The Madness of King George | |
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Directed by | Nicholas Hytner |
Screenplay by | Alan Bennett |
Based on | The Madness of George III by Alan Bennett |
Produced by |
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Starring | |
Cinematography | Andrew Dunn |
Edited by | Tariq Anwar |
Music by | |
Production companies |
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Distributed by |
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Release dates |
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Running time | 110 minutes [2] |
Country | United Kingdom |
Language | English |
Box office | $27.4 million [3] |
The Madness of King George is a 1994 British biographical comedy drama film directed by Nicholas Hytner and adapted by Alan Bennett from his own 1991 play The Madness of George III . It tells the true story of George III of Great Britain's deteriorating mental health, and his equally declining relationship with his eldest son, the Prince of Wales, particularly focusing on the period around the Regency Crisis of 1788–89. Two text panels at the end of the film note that the colour of the King's urine suggests that he was suffering from porphyria, adding that the disease is "periodic, unpredictable and hereditary."
The Madness of King George won the BAFTA Awards in 1995 for Outstanding British Film and Best Actor in a Leading Role for Nigel Hawthorne, who was also nominated for the Academy Award for Best Actor. The film won the Oscar for Best Art Direction and was also nominated for Oscars for Best Supporting Actress for Mirren and Best Adapted Screenplay. Helen Mirren also won the Cannes Film Festival Award for Best Actress and Hytner was nominated for the Palme d'Or.
In 1999, the British Film Institute voted The Madness of King George the 42nd greatest British film of all time.
King George III's bout of madness in 1788 touched off the Regency Crisis of 1788 and triggered a power struggle between factions of Parliament under the Tory Prime Minister William Pitt the Younger and the reform-minded Leader of the Opposition Charles James Fox.
At first, the King's behaviour appears mildly eccentric. He is deeply concerned with the wellbeing and productivity of Great Britain and exhibits an encyclopaedic knowledge of the families of even the most obscure royal appointments. He is devoted to his loving wife, Queen Charlotte, and their large brood of 15 children. However, he is growing more unsettled, partly over the loss of America. His memory fails, his behaviour becomes erratic and hypersexual, he talks and talks, and his urine turns blue.
George, Prince of Wales, aggravates the situation, knowing that he will be named regent if the King becomes incapacitated. George chafes under his father's relentless criticism, and yearns for greater freedom, particularly when it comes to choosing a wife. He married the woman everyone believes to be his mistress, Mrs. Fitzherbert, in a secret ceremony in 1785. Without his father's consent, the marriage is illegal. Even with consent, it would remove him from the succession, because Fitzherbert is a Catholic. He knows that he has the moral support of Fox, whose agenda includes abolition of the slave trade and friendlier relations with America. Knowing how to exacerbate the King's behaviour, the Prince arranges a concert of music by Handel. The King reacts as expected, interrupting the musicians, speaking lasciviously to Lady Pembroke, and finally assaulting his son.
In a private moment, the King tells Charlotte that he knows something is wrong. They are brutally interrupted when the Prince has them separated, supposedly on the advice of physicians. Led by the Prince of Wales' personal physician, Dr. Warren, the King is treated using the medical practices of the time, which focus on the state of his urine and bowel movements and include painful cupping and purgatives.
Lady Pembroke recommends Dr. Francis Willis, who cured her mother-in-law. Willis uses novel procedures. At his farm in Lincolnshire, patients work to gain “a better opinion of themselves.” He observes to an equerry “To be curbed, thwarted, stood up to, exercises the character.” When the King insults him, foully, he is strapped into a chair and gagged. He will be restrained whenever he “swears and indulges in meaningless discourse” and “does not strive every day and always towards his own recovery”.
When the Prince has the King transferred to Kew, Charlotte watches as her beloved, bearded and wearing a soiled diaper and a straitjacket, struggles against being put in the coach. “Until you can govern yourself, you're not fit to govern others. And until you do so, I shall govern you,” Willis says. At Kew, the King spits soup at Willis, but gains control under the physician's intractable gaze. [lower-alpha 1] Later, the King, properly dressed, feeds himself to a round of applause from staff—but the delusions persist.
The Whig opposition confronts Pitt's increasingly unpopular Tory government with a proposal that would give the Prince powers of regency. Baron Thurlow, the Lord Chancellor, obtains and suppresses proof of the marriage. Fox wins, and the Regency Bill is printed. Thurlow comes to see the King and joins in a moving reading of King Lear . [4] “I have remembered how to seem...” the King muses. “What, what!” an expression he has not used in 6 months. His urine is yellow.
Thurlow and the King arrive at Parliament in time to thwart the bill. The King forces the Prince to admit his marriage and to put away Fitzherbert. With the crisis averted, all those who have witnessed his suffering are summarily dismissed, including Greville. Fitzroy observes: “To be kind does not commend you to kings.”
Cheering crowds welcome the royal family to St. Paul's Cathedral. Willis stands by, but the King dismisses him.
“We must be a model family,” he declares; George wants “something to do.” “Smile at the people, wave at them. Let them see that we're happy. That's why we're here.” Saluting, Willis disappears into the crowd, where Mrs. Fitzherbert also smiles, wistfully.
Alan Bennett insisted that director Nicholas Hytner and actor Nigel Hawthorne should be cast in the film version, after having acted in the play. [6] [7]
In adapting the play to film, the director Nicholas Hytner changed the name from The Madness of George III to The Madness of King George for American audiences, to clarify George III's royalty. A popular explanation developed that the change was made because there was a worry that American audiences would think it was a sequel and not go to see it, assuming they had missed "I" and "II". An interview revealed: "That's not totally untrue," said Hytner, laughing. "But there was also the factor that it was felt necessary to get the word King into the title." [8]
Principal photography took place from 11 July to 9 September 1994. The film was shot at Shepperton Studios and on location at:[ citation needed ]
The Madness of King George was the second highest-grossing British film of the year, behind Shallow Grave , with a gross of £4.6 million in the UK. [9] It debuted strongly at the US box office [10] and went on to gross $15,238,689 in the United States and Canada and $27.4 million worldwide. [11] [3]
The film received largely positive reviews. On Rotten Tomatoes, the film has a 94% score based on 47 reviews, with an average of 7.8/10. The site's consensus states: "Thanks largely to stellar all-around performances from a talented cast, The Madness of King George is a funny, entertaining, and immensely likable adaptation of the eponymous stage production." [12]
Reviewing for Variety , Emanuel Levy praised the film, writing: "Under Hytner's guidance, the cast, composed of some of the best actors in British cinema, rises to the occasion... Boasting a rich period look, almost every shot is filled with handsome, emotionally charged composition". [13]
John Simon of The National Review wrote, "The Madness of King George III has survived the transfer from stage to screen, and emerges equally enjoyable on film." Simon praised the leading actors and most of the supporting cast, except for Carter's portrayal of Fox, which he said lacked charisma. [14]
Stanley Kauffmann of The New Republic wrote, "For those who, like myself, were disappointed in the play, the film contains pleasant surprises, all of them resulting from differences between the two arts." [15]
George IV was King of the United Kingdom of Great Britain and Ireland and King of Hanover from 29 January 1820 until his death in 1830. At the time of his accession to the throne, he was acting as prince regent for his father, King George III, having done so since 5 February 1811 during his father's final mental illness.
Alan Bennett is an English playwright, author, actor and screenwriter. Over his entertainment career he has received numerous awards and honours including two BAFTA Awards, four Laurence Olivier Awards, and two Tony Awards. He also earned an Academy Award nomination for his film The Madness of King George (1994). In 2005 he received the Society of London Theatre Special Award.
Sir Nigel Barnard Hawthorne was an English actor. He is known for his stage acting and his portrayal of Sir Humphrey Appleby, the permanent secretary in the 1980s sitcom Yes Minister and the Cabinet Secretary in its sequel, Yes, Prime Minister. For this role, he won four BAFTA TV Awards for Best Light Entertainment Performance.
Maria Anne Fitzherbert was a longtime companion of George, Prince of Wales. In 1785, they secretly contracted a marriage that was invalid under English civil law because his father, King George III, had not consented to it. Fitzherbert was a Catholic and the law at the time forbade Catholics or spouses of Catholics from becoming monarch, so had the marriage been approved and valid, the Prince of Wales would have lost his place in the line of succession. Before marrying George, Fitzherbert had been twice widowed. Her nephew from her first marriage, Cardinal Weld, persuaded Pope Pius VII to declare the marriage sacramentally valid.
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John Lamin Wood was an English actor, known for his performances in Shakespeare and his lasting association with Tom Stoppard. In 1976, he received a Tony Award for Best Actor in a Play for his performance in Stoppard's Travesties. He was nominated for two other Tony Awards for his roles in Sherlock Holmes (1975) and Rosencrantz and Guildenstern Are Dead (1968). In 2007, Wood was appointed a Commander of the Order of the British Empire in the Queen's New Year Honours List. Wood also appeared in WarGames, The Purple Rose of Cairo, Ladyhawke, Jumpin' Jack Flash, Orlando, Shadowlands, The Madness of King George, Richard III, Sabrina, and Chocolat.
The 49th British Academy Film Awards, more commonly known as the BAFTAs, took place on 23 April 1996 at the Theatre Royal, Drury Lane in London, honouring the best national and foreign films of 1995. Presented by the British Academy of Film and Television Arts, accolades were handed out for the best feature-length film and documentaries of any nationality that were screened at British cinemas in 1995.
Beau Brummell is a 1954 British historical film released by Metro-Goldwyn-Mayer. It was directed by Curtis Bernhardt and produced by Sam Zimbalist from a screenplay by Karl Tunberg, based on the 1890 play Beau Brummell by Clyde Fitch. The play was previously adapted as a silent film made in 1924 and starring John Barrymore as Beau Brummell, Mary Astor, and Willard Louis as the Prince of Wales.
The Madness of George III is a 1991 play by Alan Bennett. It is a fictionalised biographical study of the latter half of the reign of George III of the United Kingdom, his battle with mental illness, and the inability of his court to handle his condition. It was adapted for film in 1994 as The Madness of King George.
Andrew William Dunn BSC is a British cinematographer, best known for his collaborations with Robert Altman, Nicholas Hytner, Lee Daniels and Mick Jackson. He is the recipient of three BAFTA Awards, a British Society of Cinematographers Award and an Evening Standard British Film Award.
George III has featured in many examples of popular culture.
George IV of the United Kingdom has been depicted many times in popular culture.
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The Triple Crown of Acting is a term used in the American entertainment industry to describe actors who have won a competitive Academy Award, Emmy Award, and Tony Award in the acting categories, the highest awards recognized in American film, television, and theater, respectively. The term is related to other competitive areas, such as the Triple Crown of horse racing.
National Theatre Live: 50 Years On Stage is a 2013 live staged event film directed by Nicholas Hytner. Shown in theatres and on PBS and National Theatre Live. The program is presented by The Royal National Theatre which celebrates 50 years of theatre, with some extracts of the best productions from the last five decades including Alan Bennett, Noël Coward, David Hare, Tony Kushner, Eugene O'Neill, Harold Pinter, William Shakespeare, George Bernard Shaw, Tom Stoppard, and Tennessee Williams performed by the countries best performers including Judi Dench, Maggie Smith, Michael Gambon, Helen Mirren, Benedict Cumberbatch, Andrew Scott, Penelope Wilton, Simon Russell Beale, Frances de la Tour, Ian Holm, Derek Jacobi, and Joan Plowright.
"It was wonderful that Alan Bennett insisted on Nick and me doing the film after we'd done it as a play," he said of the playwright.