The Magdalene Sisters | |
---|---|
Directed by | Peter Mullan |
Written by | Peter Mullan |
Produced by | David Crane |
Starring | Geraldine McEwan Anne-Marie Duff Nora Jane Noone Dorothy Duffy Eileen Walsh |
Cinematography | Nigel Willoughby |
Music by | Craig Armstrong |
Production companies | Bord Scannán na hÉireann/the Irish Film Board UK Film Council Scottish Screen Momentum Pictures Temple Films PFP Films |
Distributed by | Momentum Pictures |
Release dates |
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Running time | 119 minutes |
Countries | United Kingdom Ireland |
Language | English |
Box office | $21.1 million [1] |
The Magdalene Sisters is a 2002 drama film written and directed by Peter Mullan, about three teenage girls who were sent to Magdalene asylums (also known as Magdalene laundries), homes for women who were labelled as "fallen" by their families or society. The homes were maintained by individual religious orders, usually by the Catholic Church.
Peter Mullan has remarked that the film was initially made because victims of Magdalene asylums had received no closure in the form of recognition, compensation or apology, and many remained lifelong devout Catholics. [2] Former Magdalene inmate Mary-Jo McDonagh told Mullan that the reality of the Magdalene asylums was much worse than depicted in the film. [3] Some people have questioned some of the depictions of these institutions in the film. [4]
Though set in Ireland, the film was shot entirely on location in Dumfries and Galloway, South-West Scotland. The film was distributed by Miramax. The convent used for the film location was badly damaged by fire on 9 August 2022; it had been St Benedict's Convent in West Dumfries.
In Ireland, 1964, so-called "fallen" women are considered sinners who needed to be redeemed. Four young women – Margaret (raped by her cousin), Bernadette (too beautiful and coquettish), Rose (an unmarried mother) and Crispina (an intellectually disabled unmarried mother) – are forced by their families or caretakers into the Magdalene asylum. The film details the disastrous lives of the four girls whilst they are inmates, portraying their harsh daily regimen and their squalid living conditions at the laundries.
Each woman suffers horrific cruelty and violence from the Mother Superior. Sister Bridget, despite her gentle-faced appearance and outwardly soft-spoken demeanour, is characterised as sadistic and almost inhuman at times, as conveyed through her merciless beating of Rose in full view of Bernadette, or when having shaved Una's head following an escape attempt, she mockingly laughs as Una hopelessly clutches at her fallen hair locks.
Sister Bridget relishes the money the business receives and it is suggested that little of it is distributed appropriately. Those who liken themselves to Mary Magdalene, who deprived herself of all pleasures of the flesh including food and drink, eat hearty breakfasts of buttered toast and bacon while the working women subsist on oatmeal porridge. In one particularly humiliating scene, the women are forced to stand naked in a line after taking a communal shower. The nuns then hold a "contest" on who has the most pubic hair, biggest bottom, biggest breasts and smallest breasts. The corruption of the resident priest, Father Fitzroy, is made very clear through his sexual abuse of Crispina. However, as the years pass, automatic washing machines start to appear, a modern household appliance whose growing ubiquity would eventually fatally undermine the economic viability of commercial laundries and make the Magdalene asylums unsustainable.
Three of the girls are shown, to some extent, to triumph over their situation and their captors. Margaret, although she is allowed to leave by the intervention of her younger brother, does not leave the asylum without leaving her mark. When she deliberately asks Sister Bridget to step aside for her to freely pass and is sharply shot down, Margaret falls to her knees in prayer. The Mother Superior is so surprised, she only moves past her after the Bishop tells her to come along. Bernadette and Rose finally decide to escape together, trashing Sister Bridget's study in search for the key to the asylum door and engaging her in a suspenseful confrontation. The two girls escape her clutches and are helped to return to the real world by a sympathetic relative, their story optimistically ending when Rose boards a coach bound for the ferry to Liverpool and Bernadette becomes an apprentice hairdresser. Crispina's end, however, is not a happy one; she spends the rest of her days in a mental institution (where she was sent to silence her from revealing the sexual abuse she suffered at the hands of Father Fitzroy) and dies of anorexia at the age of 24. [5] The film's script is fictional, but based on four testimonies reported in the documentary Sex in a Cold Climate .
Noone, who played Bernadette Harvey, secured the role following an open audition held in Galway, Ireland, where at the time she was studying science in college. Her audition was praised by director Peter Mullan, who was looking for an actress versatile enough to "change drastically from being feisty and mischievous into someone very dark and damaged". [6]
The film received critical acclaim when it was premiered at the Venice Film Festival in 2002. There, Mullan was awarded the festival's highest prize, the Golden Lion. As of 2021, the review aggregator Rotten Tomatoes reported that 91% of critics and 89% of viewers gave the film positive reviews, based on 144 reviews. The site's consensus reads: "A typical women in prison film made untypical because it's based on real events." [7] Metacritic reported the film had an average score of 83 out of 100, based on 38 reviews – indicating "universal acclaim". [8] This made it the twentieth best reviewed film of the year. [9] The film appeared on several US critics' top ten lists of the best films of 2003. [10]
Bernadette Soubirous, also known as Bernadette of Lourdes, was the firstborn daughter of a miller from Lourdes, in the department of Hautes-Pyrénées in France, and is best known for experiencing apparitions of a "young lady" who asked for a chapel to be built at the nearby cave-grotto. These apparitions occurred between 11 February and 16 July 1858, and the young lady who appeared to her identified herself as the "Immaculate Conception".
Magdalene asylums, also known as Magdalene laundries, were initially Protestant but later mostly Roman Catholic institutions that operated from the 18th to the late 20th centuries, ostensibly to house "fallen women".
Mary Norris was a young woman in Ireland who was sent to a Magdalene asylum, where her name was changed and she was imprisoned until removed by an aunt. Norris spent two years performing hard labor in the Good Shepherd Convent, a Magdalene asylum. Norris later came forward and recounted her experiences of abuse in the asylum and also the St Joseph's Orphanage in Killarney.
Nora-Jane Noone is an Irish actress. In 2020, The Irish Times ranked her 47th on its list of the greatest Irish film actors of all time. She made her screen debut in her breakthrough role film The Magdalene Sisters (2002), and has since been nominated three times at the IFTA Film & Drama Awards for her work in 3 films: The Descent (2005), Savage (2009) and Wildfire (2020).
Bloody Sunday is a 2002 film written and directed by Paul Greengrass based around the 1972 "Bloody Sunday" shootings in Derry, Northern Ireland. Although produced by Granada Television as a TV film, it premiered at the Sundance Film Festival on 16 January, a few days before its screening on ITV on 20 January, and then in selected London cinemas from 25 January.
Peter Mullan is a Scottish actor and filmmaker. His credits include Riff-Raff (1991), Shallow Grave (1994), Braveheart (1995), Trainspotting (1996), My Name Is Joe (1998), The Claim (2000), Neds (2010), War Horse (2011), The Fixer (2008), Top of the Lake (2013), Mum (2016-2019), Ozark (2017-2018), Westworld (2018-2020), Cursed (2020), The North Water (2021), The Underground Railroad (2022), The Lord of the Rings: The Rings of Power (2022–2024), After the Party (2023), and Baghead (2023).
The 24th London Film Critics Circle Awards, honouring the best in film for 2003, were announced by the London Film Critics Circle on 11 February 2004.
The Congregation of Our Lady of Charity of the Good Shepherd, also known as the Sisters of the Good Shepherd, is a Catholic religious order that was founded in 1835 by Mary Euphrasia Pelletier in Angers, France. The religious sisters belong to a Catholic international congregation of religious women dedicated to promoting the welfare of women and girls.
The Sisterhood of the Traveling Pants 2 is a 2008 American comedy-drama film and a sequel to the 2005 film The Sisterhood of the Traveling Pants. The original cast return to star in the film. It was directed by Sanaa Hamri and written by Elizabeth Chandler, who wrote the previous film. The film is based upon the fourth novel in the book series: Forever in Blue (2007), but incorporates scenes and storylines from The Second Summer of the Sisterhood (2003) and Girls in Pants (2004).
Eileen Walsh is an Irish actress. Her credits include Miss Julie (1999), Janice Beard 45 WPM (1999), When Brendan Met Trudy (2000), The Magdalene Sisters (2002), Pure Mule (2005), Eden (2008), The End (2008), Catastrophe (2015), The Children Act (2017), Maze (2017), Wolf (2021), and Ann (2022).
The Religious Sisters of Charity or Irish Sisters of Charity is a Roman Catholic religious institute founded by Mary Aikenhead in Ireland on 15 January 1815. Its motto is Caritas Christi urget nos.
Lady Arabella Fitzmaurice Denny (1707–1792) was an Irish philanthropist, and founder of the Magdalen Asylum for Protestant Girls in Leeson Street, Dublin in 1765.
Mount Saint Canice was a Roman Catholic former convent that was located in Sandy Bay, Hobart, Tasmania, Australia and run by the Congregation of Our Lady of Charity of the Good Shepherd, commonly called the Sisters of the Good Shepherd, from 1893 to 1974.
Sex in a Cold Climate is a 1998 Irish documentary film detailing the mistreatment of "fallen women" in the Magdalene laundries in Ireland. It was produced and directed by Steve Humphries and narrated by Dervla Kirwan. It was used as a source for the 2002 film, The Magdalene Sisters.
The Magdalene Laundries in Ireland, also known as Magdalene asylums, were institutions usually run by Roman Catholic orders, which operated from the 18th to the late 20th centuries. They were run ostensibly to house "fallen women", an estimated 30,000 of whom were confined in these institutions in Ireland.
Mary Magdalene is a 2018 biblical drama film about the woman of the same name, written by Helen Edmundson and Philippa Goslett and directed by Garth Davis. It stars Rooney Mara, Joaquin Phoenix, Chiwetel Ejiofor, and Tahar Rahim.
The Glasgow Magdalene Institution was an asylum in Glasgow, Scotland, initially started in 1812 and was open until 1958.
The Devil's Doorway is a 2018 found footage horror film directed by Aislinn Clarke and co-written with Martin Brennan and Michael B. Jackson.
Mary Teresa Collins is an Irish Traveller survivor of Irish institutions such as the Magdalene laundries, industrial schools and county homes. Collins co-founded the campaign organisation, Justice 4 All Women & Children.
Mary of St. Jerome Tourneux was a French Roman Catholic nun who established the first monastery of the Order of Our Lady of Charity in the United States.