George Richard Ian Howe FentonCBE (born 19 October 1949[1]), known professionally as George Fenton, is an English composer. Best known for his work writing film scores and music for television, he has received five Academy Award nominations, several Ivor Novello, BAFTA, Golden Globe, Emmy and BMI Awards, and a Classic BRIT. He is one of 18 songwriters and composers to have been made a Fellow of the Ivors Academy (formally BASCA).
George Fenton was born in 1949 in Bromley, Kent,[2] one of five siblings. He was educated at Carn Brea School and St. Edward's School, Oxford. He began learning the guitar at the age of 8 and at St. Edwards studied the organ with Peter Whitehouse.[3] He did not attend music college but continued to study with Pete Whitehouse and subsequently with the ethnomusicologist and composer, John Leach.
In 1968 he appeared in Alan Bennett's first West End play Forty Years On.[4][5] The following year he was offered a place at the Central School of Speech and Drama but had by then decided to continue with his music and had a record contract with MCA Records. For the next few years, he continued to work in theatre playing small parts and playing and writing music.
Throughout the rest of the 1970s and early 1980s, Fenton worked frequently as a composer for theatre productions.[7][8] He continued to collaborate regularly with Peter Gill (composing for 9 of his productions) and also worked in regional theatre as well as for the Royal Shakespeare Company and The National Theatre.
In 1992, George Fenton was credited with the Sound Track to the Buffalo Bill's Wild West Show at Disneyland, Paris.
Television drama
Fenton wrote his first television score in 1976.[10] This was a continuation of his collaboration with Peter Gill and it was for Gill's production of Hitting Town written by Stephen Poliakoff.
Fenton has composed for a number of notable wildlife television programmes, often collaborating with the wildlife broadcaster David Attenborough and the nature documentary filmmaker Alastair Fothergill. He started on the BBC's long-running series Wildlife on One and Natural World.
In 2003, he composed and conducted the music for the feature documentary film, Deep Blue. It was performed by the Berlin Philharmonic Orchestra – the first film score the orchestra had recorded in its history. In 2007 they repeated the collaboration for the feature documentary film, Earth.
In 2022 George partnered up with Alastair Fothergill and David Attenborough again, this time for BBC One’s Wild Isles series.
In 2003, he scored and conducted the music for the documentary film Deep Blue, which was performed by the Berlin Philharmonic Orchestra, the first film score the orchestra had recorded in its history. In 2007, they repeated the collaboration for the documentary film, Earth. With the producer Jane Carter, Fenton turned each of the scores into concert works. His live film scores continue to be performed by orchestras worldwide.[14]
In 2020, he and Simon Chamberlain released the album, The Piano Framed. Available digitally and on CD and vinyl, it has solo piano arrangements by Chamberlain of many of Fenton's scores including The Blue Planet, Dangerous Liaisons, The Lady in the Van and Groundhog Day.
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