Vera Drake | |
---|---|
Directed by | Mike Leigh |
Written by | Mike Leigh |
Produced by | Simon Channing Williams |
Starring | |
Cinematography | Dick Pope |
Edited by | Jim Clark |
Music by | Andrew Dickson |
Production company | |
Distributed by | Momentum Pictures [1] |
Release date |
|
Running time | 125 minutes |
Country | United Kingdom |
Language | English |
Budget | $11 million |
Box office | $13.3 million [2] |
Vera Drake is a 2004 British period drama film written and directed by Mike Leigh and starring Imelda Staunton, Phil Davis, Daniel Mays and Eddie Marsan. It tells the story of a working-class woman in London in 1950 who performs illegal abortions. It won the Golden Lion at the Venice Film Festival and it was nominated for three Academy Awards and won three BAFTAs.
Vera Drake (Imelda Staunton) is devoted to her family, looking after her husband and children, her elderly mother, and a sick neighbour. Her shy daughter, Ethel (Alex Kelly), works in a lightbulb factory, and her son, Sid (Daniel Mays), tailors men's suits. Her husband, Stanley (Phil Davis), is a car mechanic. Although Vera and her family are poor, their strong family bonds hold them together. During her working day as a house cleaner, Vera performs constant small acts of kindness for the many people she encounters.
She is a kindly person who is eager to help others. Unknown to her family, she also works secretly, providing abortions for young women. She receives no money for providing this service because she believes that her help is an act of charity to women in trouble. However, her partner Lily (Ruth Sheen), who also carries on a black-market trade in scarce postwar foodstuffs, charges two guineas (two pounds and two shillings: equivalent to £87in 2023) for arranging the abortions, without Vera's knowledge.
The film also contains a subplot about an upper-class young woman, Susan (Sally Hawkins), the daughter of one of Vera's employers. Susan is raped by a suitor, becomes pregnant, and asks a friend to put her in contact with a doctor, through whom she can obtain an abortion. The doctor refers her to a psychiatrist, who prompts her to answer questions in a certain way, so that he can legally recommend an abortion on therapeutic psychiatric grounds: that she has a family history of mental illness and that she may commit suicide if not allowed to terminate the pregnancy. The abortion costs her a hundred guineas.
After one of her patients nearly dies, Vera is arrested by the police and taken into custody for questioning. She is held overnight and appears before a magistrate the next morning. Sid is shocked by his mother's secret activities and tells his father that he does not think that he can forgive her. However, in a later conversation with Vera, he expresses fear for what could happen to her in prison, before finally telling Vera that he loves her.
Vera is bailed to appear at the Old Bailey. None of Vera's employers will give her a character reference. Her solicitor thinks she will receive the minimum sentence of 18 months in jail; the judge sentences her to two-and-a-half years' imprisonment "as a deterrent to others." This affects all the people who previously depended on Vera's kindness.
While in prison, Vera meets others who have been convicted of performing illegal abortions. They discuss their sentences, explaining that it's not their first time in prison for performing illegal abortions, and that she'll probably only serve half her sentence. Vera tearfully leaves to go to her cell.
In Vera Drake, Leigh incorporated elements of his own childhood. He grew up in north Salford, Lancashire, and experienced a very ordinary but socio-economically mixed life as the son of a doctor and a midwife. In the book The Cinema of Mike Leigh: A Sense of the Real, Leigh said, "I lived in this particular kind of working-class district with some relations living in slightly leafier districts up the road. So there was always a tension, or at least a duality: those two worlds were forever colliding. So you constantly get the one world and its relationship with the other going on in my films." [3]
Mike Leigh is known to use unusual methods to achieve realism in his films. "Leigh's actors literally have to find their characters through improvisation and research the ways people in specific communities speak and behave. Leigh and his cast immerse themselves in the local life before creating the story" (1994: 7: Watson 29). Critic Roger Ebert explains:
His method is to gather a cast for weeks or months of improvisation in which they create and explore their characters. I don't think the technique has ever worked better than here; the family life in those cramped little rooms is so palpably real that as the others wait around the dining table while Vera speaks to policeman behind the kitchen door, I felt as if I were waiting there with them. It's not that we 'identify' so much as that the film quietly and firmly includes us. [4]
Leigh often uses improvisation to capture his actors' unscripted emotions. When filming Vera Drake, only Imelda Staunton knew ahead of time that the subject of the film was abortion. None of the cast members playing the family members, including Staunton, knew that Vera was to be arrested until the moment the actors playing the police knocked on the door of the house they were using for rehearsals. Their genuine reactions of shock and confusion provided the raw material for their dialogue and actions.
In addition to these methods utilised by Mike Leigh, the director is also admired for his preference of English actors to Hollywood stars. This has led to criticism of Leigh as being a patroniser of the working class. [5] However, using Dickens in his defence, he rebuts these accusations outright proclaiming that the last thing he seeks in his actors is a stereotype. [5] This stereotype was fiercely criticised in the film, Vera Drake:
These abiding quibbles aside, Vera Drake is a compelling and complex film. Though much has been made of the controversial subject matter—back street abortion—its main theme is the buried family secret, the ticking time bomb that can lurk underneath even the most stable marriage. Much of the film's cumulative power lies in its delineation of a rock solid family suddenly rocked to the core by a revelation that is literally beyond their comprehension: the fact that their beloved, and loving, mother is an abortionist. Why, I ask Leigh, does she keep her secret for so long? [5]
Leigh wanted to shoot in 35mm but, after being denied by the producers, the film was shot on 16mm film stock. [6] [7]
As of 9 April 2006, Vera Drake had grossed $12,941,817 at the box office worldwide, including over $3.7 million in the US. [2]
The film has attracted some criticism from those who worked in midwifery during the 1950s. The chief concern is the method of abortion used by Vera Drake in the film. This involves using a Higginson bulb, which is a type of enema syringe, to introduce a warm, dilute solution of carbolic soap and an unspecified liquid disinfectant into the woman's uterus. This method is claimed by Jennifer Worth, a nurse and midwife in the 1950s and 1960s and author of the book Call the Midwife , to be invariably fatal. She called the film itself "dangerous", as it could be shown in countries where abortion is illegal and the method depicted copied by desperate women. [8] In reply Leigh told interviewer Amy Raphael that Worth's criticism overlooked several factors, such as how the film undoubtedly highlights the risk of infection by exploring such misadventure as a means to ultimately curtail Drake's work and the fact that it was based on many testimonies from women who once had such abortions, thereby proving that the procedure did not almost always result in death. [9] [ page needed ]
The website Metacritic, which compiles and averages reviews from leading film critics, gave it a score of 83 out of 100 from 40 reviews. [10] Review aggregator Rotten Tomatoes gives the film an approval rating of 93% based on 161 reviews, with a rating average of 7.9/10. The site's consensus is that "with a piercingly powerful performance by Imelda Staunton, Vera Drake brings teeming humanity to the controversial subject of abortion." [11]
Vera Drake was released on DVD on 29 March 2005. [12]
Jennifer Jason Leigh is an American actress. She began her career on television during the 1970s before making her film breakthrough in the teen film Fast Times at Ridgemont High (1982). She received critical praise for her performances in Last Exit to Brooklyn (1989), Miami Blues (1990), Backdraft (1991), Single White Female (1992), and The Hudsucker Proxy (1994), and was nominated for a Golden Globe for her portrayal of Dorothy Parker in Mrs. Parker and the Vicious Circle (1994).
Mike Leigh is an English writer-director with a career spanning film, theatre and television. He has received numerous accolades, including prizes at the Cannes Film Festival, Berlin International Film Festival, the Venice International Film Festival, three BAFTA Awards, and nominations for seven Academy Awards. He also received the BAFTA Fellowship in 2014, and was appointed an Officer of the Order of the British Empire (OBE) in the 1993 Birthday Honours for services to the film industry.
Dame Imelda Mary Philomena Bernadette Staunton is an English actress and singer. After training at the Royal Academy of Dramatic Art, Staunton began her career in repertory theatre in 1976 and appeared in various theatre productions in the United Kingdom. Over her career, she has received several awards including a British Academy Film Award, and four Laurence Olivier Awards as well as nominations for an Academy Award, three British Academy Television Awards, three Golden Globe Awards, and three Emmy Awards.
The 9th San Diego Film Critics Society Awards, given by the San Diego Film Critics Society, honored the best in film for 2004.
The 8th Toronto Film Critics Association Awards, honoring the best in film for 2004, were held on 16 December 2004.
The 58th British Academy Film Awards, more commonly known as the BAFTAs, took place on 12 February 2005 at the Odeon Leicester Square in London, honouring the best national and foreign films of 2004. Presented by the British Academy of Film and Television Arts, accolades were handed out for the best feature-length film and documentaries of any nationality that were screened at British cinemas in 2004.
The 3rd Washington D.C. Area Film Critics Association Awards, honoring the best in filmmaking in 2004, were given on December 17, 2004.
The 25th London Film Critics Circle Awards, honouring the best in film for 2004, were announced by the London Film Critics Circle on 9 February 2005.
The 5th Vancouver Film Critics Circle Awards, honoring the best in filmmaking in 2004, were given on 20 February 2005.
Lesley Ann Manville is an English actress known for her frequent collaborations with Mike Leigh, appearing in the films Grown-Ups (1980), High Hopes (1988), Secrets & Lies (1996), Topsy-Turvy (1999), All or Nothing (2002), Vera Drake (2004), Another Year (2010), and Mr. Turner (2014). She has been nominated for two British Academy Film Award for Best Supporting Actress for her roles in Another Year (2010) and Phantom Thread (2017), with her performance in the latter earning her a nomination for the Academy Award for Best Supporting Actress.
The 7th British Independent Film Awards, held on November 30, 2004 at the Hammersmith Palais, London, honoured the best British independent films of 2004.
Sally Cecilia Hawkins is an English actress who began her career on stage and then moved into film. She has received several awards including a Golden Globe Award in addition to nominations for two Academy Awards and two British Academy Film Awards.
Fenella Woolgar is an English film, theatre, television and radio actress. She is known for her roles in films including Bright Young Things, Swallows and Amazons and Victoria and Abdul and for TV shows including Doctor Who, as crime novelist Agatha Christie, Inside Number 9, Call the Midwife and The Buccaneers.
The Laurence Olivier Awards, or simply TheOlivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984.
Marion Bailey is an English actress. She is best known for her work with her partner, filmmaker Mike Leigh, including the films Meantime (1983), All or Nothing (2002), Vera Drake (2004), Mr. Turner (2014), for which she was nominated Supporting Actress of the Year by the London Film Critics' Circle, and Peterloo (2018). In 2019 and 2020, she portrayed Queen Elizabeth The Queen Mother in the third and fourth seasons of The Crown on Netflix, for which she won a Screen Actors Guild award winner for best ensemble in 2020 and 2021.
The 61st annual Venice International Film Festival was the 2004 edition of the Venice International Film Festival, held between 1 and 11 September 2004. The festival opened with Steven Spielberg's The Terminal, and closed with Katsuhiro Otomo's Steamboy. The Golden Lion was awarded to Vera Drake, directed by Mike Leigh.
Heather Craney is an English actress, known for portraying Joyce Drake in Vera Drake, Alison Weaver in Life of Riley and Emily Holroyd in Torchwood.
Jennifer Louise Worth RN RM was a British memoirist. She wrote a best-selling trilogy about her work as a nurse and midwife practising in the poverty-stricken East End of London in the 1950s: Call the Midwife (2002), Shadows of the Workhouse (2005) and Farewell to The East End (2009). A television series, Call the Midwife, based on her books, began broadcasting on BBC One in the UK on 15 January 2012 and on PBS in the US on 30 September 2012. After leaving nursing, she re-trained as a musician.
Dorothy Caroline Atkinson is an English actress and singer. She has appeared in several plays by playwright Alan Ayckbourn and in films by Mike Leigh, including Topsy-Turvy, All or Nothing, and Mr. Turner, which premiered at the 2014 Cannes Film Festival, and for which she was nominated for the BIFA Award for Best Supporting Actress.