex than the two-note theme; it contains echoes of Debussy's La Mer and Stravinsky's The Rite of Spring . [49]

Shortly thereafter, Spielberg and Williams began a two-year collaboration on Close Encounters of the Third Kind . They crafted the distinctive five-note motif that functions both in the score and in the story as the communications signal of the film's extraterrestrials. Darryn King writes that "One moment in that film captures some of Spielberg and Williams's alchemy: the musical dialogue between the humans and the otherworldly visitors, itself an artistic collaboration of sorts." Pauline Kael wrote of the scene: "the earthlings are ready with a console, and they greet the great craft with an oboe solo variation on the five-note theme; the craft answers in deep, tuba tones. The dialogue becomes blissfully garrulous ... there is a conversational duet: the music of the spheres." [50] Williams says the first three notes of the theme are resolved, making the next two surprising, adding "I realized that 20 years after the fact." [35]

Spielberg chose Williams to score 1941 (1979) and Raiders of the Lost Ark (1981). For the latter, Williams wrote the rousing "The Raiders March" for the film's hero, Indiana Jones, as well as separate themes to represent the eponymous Ark of the Covenant, Jones's love interest Marion Ravenwood and the Nazi villains. Additional themes were written and featured in his scores for Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), Indiana Jones and the Kingdom of the Crystal Skull (2008) and Indiana Jones and the Dial of Destiny (2023). Spielberg emphasized the importance of Williams's score to the Indiana Jones pictures: "Jones did not perish, but listened carefully to the Raiders score. Its sharp rhythms told him when to run. Its slicing strings told him when to duck. Its several integrated themes told adventurer Jones when to kiss the heroine or smash the enemy. All things considered, Jones listened ... and lived." [51] Williams's soaring score for Spielberg's E.T. the Extra-Terrestrial (1982) won him a fourth Oscar. [47] Spielberg liked Williams's music for the climactic chase so much that he edited the film to match it. [52]

John Williams conducting the score to Raiders of the Lost Ark in the Avery Fisher Hall in 2007 John Williams scoring Raiders.jpg
John Williams conducting the score to Raiders of the Lost Ark in the Avery Fisher Hall in 2007

The Spielberg-Williams collaboration resumed in 1987 with Empire of the Sun and continued with Always (1989), Hook (1991), Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), Amistad (1997) and Saving Private Ryan (1998). Williams also contributed the theme music for, and scored several episodes of, Spielberg's anthology television series Amazing Stories (1985). Schindler's List (1993) proved to be a challenge for Williams; after viewing the rough cut with Spielberg, he was so overcome with emotion that he was hesitant to score the film. He told Spielberg, "I really think you need a better composer than I am for this film." Spielberg replied, "I know, but they're all dead." [53] Williams asked classical violinist Itzhak Perlman to play the main theme for the film. Williams garnered his fourth Oscar for Best Original Score, his fifth overall.

Williams scored Spielberg's A.I. Artificial Intelligence , based on an unfinished project Stanley Kubrick asked Spielberg to direct. A. O. Scott argued that the movie represented new directions for director and composer, writing that Spielberg created "a mood as layered, dissonant and strange as John Williams's unusually restrained, modernist score". [54] Williams wrote scores inspired by jazz for Spielberg's Catch Me If You Can (2002), which allowed him to tip his hat to Henry Mancini, as well as The Terminal (2004). [55] His 2005 score for Spielberg's War of the Worlds allowed him to tip his hat to the scores for classic monster movies. That same year, he scored Spielberg's epic historical drama film Munich.

In 2011, after a three-year hiatus from film scoring, Williams composed the scores for Spielberg's The Adventures of Tintin and War Horse. The former was his first score for an animated film, and he employed various styles, including "1920s, 1930s European jazz" for the opening credits and "pirate music" for the maritime battles. Both scores received overwhelmingly positive reviews [56] [57] [58] [59] [60] [61] and earned Academy Award nominations, [62] the latter also being nominated for a Golden Globe. [63] The Oscar nominations were Williams's 46th and 47th, making him the most nominated musician in Academy Award history (having previously been tied with Alfred Newman's 45 nominations) and the second most nominated overall, behind Walt Disney. Williams won an Annie Award for his score for Tintin. In 2012, he scored Spielberg's Lincoln, for which he received his 48th Academy Award nomination. [64] He was also set to write the score for Bridge of Spies that year, which would have been his 27th collaboration with Spielberg, [65] but in March 2015, it was announced that Thomas Newman would score it instead, as Williams's schedule was interrupted by a minor health issue. [66] This was the first Spielberg film since The Color Purple (1985) not scored by Williams. [67] Williams composed the scores for Spielberg's fantasy The BFG and his drama The Post (2017). [68]

In 2019, Williams served as music consultant for Spielberg's West Side Story (2021) [69] [70] and scored his semi-autobiographical The Fabelmans (2022). [71] In June 2022, Williams announced that Indiana Jones and the Dial of Destiny , scheduled for a 2023 release, would likely be his last film score as he planned to retire from film and focus on solely composing concert music. [72] [2] However, he reversed this decision by January 2023, stating that he had at least "10 more years to go. I'll stick around for a while!". He compared the decision to Spielberg's father Arnold, who had worked in his field until he was 100. [13]

Star Wars and other franchises

Spielberg recommended Williams to his friend George Lucas, who needed a composer for his space opera Star Wars (1977). Williams delivered a grand symphonic score influenced by Gustav Holst's orchestral suite The Planets , as well as Richard Strauss, Antonín Dvořák, and Golden Age Hollywood composers Max Steiner and Erich Wolfgang Korngold. The Star Wars theme is among the most widely recognized in film history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotif. The score was immensely successful—it remains the highest grossing non-popular music recording of all time—and won Williams a second Academy Award for Best Original Score. [73] In 1980, Williams returned to score The Empire Strikes Back , introducing "The Imperial March" as the theme for Darth Vader and the Galactic Empire, "Yoda's Theme", and "Han Solo and the Princess". The original Star Wars trilogy concluded with Return of the Jedi , for which Williams provided the "Emperor's Theme", "Parade of the Ewoks", and "Luke and Leia". Both scores earned him Academy Award nominations. [47]

In 1999, Lucas launched the first of three prequels to the original Star Wars trilogy. Williams was asked to score all three, starting with The Phantom Menace . Along with themes from the previous films, Williams created new themes for 2002's Attack of the Clones and 2005's Revenge of the Sith . Most notable of these was "Duel of the Fates", an aggressive choral composition in the style of Verdi's Requiem, [74] [ user-generated source? ] using harsh Sanskrit lyrics that broadened the style of music used in the Star Wars films. It used vocal melodies instead of his usual compositions using brass instruments. Also of note was "Anakin's Theme", which begins as an innocent childlike melody and morphs insidiously into a quote of the sinister "Imperial March". For Attack of the Clones, Williams composed "Across the Stars", a love theme for Padmé Amidala and Anakin Skywalker (mirroring the love theme composed for The Empire Strikes Back). [75] [76] The final installment Revenge of the Sith combined many of the themes created for the series' previous films, including "The Emperor's Theme", "The Imperial March", "Across the Stars", "Duel of the Fates", "The Force Theme", "Rebel Fanfare", "Luke's Theme", and "Princess Leia's Theme", as well as new themes for General Grievous and the film's climax, titled "Battle of the Heroes". [77]

Williams scored the first three film adaptations of J. K. Rowling's Harry Potter series. The most important theme from Williams's scores for the Harry Potter films, "Hedwig's Theme", was also used in the fourth through eighth films. Like the main themes from Jaws, Star Wars, Superman, and Indiana Jones, fans have come to identify the Harry Potter films with Williams's themes. Williams was asked to return to score the film franchise's final installment, Harry Potter and the Deathly Hallows – Part 2 , but director David Yates said that "their schedules simply did not align", as he would have had to provide Williams with a rough cut of the film sooner than was possible. [78]

In 2013, Williams expressed interest in working on the Star Wars sequel trilogy, saying: "Now we're hearing of a new set of movies coming in 2015, 2016 ... so I need to make sure I'm still ready to go in a few years for what I hope would be continued work with George." [79] In 2015, Williams scored Star Wars: The Force Awakens , earning him his 50th Academy Award nomination. [80] [81] In 2017, he wrote the music for Star Wars: The Last Jedi , [82] the eighth episode of the saga. Williams contributed "The Adventures of Han" and several additional demos for the 2018 standalone Star Wars film Solo: A Star Wars Story , while John Powell wrote the film's original score and adapted Williams's music. [83] [84] [85]

In March 2018, Williams announced that following Star Wars: The Rise of Skywalker (2019), he would retire from composing music for the Star Wars franchise: "We know J. J. Abrams is preparing one Star Wars movie now that I will hopefully do next year for him. I look forward to it. It will round out a series of nine, that will be quite enough for me." [86] Williams also makes a cameo in the film as Oma Tres, a Kijimi bartender. [87] In July 2018, Williams composed the main musical theme for Disneyland and Disney's Hollywood Studios theme park attraction Star Wars: Galaxy's Edge . William Ross, who conducted the symphonic recording of the theme with the London Symphony Orchestra on Williams's behalf, additionally arranged Williams's original composition in different musical contexts for use, recording nearly an hour of musical material at Abbey Road Studios in November 2018. [88] [89] Williams won the Grammy Award for Best Instrumental Composition for his Star Wars: Galaxy's Edge Symphonic Suite. In 2022, he contributed the theme music for the Star Wars miniseries Obi-Wan Kenobi, which was subsequently adapted further by William Ross. [90]

Other film and television works

Williams scored Alfred Hitchcock's final film, Family Plot (1976), as well as Clint Eastwood's The Eiger Sanction (1975), John Frankenheimer's Black Sunday (1977), John Badham's Dracula (1979), Allan Arkush's Heartbeeps (1981) and Frank Perry's Monsignor (1982). He also contributed the Oscar and Golden Globe nominated song "If We Were in Love" (with lyrics by Alan & Marilyn Bergman) to Franklin J. Schaffner's Yes, Giorgio (1982).

For Family Plot, Hitchcock told Williams to remember one thing: "Murder can be fun." He tipped his hat to Hitchcock's frequent composer, Bernard Herrmann, and Hitchcock was pleased with the result. Williams would follow a similar approach when scoring Brian de Palma's The Fury (1978). Kael called Williams "a major collaborator" on the film, writing that he had "composed what may be as apt and delicately varied a score as any horror movie has ever had. He scares us without banshee melodramatics. He sets the mood under the opening titles: otherworldly, seductively frightening. The music cues us in." [91]

That same year, Williams scored Richard Donner's Superman. Donner reportedly interrupted the demo premiere of the opening title by running onto the soundstage, exclaiming, "The music actually says 'Superman'!" [92] King writes that "Donner had a theory that the three-note motif in the main theme—the one that makes you want to punch the air in triumph—is a musical evocation of 'SU-per-MAN!'". When asked if there was anything to that, Williams replied "There's everything to that." [35] The score's heroic and romantic themes, particularly the main march, the Superman fanfare and the love theme, "Can You Read My Mind?", appeared in the subsequent Salkind/Cannon film sequels as well as Superman Returns (2006). The main march is set to return as part of John Murphy's score to James Gunn's Superman (2025), the first film of the DC Universe. [93] [94]

In 1985, NBC commissioned Williams to compose a television news music package for various network news spots. The package, which Williams named "The Mission", consists of four movements, two of which are still used heavily by NBC today for Today , NBC Nightly News and Meet the Press . [95] In 1987, Williams scored George Miller's The Witches of Eastwick. In his Oscar-nominated score for Lawrence Kasdan's The Accidental Tourist (1988), [96] Williams developed the two main theme sections in different ways, turning the mood lighter or darker through orchestration and an unexpected use of synthesizers. [97]

Other frequent collaborations with directors include Martin Ritt ( Pete 'n' Tillie (1972), Conrack (1974) and Stanley & Iris (1990)), Mark Rydell (The Reivers (1969), The Cowboys (1972), Cinderella Liberty (1973) and The River (1984)), Oliver Stone (Born on the Fourth of July (1989), JFK (1991) and Nixon (1995)), and Chris Columbus (the first two Home Alone films (1990–1992) and Stepmom (1998)). Additional films Williams scored during this period include Harry Winer's SpaceCamp (1986), Alan J. Pakula's Presumed Innocent (1990), Ron Howard's Far and Away (1992), Sydney Pollack's Sabrina (1995), Barry Levinson's Sleepers (1996), John Singleton's Rosewood (1997), Alan Parker's Angela's Ashes (1999), Roland Emmerich's The Patriot (2000) and Rob Marshall's Memoirs of a Geisha (2005).

Williams scored the 2013 film The Book Thief , [98] his first collaboration with a director other than Spielberg since 2005. The score earned him an Academy Award, Golden Globe and BAFTA nominations and a Grammy Award for Best Instrumental Composition. It was his 44th nomination for Best Original Score (and 49th overall), setting a new record for the most nominations in that category (he tied Alfred Newman's record of 43 nominations in 2013). [47] [99] In 2017, Williams scored the animated short film Dear Basketball , directed by Glen Keane and based on a poem by Kobe Bryant. [100] [101] In 2023, he was commissioned by ESPN to write an original composition titled "Of Grit and Glory" for the 2023 College Football Playoff National Championship. [102]

Classical works and conducting

Williams signing an autograph after a concert in 2006 Williamsautograph.jpg
Williams signing an autograph after a concert in 2006

Boston Pops Orchestra

From 1980 to 1993, Williams served as the Boston Pops Orchestra's principal conductor, succeeding Arthur Fiedler. Williams never met Fiedler in person but spoke to him by telephone. His arrival as the Pops' new leader in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back. [103] Williams almost ended his tenure with the Pops in 1984 [104] when some players hissed while sight-reading a new Williams composition in rehearsal; Williams abruptly left the session and tendered his resignation. He initially cited mounting conflicts with his film composing schedule but later admitted a perceived lack of discipline in, and respect from, the Pops' ranks, culminating in this latest instance. After entreaties by the management and personal apologies from the musicians, Williams withdrew his resignation and continued as principal conductor for nine more years. [105] In 1995, he was succeeded by Keith Lockhart, the former associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra. [106] Williams is now the Pops' laureate conductor, thus maintaining his affiliation with its parent Boston Symphony Orchestra. Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He conducts an annual Film Night at both Boston Symphony Hall and Tanglewood, where he frequently enlists the Tanglewood Festival Chorus. [107]

Compositions

Williams conducting at Hollywood Bowl in 2009 John Williams Hollywood Bowl.jpg
Williams conducting at Hollywood Bowl in 2009

Williams has written many concert pieces, including a symphony; a sinfonietta for wind ensemble; a concerto for horn written for Dale Clevenger, the Chicago Symphony Orchestra's principal horn; a concerto for clarinet written for Michele Zukovsky, the Los Angeles Philharmonic's principal clarinetist, in 1991; [108] a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994; concertos for the flute and violin recorded by the London Symphony Orchestra; and a trumpet concerto, which was premiered by The Cleveland Orchestra and their principal trumpet Michael Sachs in September 1996. [109] His bassoon concerto, The Five Sacred Trees , which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. His "Violin Concerto No. 2" was written for and premiered by Anne-Sophie Mutter and the Boston Symphony Orchestra at Tanglewood in 2021, with Williams conducting. [110] [111]

Williams composed the Liberty Fanfare for the Statue of Liberty's rededication; "We're Lookin' Good!" for the Special Olympics in celebration of the 1987 International Summer Games; and themes for the 1984, 1988, 1996 and 2002 Olympic Games. One of his concert works, Seven for Luck, for soprano and orchestra, is a seven-piece song cycle based on the texts of former U.S. poet laureate Rita Dove. It had its world premiere by the Boston Symphony under Williams with soprano Cynthia Haymon. [109]

Williams in 2011, conducting the Boston Pops Orchestra John Williams with Boston Pops-1.jpg
Williams in 2011, conducting the Boston Pops Orchestra

Williams makes annual appearances with the Los Angeles Philharmonic at the Hollywood Bowl, and took part as conductor and composer in the orchestra's opening gala concerts for the Walt Disney Concert Hall in 2003, which included the premiere of his piece Soundings. In 2004, he served as the Grand Marshal for the Rose Parade and conducted "The Star Spangled Banner" at the Rose Bowl Game. In April 2005, Williams and the Boston Pops performed the "Throne Room Finale" from Star Wars at opening day in Fenway Park as the Boston Red Sox, having won their first World Series championship since 1918, received their championship rings. For Game 1 of the 2007 World Series, Williams conducted a brass-and-drum ensemble in a new dissonant arrangement of "The Star Spangled Banner". [112] He composed the quartet Air and Simple Gifts for the first inauguration of Barack Obama. The piece is based on the hymn "Simple Gifts", made famous by Aaron Copland in Appalachian Spring . Williams chose the theme because he knew Obama admired Copland. It was performed by Yo-Yo Ma, violinist Itzhak Perlman, pianist Gabriela Montero and clarinetist Anthony McGill. [113]

Williams has guest conducted "The President's Own" United States Marine Band on several occasions, who commissioned him in 2013 to write "Fanfare for The President's Own" (his first concert band work since his sinfonietta for wind ensemble) in honor of their 215th anniversary. [114] In 2023, Williams was made an honorary U.S. Marine at the conclusion of his fifth concert with the Marine Band at the Kennedy Center in Washington DC. [115]

In 2021, Williams conducted the world premiere of "Overture to the Oscars" at Tanglewood's 2021 "Film Night". [116] This was followed in 2022 by a "Fanfare for Solo Trumpet", written for the reopening of David Geffen Hall, [117] and "Centennial Overture", written in celebration of the 100th Anniversary of the Hollywood Bowl. [118] He is currently completing a piano concerto for Emanuel Ax. [119]

Conductor

In February 2004, April 2006, and September 2007, Williams conducted the New York Philharmonic at Avery Fisher Hall in New York City. The initial program was intended to be a one-time special event, and featured Williams's medley of Oscar-winning film scores first performed at the previous year's Academy Awards. [120] Its unprecedented popularity led to two concerts in 2006, fundraising gala events featuring personal recollections by Martin Scorsese and Steven Spielberg. [121] [122] Continued demand fueled three more concerts in 2007, which all sold out. These featured a tribute to the musicals of Stanley Donen and served as the New York Philharmonic season's opening event. [123] [124] After a three-season absence, Williams conducted the Philharmonic once again in October 2011. [125]

Stanley Donen (left) and Williams at Avery Fisher Hall in 2007 John Williams & Stanley Donan.jpg
Stanley Donen (left) and Williams at Avery Fisher Hall in 2007

After over a ten year break, Williams returned to New York in 2022 to conduct the Philadelphia Orchestra for a benefit concert at Carnegie Hall, with special guest violinist Anne-Sophie Mutter. [126] The next year, he was feted at a gala at David Geffen Hall by Spielberg, celebrating their nearly fifty-year collaboration. [127] In 2024, he returned to headline another gala at Carnegie Hall with the Philadelphia Orchestra, this time with Yo-Yo Ma as his special guest. [128]

Williams also conducted the National Symphony Orchestra, the U.S. Army Herald Trumpets, the Joint Armed Forces Chorus, and the Choral Arts Society of Washington in his new arrangement of "The Star-Spangled Banner" for the anthem's 200th anniversary. The performance was held at A Capitol Fourth , an Independence Day celebration concert in Washington, D.C., on July 4, 2014. [129] On April 13, 2017, at Star Wars Celebration Orlando, Williams performed a surprise concert [130] with the Orlando Philharmonic Orchestra featuring "Princess Leia's Theme" (a tribute to the recently deceased Carrie Fisher), "The Imperial March" and "Main Title", followed by George Lucas saying, "The secret sauce of Star Wars, the greatest composer-conductor in the universe, John Williams".

John Williams conducting the Boston Pops in May 2018 John Williams Boston Pops 2018.jpg
John Williams conducting the Boston Pops in May 2018

Anne-Sophie Mutter, introduced to Williams by their mutual friend André Previn, collaborated with Williams on an album, Across the Stars, on which Mutter played themes and pieces from Williams's film scores in his new arrangements for violin. It was released in August 2019. [131] The Vienna Philharmonic Orchestra invited Williams to lead concerts in January 2020, his first engagement with a European orchestra, [132] for an all-Williams concert featuring Mutter as soloist. The concert included many pieces from Across the Stars. The resulting concert album, John Williams in Vienna, became the bestselling orchestral album of 2020, reaching the top 10 in many countries and topping the U.S. and UK classical charts. [133] The orchestra also commissioned a new procedural from Williams for their annual Philharmonikerball, [134] replacing the 1924 fanfare by Richard Strauss.

Williams conducted the Berlin Philharmonic from October 14–16, 2021, marking his second engagement with a European orchestra and his first with the Berlin Philharmonic. [135] In 2022, in celebration of his 90th birthday, Williams conducted the Vienna Philharmonic in March, and was honored on August 20 with a tribute at Tanglewood. [136] The tribute at Tanglewood featured James Taylor, Yo-Yo Ma, and Branford Marsalis. The Boston Symphony Orchestra performed some of Williams' best-known music, with Williams conducting the "Raiders March" from the Indiana Jones movies at the end of the show. [137] Williams made a surprise appearance at the U.S. premiere of the Indiana Jones and the Dial of Destiny (2023) on June 15, where he conducted themes with a live symphony orchestra. Also present were Spielberg, Lucas, Harrison Ford, and James Mangold. [138] Later that year, he conducted the Saito Kinen Orchestra in Matsumoto and Tokyo, Japan, marking his return to the country for the first time in over thirty years. [139]

Personal life

In 1956, Williams married Barbara Ruick, an American actress and singer, and they remained married until her death in 1974. [140] The couple had three children: Jennifer (Jenny) Williams Gruska (b. 1956), Mark Towner Williams (b. 1958), and Joseph Williams (b. 1960); the last is best known as the lead singer of Toto. [141] In 1980, Williams married Samantha Winslow, a photographer. [142]

Awards, recognition and legacy

Williams is regarded as one of the most influential film composers. His work has influenced other composers of film, popular, and contemporary classical music. Norwegian composer Marcus Paus argues that Williams' "satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework" makes him "one of the great composers of any century". [143] Similarly, his film music has clear influences from other classical and film composers, including Holst, [144] Stravinsky, Korngold, and others. But while many have specifically referenced the similarities, [145] [146] these are generally attributed to the natural influence of one composer on another. The Boston Globe named Williams as "the most successful composer of film music in the history of the medium". [147]

Williams has been nominated for 54 Academy Awards, winning five; six Emmy Awards, winning three; 25 Golden Globe Awards, winning four; 71 Grammy Awards, winning 26; and has received seven British Academy Film Awards. With 54 Oscar nominations, Williams currently holds the record for the most Oscar nominations for a living person [148] [149] and is the second most nominated person in Academy Awards history behind Walt Disney's 59. Williams is the only person to be nominated for an Academy Award in seven different decades (the 1960s, 70s, 80s, 90s, 2000s, 2010s, and 2020s). He is also the oldest person, at age 91, ever to be nominated for an Academy Award. Forty-eight of Williams's Oscar nominations are for Best Original Score and five are for Best Original Song. He won four Oscars for Best Original Score ( Jaws , Star Wars , E.T. the Extra-Terrestrial , Schindler's List ) and one for Best Scoring: Adaptation and Original Song Score (Fiddler on the Roof).

Williams was the subject of an hour-long documentary for the BBC in 1980, and was featured in a report on 20/20 in 1983. [112] He has received several academic honors, including an Honorary Doctorate of Music from Berklee College of Music in 1980, [150] as well as Honorary Doctor of Music degrees from Boston College in 1993, [151] from Harvard University in 2017, [152] and from the University of Pennsylvania in 2021. [153] Williams was made an honorary brother of Kappa Kappa Psi at Boston University in 1993, upon his impending retirement from the Boston Pops. [154] Since 1988, Williams has been honored with 15 Sammy Film Music Awards, the longest-running awards for film music recordings. [155] In 2000, Williams received the Golden Plate Award of the American Academy of Achievement. [156]

Williams has been inducted into the American Classical Music Hall of Fame and the Hollywood Bowl Hall of Fame. Williams was honored with the annual Richard Kirk award at the 1999 BMI Film and TV Awards, recognizing his contribution to film and television music. [157] In 2004, he received a Kennedy Center Honor. [158] He won a Classic Brit Award in 2005 for his soundtrack work of the previous year. Williams has won the Grammy Award for Best Instrumental Composition for his scores for Star Wars, Close Encounters of the Third Kind , Superman, The Empire Strikes Back, E.T. the Extra-Terrestrial, Angela's Ashes, Munich, Indiana Jones and the Kingdom of the Crystal Skull, and The Book Thief. The competition includes not only composers of film scores, but also composers of instrumental music of any genre, including composers of classical fare such as symphonies and chamber music.

In 2003, the International Olympic Committee accorded Williams its highest individual honor, the Olympic Order. [159] In 2009, Williams received the National Medal of Arts in the White House in Washington, D.C., for his achievements in symphonic music for films, and "as a pre-eminent composer and conductor [whose] scores have defined and inspired modern movie-going for decades". [160] In 2012, Williams received the Brit Award for Outstanding Contribution to Music. [161] In 2013, Williams was presented with the Ken Burns Lifetime Achievement Award. [162] In 2016, Williams was made a Chevalier De L'Ordre des Arts et des Lettres – Government of France [163] In 2018, the performing rights organization Broadcast Music, Inc. established The John Williams Award, of which Williams became the first recipient. [164] That same year, Williams received the Grammy Trustees Award, a Special Merit Award presented to individuals who, during their careers in music, have made significant contributions other than performance (and some performers through 1983) to the field of recording. [165] He additionally received a President's Medal award from The Juilliard School and announced during the ceremony that he intended to bequeath his entire library of concert and film music scores, as well as his sketchbooks, to the college. [166]

In 2020, Williams won the Grammy Award for "Best Instrumental Composition" for composing Star Wars: Galaxy's Edge Symphonic Suite, [167] and he received his 52nd Oscar nomination for "Best Original Score" at the 92nd Academy Awards for Star Wars: The Rise of Skywalker. [168] In 2020, Williams received the Gold Medal of the Royal Philharmonic Society [169] as well as the Princess of Asturias Award for the Arts (jointly with Ennio Morricone). [170] In 2022, Williams was appointed an Honorary Knight Commander of the Order of the British Empire (KBE) by Queen Elizabeth II, "for services to film music", one of the final two honorary knighthoods awarded during the Queen's seventy-year reign. [171] [172] In 2024, Williams was inducted into the American Academy of Arts and Letters (jointly with Terence Blanchard) [173] and received the Disney Legends award at the Honda Center in August of the same year. [174]

Concert works

Concertos

Other orchestral works

Chamber works

Discography

Charting hit singles (U.S., Billboard)

YearTitleBillboard

Hot 100

Billboard

AC

1975Main Title (Theme from "Jaws")32 [175] 22 [140]
1977Star Wars (Main Title)10 [176] 4 [140]
1978 Theme from "Close Encounters of the Third Kind"13 [175] 13 [140]

See also

Notes

  1. ↑ 59 nominations, 22 awards
  2. ↑ Was the first to be awarded outside of the acting and directing fields

Related Research Articles

<span class="mw-page-title-main">Danny Elfman</span> American composer (born 1953)

Daniel Robert Elfman is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.

<span class="mw-page-title-main">Philip Glass</span> American composer (born 1937)

Philip Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.

<span class="mw-page-title-main">Leonard Bernstein</span> American conductor and composer (1918–1990)

Leonard Bernstein was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first American-born conductor to receive international acclaim. Bernstein was "one of the most prodigiously talented and successful musicians in American history" according to music critic Donal Henahan. Bernstein's honors and accolades include seven Emmy Awards, two Tony Awards, and 16 Grammy Awards as well as an Academy Award nomination. He received the Kennedy Center Honor in 1981.

<span class="mw-page-title-main">Howard Shore</span> Canadian film score composer (born 1946)

Howard Leslie Shore is a Canadian composer, conductor and orchestrator noted for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies. He won three Academy Awards for his work on The Lord of the Rings, with one being for the song "Into the West", an award he shared with Eurythmics lead vocalist Annie Lennox and writer/producer Fran Walsh, who wrote the lyrics. He is a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979, and collaborated with Martin Scorsese on six of his films.

<span class="mw-page-title-main">Erich Wolfgang Korngold</span> Austrian-born American composer and conductor (1897–1957)

Erich Wolfgang Korngold was an Austrian composer and conductor, who fled Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores.

<span class="mw-page-title-main">Anne-Sophie Mutter</span> German violinist (born 1963)

Anne-Sophie Mutter is a German violinist. Born and raised in Rheinfelden, Baden-Württemberg, Mutter started playing the violin at age five and continued studies in Germany and Switzerland. She was supported early in her career by Herbert von Karajan and made her orchestral debut with the Berlin Philharmonic in 1977. Since Mutter gained prominence in the 1970s and 1980s, she has recorded over 50 albums, mostly with the Deutsche Grammophon label, and performed as a soloist with leading orchestras worldwide and as a recitalist. Her primary instrument is the Lord Dunn–Raven Stradivarius violin.

<span class="mw-page-title-main">Piano Concerto No. 2 (Rachmaninoff)</span> Concerto for piano and orchestra by Sergei Rachmaninoff

The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901. The piece established his fame as a concerto composer and is one of his most enduringly popular pieces.

Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.

Music of <i>Star Wars</i>

The music of the Star Wars franchise is composed and produced in conjunction with the development of the feature films, television series, and other merchandise within the epic space opera multimedia franchise created by George Lucas. The music for the primary feature films was written by John Williams. Williams' work on the series included the scores of nine feature films, a suite and several cues of thematic material for Solo and the theme music for the Galaxy's Edge Theme Park. These count among the most widely known and popular contributions to modern film music, and utilize a symphony orchestra and features an assortment of about fifty recurring musical themes to represent characters and other plot elements: one of the largest caches of themes in the history of film music.

Erich Wolfgang Korngold composed his Violin Concerto in D major, Op. 35, in 1945.

<span class="mw-page-title-main">Gustavo Dudamel</span> Venezuelan conductor and violinist (born 1981)

Gustavo Adolfo Dudamel Ramírez is a Venezuelan conductor. He is currently the music director of the Simón Bolívar Symphony Orchestra and the Los Angeles Philharmonic. He is scheduled to become the Music and Artistic Director of the New York Philharmonic in 2026.

<span class="mw-page-title-main">Richard Harvey (composer)</span> British composer and musician

Richard Allen Harvey is an English composer and musician. Originally of the mediaevalist progressive rock group Gryphon, he is best known now for his film and television soundtracks. He is also known for his guitar concerto Concerto Antico, which was composed for the guitarist John Williams and the London Symphony Orchestra.

Nigel John Hess is a British composer, best known for his television, theatre and film soundtracks, including the theme tunes to Campion, Maigret, Wycliffe, Dangerfield, Hetty Wainthropp Investigates, Badger and Ladies in Lavender.

<span class="mw-page-title-main">Christopher Gunning</span> English composer (1944–2023)

Christopher Gunning was an English composer of concert works and music for films and television.

John Wilson is a British conductor, arranger and musicologist, who conducts orchestras and operas, as well as big band jazz. He is the artistic director of Sinfonia of London.

<span class="mw-page-title-main">Georgii Cherkin</span> Bulgarian musician

Georgii Cherkin is Bulgarian pianist and composer. He has played with some of the most respected conductors and musicians in the world. Not only is he renowned for his performances but also for his masterful orchestrations of many popular piano masterpieces, which have captivated audiences. He introduced the first-ever rendition of Beethoven's "Moonlight Sonata" in an arrangement for piano and orchestra, gaining worldwide recognition.

John Williams, an accomplished composer formerly credited as Johnny Williams, initially worked as a jazz pianist and studio musician before transitioning into composing for television and film. Throughout his illustrious career, he has often conducted his own compositions whenever possible.

Benjamin Mark Lasker Wallfisch is a British composer, conductor, and producer—known for his work on film scores. He has contributed to over 50 feature films since the mid-2000s, including notable works like Blade Runner 2049, Shazam!, It, It Chapter Two, The Invisible Man, Hidden Figures, A Cure for Wellness, The Flash, Twisters, Alien: Romulus, and Kraven the Hunter.

<i>Solo: A Star Wars Story</i> (soundtrack) 2018 soundtrack album by John Powell and John Williams

Solo: A Star Wars Story is the soundtrack album to the 2018 film of the same name directed by Ron Howard, which is the second instalment in the Star Wars anthology series. The score is composed by John Powell, with the Han Solo's theme conducted and composed by John Williams, whom he had collaborated for several Star Wars films, was included in the album. Williams further composed several demos, that were not included in the soundtrack but was released in the deluxe edition. Besides composing the original themes, Powell also incorporated Williams' music from Star Wars films.

<i>Star Wars: The Rise of Skywalker</i> (soundtrack) 2019 film score by John Williams

Star Wars: The Rise of Skywalker – Original Motion Picture Soundtrack is the film score to the 2019 film of the same name composed and conducted by John Williams. The soundtrack album was released in both digital formats and digipak CD by Walt Disney Records on December 18 and 20, 2019 respectively. It is his final soundtrack for the franchise; shortly before the sessions began, Williams announced that he would be retiring from Star Wars after over 40 years as its primary music composer. The score earned an Academy Award nomination for Best Original Score and won Williams a Saturn Award for Best Music.

References

  1. ↑ Nylund, Rob (November 15, 2022). Classic Connection review Archived November 17, 2022, at the Wayback Machine , WBOI ("For the second time this year, the Fort Wayne Philharmonic honored American composer, conductor, and arranger John Williams, who was born on February 8, 1932.")
  2. 1 2 Hernández, Javier C. (February 8, 2022). "John Williams, Hollywood's Maestro, Looks Beyond the Movies". The New York Times. ISSN   0362-4331. Archived from the original on June 22, 2022. Retrieved June 22, 2022. This article explicitly confirms that Williams was born on February 8, 1932; "Williams, who turned 90 on Tuesday".
  3. ↑ (April 23, 2022). From Jaws to Star Wars, Edmonton Symphony Orchestra celebrates John Williams Archived November 15, 2022, at the Wayback Machine , CTV News
  4. ↑ Gray, Tim (October 8, 2015). "John Williams Tapped for 44th AFI Life Achievement Award". Variety. Archived from the original on March 29, 2019. Retrieved July 11, 2016.; "Nominee Facts – Most Nominations and Awards" Archived April 2, 2016, at the Wayback Machine , Academy of Motion Picture Arts and Sciences; retrieved November 29, 2015.
  5. ↑ Golding, Dan (February 7, 2022). "From Jaws to Star Wars to Harry Potter: John Williams, 90 today, is our greatest living composer". The Conversation. Archived from the original on December 31, 2023. Retrieved December 31, 2023.
  6. ↑ Dyche, Olly (February 24, 2023). "The Best Movie Composers of All Time, Ranked". MovieWeb. Archived from the original on December 7, 2023. Retrieved December 31, 2023.
  7. ↑ Lehman, Franck. "A Guide to John Williams's Musical Universe".[ permanent dead link ]
  8. ↑ Andreeva, Nellie (January 23, 2024). "John Williams & Martin Scorsese Make Oscar History As Oldest Nominees, Set Records For Most Noms". Deadline. Archived from the original on January 23, 2024. Retrieved January 23, 2024.
  9. ↑ Burlingame, Jon (June 9, 2016). "AFI Honoree John Williams Looks Back on Six Decades of Iconic Themes". Variety. Archived from the original on June 11, 2016. Retrieved July 11, 2016.
  10. ↑ "Boston Pops – John Williams" Archived February 4, 2017, at the Wayback Machine , bso.org; retrieved November 29, 2015.
  11. ↑ "John Williams – Lost in Space [Original Soundtrack] Album Reviews, Songs & More | AllMusic". AllMusic . Archived from the original on December 27, 2023. Retrieved December 27, 2023.
  12. ↑ "John Williams: The Last Movie Maestro". The Wall Street Journal . December 17, 2011. Archived from the original on August 21, 2016. Retrieved July 11, 2016.
  13. 1 2 "John Williams Walks Back Retirement Claims". January 13, 2023. Archived from the original on January 14, 2023. Retrieved August 17, 2023.
  14. ↑ Top Lifetime Adjusted Grosses Archived February 15, 2020, at the Wayback Machine Box Office Mojo. Retrieved February 8, 2021.
  15. ↑ "Star Wars Score Named To National Recording Register". Film Buff Online. Archived from the original on October 21, 2019. Retrieved June 16, 2016.
  16. ↑ "John Williams, el compositor de la aventura". Revista Esfinge. Archived from the original on May 16, 2013. Retrieved April 30, 2012.
  17. ↑ "Johnny Williams Appears In Film With Sonja Henie". Bath Independent. March 8, 1938.
  18. ↑ Marzlock, Ron (April 2021). "Da dum. Da dum. 'Jaws' composer John Williams started here". Queens Chronicle . Archived from the original on September 29, 2023. Retrieved September 14, 2023.
  19. ↑ Greiving, Tim (July 18, 2018). "John Williams' early life: How a NoHo kid and UCLA Bruin became the movie music man". Los Angeles Times . Archived from the original on February 6, 2019. Retrieved September 14, 2023.
  20. ↑ Thomas, David (October 25, 1997). "The King of Popcorn". The Sydney Morning Herald: 10s.
  21. ↑ Ross, Alex (July 21, 2020). "The Force Is Still Strong With John Williams". The New Yorker . Archived from the original on November 1, 2020. Retrieved August 24, 2020.
  22. 1 2 "Sony Classical Williams Biography". Archived from the original on October 12, 2007. Retrieved October 12, 2007. at Sony Classical; retrieved September 29, 2007. During his time in college, Williams was a pianist at a local club.
  23. ↑ Los Angeles City College website Archived May 31, 2013, at the Wayback Machine , lacitycollege.edu; accessed December 28, 2015.
  24. ↑ "When the Draft Calls Ended". Air Force Magazine. Archived from the original on August 22, 2021. Retrieved August 22, 2021.
  25. 1 2 Barrett, Heather (September 30, 2015). "Star Wars composer John Williams's first score a 1952 Newfoundland film". CBC News. Archived from the original on January 5, 2016. Retrieved December 31, 2015.
  26. ↑ Sullivan, Eric (June 7, 2016). "WATCH—Interview with Composer John Williams". U.S. Air Force Bands. Archived from the original on August 25, 2019. Retrieved August 25, 2019.
  27. ↑ "John Williams' first ever soundtrack unearthed". ClassicFM/. Archived from the original on July 24, 2023. Retrieved July 24, 2023.
  28. ↑ "Interview with John Williams". BMI. Archived from the original on February 8, 2018. Retrieved February 8, 2018.
  29. ↑ Lunden, Jeff (November 10, 2012). "John Williams's Inevitable Themes". Alabama Public Radio. Archived from the original on October 28, 2017. Retrieved July 15, 2021.
  30. ↑ "Our American Roots Program Notes". New West Symphony. Retrieved June 15, 2024.
  31. ↑ "John Williams: Compositions, movies, age and awards revealed". Classic FM. Retrieved June 15, 2024.
  32. ↑ Films & Filming, vol. 24, 1977, p. 32
  33. ↑ "Legacy Conversations: David Newman". The Legacy of John Williams. May 31, 2019. Retrieved August 5, 2024.
  34. ↑ Tribute to John Williams, ca. 1991.
  35. 1 2 3 4 King, Darryn (June 24, 2023). "John Williams on 'Indiana Jones' and His Favorite Film Scores". The New York Times . Archived from the original on November 30, 2023. Retrieved November 29, 2023.
  36. 1 2 Grieving, Tim (July 18, 2018). "John Williams' early life: How a NoHo kid and UCLA Bruin became the movie music man". Los Angeles Times. Archived from the original on February 6, 2019. Retrieved July 15, 2021.
  37. ↑ Barton, Tom. A Musical Biography of John Williams. Archived from the original on November 15, 2023. Retrieved December 31, 2015.
  38. ↑ Casey, Dan (November 1, 2015). 100 Things Star Wars Fans Should Know & Do Before They Die. Triumph Books. ISBN   978-1-63319-345-1. Archived from the original on November 15, 2023. Retrieved December 31, 2015.
  39. ↑ "Romanticism". Archived from the original on December 2, 1998. Retrieved August 25, 2006.
  40. ↑ "Star Wars and Wagner's Ring". Archived from the original on July 26, 2010. Retrieved August 15, 2010.
  41. 1 2 3 Ross 2020.
  42. ↑ "Deanna Lund Meets John Williams At Lincoln Party". Irwin Allen News Network. Archived from the original on January 11, 2016. Retrieved December 31, 2015.
  43. ↑ "Marooned" credits (unaired pilot, October 16, 1962)
  44. ↑ RCA Victor PL-45929
  45. ↑ Kael, Pauline (October 14, 1973). "Movieland—The Bum's Paradise". The New Yorker . Archived from the original on December 8, 2023. Retrieved November 30, 2023.
  46. ↑ Audissino, Emilio (2021). The Film Music of John Williams.
  47. 1 2 3 4 "Academy Awards and Nominations". John Williams Web Pages. Archived from the original on March 31, 2009. Retrieved December 31, 2015.
  48. ↑ MacKay, Robbie (April 27, 2020). "45 years on, the 'Jaws' theme manipulates our emotions to inspire terror". The Conversation. Archived from the original on June 24, 2021. Retrieved November 28, 2023.
  49. ↑ Tylski, Alexandre (September 14, 1999). "A Study of Jaws' Incisive Overture". Film Score Monthly. Archived from the original on October 23, 2006.
  50. ↑ Kael, Pauline (November 20, 1977). "The Greening of the Solar System". The New Yorker . Archived from the original on November 17, 2023. Retrieved November 17, 2023.
  51. ↑ Tylski 1999.
  52. ↑ John Williams (2002). A Conversation with John Williams (DVD). Universal.
  53. ↑ Daniloff, Caleb (May 18, 2009). "Williams surprises Spielberg". BU Today. Boston University. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  54. ↑ Scott, A. O. (June 29, 2001). "Do Androids Long For Mom?". The New York Times. Archived from the original on October 23, 2021. Retrieved November 27, 2023.
  55. ↑ Berardinelli, James. "Catch Me If You Can". ReelViews.net. Archived from the original on December 3, 2019. Retrieved July 3, 2008.
  56. ↑ "The Adventures of Tintin: The Secret of the Unicorn (John Williams)". Filmtracks. Archived from the original on February 28, 2013. Retrieved April 30, 2012.
  57. ↑ "War Horse (John Williams)". Filmtracks. November 21, 2011. Archived from the original on March 2, 2013. Retrieved April 30, 2012.
  58. ↑ "The Adventures of Tintin: The Secret of the Unicorn (John Williams)". Moviecues. November 1, 2011. Archived from the original on April 26, 2012. Retrieved April 30, 2012.
  59. ↑ "War Horse (John Williams)". Moviecues. December 4, 2011. Archived from the original on April 26, 2012. Retrieved April 30, 2012.
  60. ↑ "The Adventures Of Tintin: The Secret Of The Unicorn – John Williams". Moviemusicuk.us. October 23, 2011. Archived from the original on June 6, 2012. Retrieved April 30, 2012.
  61. ↑ "The Adventures of Tintin: The Secret of the Unicorn soundtrack review". Movie-wave.net. December 4, 2011. Archived from the original on April 6, 2013. Retrieved April 30, 2012.
  62. ↑ "Winners for the 84th Academy Awards". Oscars.org. Archived from the original on August 25, 2013. Retrieved April 30, 2012.
  63. ↑ "The 69th Annual Golden Globe Awards Nominations". Official Website of the HFPA and the Golden Globe Awards. December 15, 2011. Archived from the original on May 7, 2012. Retrieved April 30, 2012.
  64. ↑ "John Williams | Awards". Johnwilliams.org. Archived from the original on January 17, 2020. Retrieved December 12, 2019.
  65. ↑ Fischer, Russ (March 3, 2015). "New Steven Spielberg and Tom Hanks Film Titled 'Bridge of Spies,' John Williams Confirmed to Score". /Film. Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  66. ↑ "Thomas Newman Replaces Williams on 'Bridge of Spies'". John Williams Fan Network. March 18, 2015. Archived from the original on March 20, 2015. Retrieved March 18, 2015.
  67. ↑ "John Williams won't score a Steven Spielberg film for the first time in 30 years". The Verge. March 18, 2015. Archived from the original on June 7, 2015. Retrieved June 8, 2015.
  68. ↑ Burlingame, Jon (July 7, 2017). "John Williams and Alan Silvestri to Score Steven Spielberg's Next Films (EXCLUSIVE)". Variety. Archived from the original on July 9, 2017. Retrieved July 8, 2017.
  69. ↑ Burlingame, Jon (December 10, 2021). "How 'West Side Story's' First-Class Music Team Preserved the Authenticity of Leonard Bernstein's Score". Variety. Archived from the original on December 14, 2021. Retrieved December 14, 2021.
  70. ↑ Bouzereau, Laurent (2021). West Side Story the Making of the Steven Spielberg Film. Abrams, Incorporated. ISBN   978-1-4197-5063-2. Archived from the original on October 9, 2021. Retrieved November 5, 2021.
  71. ↑ Burlingame, Jon (February 7, 2022). "As John Williams Turns 90, No Signs of Slowing Down, With Fabelmans, Indiana Jones and Birthday Gala in the Offing". Variety . Archived from the original on September 28, 2022. Retrieved February 7, 2022.
  72. ↑ "Kompositören John Williams går i pension". Archived June 24, 2022, at the Wayback Machine Sveriges Radio, June 24, 2022. (in Swedish)
  73. ↑ "'Star Wars Episode 7': John Williams Will Probably Score the Sequel, According to J. J. Abrams". Moviefone. May 1, 2013. Archived from the original on March 4, 2016. Retrieved December 31, 2015.
  74. ↑ "John Williams – Film Composer'. h2g2. Archived September 27, 2016, at the Wayback Machine Accessed June 1, 2019. "Reminiscent of the 'Dies Irae' from Verdi's Requiem, 'Duel of the Fates' was written to accompany the climactic lightsaber battle in the first of the Star Wars prequels. While much of the film failed to meet the expectations generated by its hype, this scene stood out as a dazzling work of fight choreography, and the score was an important part of that."
  75. ↑ Richards, Mark (November 30, 2015). "Celebrating Star Wars Themes Part 4". Film Music Notes. Archived from the original on January 5, 2016. Retrieved December 31, 2015.
  76. ↑ Richards, Mark (November 30, 2015). "Celebrating Star Wars Themes Part 5". Film Music Notes. Archived from the original on January 20, 2016. Retrieved December 31, 2015.
  77. ↑ Richards, Mark (November 30, 2015). "Celebrating Star Wars Themes Part 6". Film Music Notes. Archived from the original on January 19, 2016. Retrieved December 31, 2015.
  78. ↑ Mugglenet (November 12, 2010). "First notes from Deathly Hallows – Part 1 junket in London". MuggleNet. Archived from the original on December 12, 2019. Retrieved December 12, 2019.
  79. ↑ "Williams Says He 'Hopes' to Work on New Star Wars Trilogy". John Williams Fan Network. February 11, 2013. Archived from the original on August 25, 2020. Retrieved February 12, 2013.
  80. ↑ "Williams confirms he will score Episode VII". John Williams Fan Network. May 23, 2013. Archived from the original on November 3, 2013. Retrieved May 23, 2013.
  81. ↑ "Oscar Nominations 2016: Star Wars: The Force Awakens". Oscars. January 14, 2016. Archived from the original on January 17, 2016. Retrieved January 14, 2015.
  82. ↑ McCormick, Rich (August 16, 2016). "John Williams confirms he's working on the score for Star Wars: Episode VIII". The Verge. Archived from the original on August 16, 2016. Retrieved August 16, 2016.
  83. ↑ Burlingame, Jon (December 30, 2017). "'Solo' Locks In Key 'Star Wars' Veteran". Variety. Archived from the original on December 30, 2017. Retrieved December 30, 2017.
  84. ↑ "'Solo: A Star Wars Story' Deluxe Edition Soundtrack Album Details". Film Music Reporter. October 20, 2020. Archived from the original on November 20, 2020. Retrieved November 21, 2020.
  85. ↑ The Legacy of John Williams [@thelegacyofjw] (November 20, 2020). "John Powell also revealed which cues include JW's own pieces he composed to picture as 'demos'" (Tweet). Retrieved November 21, 2020– via Twitter.
  86. ↑ Kaye, Ben (March 7, 2018). "John Williams to retire from Star Wars films following Episode IX". Consequence of Sound . Archived from the original on June 25, 2021. Retrieved March 7, 2018.
  87. ↑ Breznican, Anthony; Robinson, Joanna (December 20, 2019). "25 Star Wars: The Rise of Skywalker Cameos You Might Have Missed". Vanity Fair. Archived from the original on December 1, 2020. Retrieved December 24, 2019.
  88. ↑ Burlingame, Jon (May 20, 2019). "John Williams in Disneyland: The Story Behind His 'Star Wars: Galaxy's Edge' Theme". Variety. Archived from the original on May 20, 2019. Retrieved November 21, 2020.
  89. ↑ Nyren, Erin (November 18, 2018). "John Williams to Compose New 'Star Wars' Music for Disney Parks Attractions". Variety. Archived from the original on December 3, 2018. Retrieved November 21, 2020.
  90. ↑ Burlingame, Jon (February 17, 2022). "John Williams Returns to 'Star Wars' Universe with 'Obi-Wan Kenobi' Theme (EXCLUSIVE)". Variety. Archived from the original on February 17, 2022. Retrieved February 17, 2022.
  91. ↑ Kael, Pauline (March 20, 1978). "Shivers". The New Yorker.
  92. ↑ Commentary track, Superman: The Movie
  93. ↑ https://www.gamesradar.com/entertainment/dc-movies/james-gunn-says-he-is-bringing-back-that-iconic-john-williams-score-in-superman-to-pay-tribute-to-when-he-first-heard-it-as-a-child/
  94. ↑ Gonzalez, Umberto (December 17, 2024). "James Gunn's 'Superman' Takes Flight: No Universe-Building, 'Top Gun'-Style Action and Why the Trunks Won Out". TheWrap . Retrieved December 17, 2024.
  95. ↑ Kaplan, Peter (September 10, 1985). "John Williams Creates Themes for NBC News". The New York Times. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  96. ↑ "The 61st Academy Awards, 1989". Academy of Motion Picture Arts and Sciences. October 5, 2014. Archived from the original on April 17, 2018. Retrieved April 3, 2022.
  97. ↑ Southall, James (2008). "Williams: The Accidental Tourist". Movie Wave. Archived from the original on August 11, 2022. Retrieved April 3, 2022.
  98. ↑ "John Williams to Score 'The Book Thief'". Film Music Reporter. August 6, 2013. Archived from the original on December 8, 2015. Retrieved August 6, 2013.
  99. ↑ "Nominee Facts – Most nominations and Awards" Archived July 1, 2016, at the Wayback Machine , Academy Awards Database, Retrieved November 30, 2015
  100. ↑ Spangler, Todd (May 5, 2016). "Kobe Bryant Inks Sports Illustrated Deal for 'Dear Basketball' Animated Film". Variety . Archived from the original on June 8, 2016. Retrieved June 10, 2016.
  101. ↑ Burlingame, Jon (January 11, 2018). "Kobe Bryant Scores With Composer John Williams for 'Dear Basketball'". Variety . Archived from the original on January 13, 2018. Retrieved January 12, 2018.
  102. ↑ Brooks, Amanda (January 9, 2023). "Legendary Composer John Williams Creates Original Score for ESPN's College Football Playoff National Championship Presented by AT&T". ESPN Press Room U.S. Retrieved April 16, 2024.
  103. ↑ Knight, Michael (April 30, 1980). "John Williams Opens Season With Pops; Meredith and C-3PO Divided Into Thirds Redecorating the Old House". The New York Times. The New York Times. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  104. ↑ Holland, Bernard (June 14, 1984). "Boston Pops Conductor Resigns Abruptly". The New York Times . Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  105. ↑ Clendinen, Dudley (May 1, 1985). "At 100, the Boston Still Packs Them In". The New York Times . Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  106. ↑ "New Conductor Appointed for Boston Pops Orchestra". The New York Times . The New York Times. February 7, 1995. Archived from the original on May 26, 2015. Retrieved November 19, 2020.
  107. ↑ Edwards, David Noel (August 25, 2015). "Tanglewood Film Night Without John Williams?". The Berkshire Edge. Archived from the original on April 15, 2016. Retrieved December 31, 2015.
  108. ↑ "Concerto for Clarinet". MyTempo. 1991. Archived from the original on September 28, 2007. Retrieved September 17, 2007.
  109. 1 2 "Concert Works". John Williams Fan Network. 2015. Archived from the original on December 26, 2015. Retrieved December 31, 2015.
  110. ↑ A. Z. Madonna (July 25, 2021). "At Tanglewood, a showcase of John Williams's strengths" . The Boston Globe. Retrieved April 16, 2024.
  111. ↑ Kelly, Sharon (March 11, 2022). "World Premiere Recording Of John Williams' 'Violin Concerto No. 2' Announced". uDiscover Music. Retrieved April 16, 2024.
  112. 1 2 "John Williams: Videos" Archived August 6, 2010, at the Wayback Machine from the John Williams Fan Network, June 2, 2007.
  113. ↑ Burlingame, Jon (January 15, 2009). "Williams' music to Obama's ears". Variety. Archived from the original on December 11, 2023. Retrieved December 11, 2023.
  114. ↑ "New Williams Fanfare to Premiere Next Week – JOHN WILLIAMS Fan Network – JWFAN". May 16, 2013. Retrieved April 16, 2024.
  115. ↑ Maestro John Williams: Honorary Marine. United States Marine Band. July 18, 2023. Retrieved April 17, 2024– via YouTube.
  116. ↑ "Tanglewood's 'Film Night' 2021: Reviews, Photos and More ('Overture to the Oscars' World Premiere) – JOHN WILLIAMS Fan Network – JWFAN". August 19, 2021. Retrieved April 16, 2024.
  117. ↑ "VIDEO: 'Fanfare for Solo Trumpet' – New Williams Work for David Geffen Hall Reopening – JOHN WILLIAMS Fan Network – JWFAN". March 23, 2022. Retrieved April 16, 2024.
  118. ↑ "VIDEO: John Williams Conducts New Fanfare 'Centennial Overture' at the Hollywood Bowl (World Premiere) – JOHN WILLIAMS Fan Network – JWFAN". June 4, 2022. Retrieved April 16, 2024.
  119. ↑ Coghlan, Alexandra (April 16, 2024). "John Williams, film's greatest composer — I'm 91 and haven't retired". The Times . ISSN   0140-0460 . Retrieved April 16, 2024.
  120. ↑ Ecks, Johnny (February 12, 2004). "John Williams: the Art of the Score (review)". John Williams Fan Network. Archived from the original on February 25, 2013. Retrieved May 22, 2013.
  121. ↑ Kozinn, Allan (April 26, 2006). "Philharmonic and Film: Sound to Bring Pictures to Life". The New York Times. Archived from the original on January 11, 2016. Retrieved May 22, 2013.
  122. ↑ Chris Matthew Sciabarra, "John Williams & the NY Philharmonic" Archived March 4, 2016, at the Wayback Machine from Notablog, May 16, 16, 2006.
  123. ↑ Kozinn, Allan (September 9, 2007). "Classical: Just in Time for Timeless Melodies". The New York Times . Archived from the original on June 5, 2015. Retrieved May 22, 2013.
  124. ↑ Anthony Tommasini, "John Williams: NY Philharmonic (review)" Archived January 16, 2018, at the Wayback Machine from New York Times, September 17, 2007.
  125. ↑ Groner, Danny (October 26, 2011). "John Williams Makes Movie Music Come Alive". Huffington Post. Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  126. ↑ Justin Davidson (April 22, 2023). "A Blockbuster Evening With John Williams at Carnegie Hall" Archived December 15, 2023, at the Wayback Machine . New York Magazine.
  127. ↑ "A Jedi Walks into a Gala" Archived December 15, 2023, at the Wayback Machine . Town & Country. April 26, 2023.
  128. ↑ "An Evening with John Williams and Yo-Yo Ma" Archived December 1, 2023, at the Wayback Machine . Carnegie Hall. February 2, 2024.
  129. ↑ "Legendary Composer John Williams to Pay Tribute to National Anthem on PBS' A Capitol Fourth". Broadway World. June 25, 2014. Archived from the original on January 3, 2016. Retrieved December 31, 2015.
  130. ↑ Borrelli, Christopher (April 17, 2017). "13 favorite moments from 'Star Wars' Celebration in Orlando this weekend". Chicago Tribune. Archived from the original on August 28, 2019. Retrieved July 13, 2019.
  131. ↑ Grieving, Tim. "John Williams And Anne-Sophie Mutter, 2 Geniuses For The Price Of One". NPR. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  132. ↑ "A Tribute to John Williams, Sun, 19. January 2020". Vienna Philharmonic. Archived from the original on August 25, 2020. Retrieved May 4, 2020.
  133. ↑ "John Williams in Vienna: 2020's best-selling orchestral album is released as new double-album fan edition". Deutsche Grammophone. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  134. ↑ "Wiener Philharmoniker sagen Ball 2021 ab". Die Presse (in German). October 22, 2020. Archived from the original on December 4, 2020. Retrieved December 21, 2020.
  135. ↑ "John Williams conducts John Williams". Berlin Philharmonic. Archived from the original on December 27, 2021. Retrieved October 18, 2021.
  136. ↑ "Tanglewood 2022 season update: More James Taylor tickets released, and John Williams will conduct at Tanglewood on Parade". The Berkshire Eagle. March 10, 2022. Archived from the original on May 8, 2022. Retrieved May 8, 2022.
  137. ↑ Rousseau, Morgan. "Photos: BSO honors legendary composer John Williams with star-studded 90th birthday celebration". Boston Globe. Archived from the original on August 27, 2022. Retrieved August 27, 2022.
  138. ↑ "John Williams Conducts Surprise Performance of Indiana Jones Theme Song at Dial of Destiny Premiere". January 25, 2024. June 14, 2023. Archived from the original on January 25, 2024. Retrieved January 25, 2024.
  139. ↑ "Deutsche Grammophon Announces 'John Williams in Tokyo' (Digital, CD & Blu-ray) + 'John Williams in Concert' 7-LP Vinyl Box Set – JOHN WILLIAMS Fan Network – JWFAN". February 23, 2024. Retrieved April 16, 2024.
  140. 1 2 3 4 "Actress in Reno film found dead". Reno Gazette-Journal. Reno, Nevada. March 4, 1974. p. 2. Retrieved July 13, 2020– via Newspapers.com.
  141. ↑ "Joseph Williams talks about music, life during Toto's 40th trip around the sun". The Slate. Archived from the original on April 14, 2019. Retrieved April 14, 2019.
  142. ↑ "The Boston Pops Gets a Movie Composer Who Doesn't Chase Fire Engines as Its New Boss". People. Archived from the original on September 22, 2019. Retrieved September 22, 2019.
  143. ↑ Green, Edward (2020). "Interview with Composer Marcus Paus". Iconi. Vol. 2, no. 3. pp. 56–67. Archived from the original on December 23, 2020. Retrieved December 24, 2020.
  144. ↑ "John Williams vs Gustav Holst or Star Wars Vs The Planets – YouTube". YouTube. November 13, 2016. Archived from the original on December 11, 2021. Retrieved July 15, 2020.
  145. ↑ Gabler, Jay. "Star Wars music: What were John Williams' classical influences?". Classicalmpr.org. Archived from the original on July 15, 2020. Retrieved July 15, 2020.
  146. ↑ Barone, Joshua (September 14, 2017). "Hear the Music That Inspired 'Star Wars'". The New York Times . ISSN   0362-4331. Archived from the original on August 12, 2020. Retrieved July 15, 2020.
  147. ↑ "John Williams". The Kennedy Center. Retrieved December 31, 2023.
  148. ↑ "Williams, John biography". 8notes. Archived from the original on September 9, 2015. Retrieved May 6, 2007.
  149. ↑ "John Williams Film Music Box Biography Discography News". Archived from the original on September 27, 2007. Retrieved May 6, 2006.
  150. ↑ Academy Award-Winning Composer A. R. Rahman to Receive Honorary Doctorate from Berklee Archived December 22, 2017, at the Wayback Machine berklee.edu/news accessed June 1, 2019 'Past honorary doctorate recipients include... John Williams...'
  151. ↑ "Boston College Fact Book, 1998–1999" (PDF). Archived (PDF) from the original on January 21, 2022. Retrieved August 28, 2015.
  152. ↑ "Harvard awards 10 honorary degrees at 366th Commencement". News.harvard.edu. May 25, 2017. Archived from the original on May 25, 2017. Retrieved May 25, 2017.
  153. ↑ "Penn's 2021 Commencement Speaker and Honorary Degree Recipients". Almanac.upenn.edu. Archived from the original on March 16, 2021. Retrieved May 18, 2021.
  154. ↑ "Theta Beta Alumni Roster". Bubands.com. Archived from the original on May 14, 2013. Retrieved March 28, 2012.
  155. ↑ "The Sammy Awards List". American Music Preservation. Archived from the original on May 26, 2006. Retrieved January 17, 2022.
  156. ↑ "Golden Plate Awardees of the American Academy of Achievement". Achievement.org. American Academy of Achievement. Archived from the original on December 15, 2016. Retrieved August 7, 2020.
  157. ↑ "BMI Film/Awards:1999". BMI. January 1999. Archived from the original on June 6, 2011. Retrieved November 4, 2010.
  158. ↑ Crean, Ellen (December 15, 2004). "John Williams: Movie Music Man". CBS News. Archived from the original on September 26, 2016. Retrieved November 19, 2020.
  159. ↑ "IOC awards the Olympic Order to John Williams". IOC. May 1, 2003. Archived from the original on December 8, 2013. Retrieved December 19, 2011.
  160. ↑ "Remarks by the President at Presentation of the National Humanities Medal and the National Medal of the Arts | The White House". Whitehouse.gov . February 25, 2010. Archived from the original on February 16, 2017. Retrieved July 4, 2011– via National Archives.
  161. ↑ "John Williams wins a Lifetime Achievement Award at Classic BRITs 2012". ClassicFM. Archived from the original on October 28, 2020. Retrieved December 21, 2020.
  162. ↑ "Ken Burns Lifetime Achievement Award". Archived from the original on October 25, 2013.
  163. ↑ "Gérard Araud, Ambassadeur de France en visite à Los Angeles". Consulat Général de France à Los Angeles. Archived from the original on March 13, 2021. Retrieved January 29, 2021.
  164. ↑ "BMI to Honor Legendary Composer John Williams With Special Award at Film, TV & Visual Media Awards". BMI. April 9, 2018. Archived from the original on August 9, 2020. Retrieved December 21, 2020.
  165. ↑ Velez, Jennifer (October 4, 2018). "Gustavo Dudamel Awards John Williams On "GRAMMY Salute To Music Legends"". The Grammys. Archived from the original on May 8, 2021. Retrieved March 15, 2021.
  166. ↑ "Williams Donates All His Scores to Juilliard – JOHN WILLIAMS Fan Network – JWFAN". March 6, 2018. Retrieved April 16, 2024.
  167. ↑ Grammy Award Winners List 2020 Archived January 26, 2020, at the Wayback Machine by Zoe Haylock, Vulture, January 27, 2020.
  168. ↑ "John Williams receives his 52nd Oscar nomination for 'Rise of Skywalker' score". Classic FM. Archived from the original on November 2, 2020. Retrieved January 14, 2020.
  169. ↑ "John Williams". Royal Philharmonic Society. Archived from the original on December 1, 2020. Retrieved December 21, 2020.
  170. ↑ "Ennio Morricone and John Williams – Laureates – Princess of Asturias Awards". The Princess of Asturias Foundation. Archived from the original on July 6, 2020. Retrieved December 21, 2020.
  171. ↑ Frost, Caroline (September 24, 2022). "Queen's Last Knight: Steven Spielberg's Favourite Composer John Williams "Honoured By Queen Elizabeth"". Deadline. Archived from the original on September 24, 2022. Retrieved September 24, 2022.
  172. ↑ "Queen's final knighthoods go to Williams and Iger". BBC News . September 26, 2022. Archived from the original on September 26, 2022. Retrieved September 27, 2022.
  173. ↑ "Oscar winner John Williams among 19 new members of American Academy of Arts and Letters". AP News. February 29, 2024. Retrieved April 16, 2024.
  174. ↑ Moss (March 19, 2024). "D23 Announces Extraordinary Line Up of 2024 Disney Legends Award Honorees". The Walt Disney Company. Retrieved April 16, 2024.
  175. 1 2 "John Williams Chart History". Billboard. Archived from the original on November 28, 2021. Retrieved September 20, 2018.
  176. ↑ "Hot 100". Billboard. September 17, 1977. Archived from the original on May 19, 2021. Retrieved December 27, 2020.

Further reading

Cultural offices
Preceded by Principal Conductor, Boston Pops Orchestra
1980–1993		Succeeded by
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.